THE HITMAN’S BODYGUARD
In theatres today from director Patrick Hughes and Lionsgate is a pairing whose time has come with THE HITMAN’S BODYGUARD.
Michael Bryce (Ryan Reynolds) was the world’s top bodyguard, Triple-A rated in fact. Notice I said was! In the blink of an eye Bryce’s life went from the best of everything, including girlfriend Amelia (Elodie Yung) and a nice car to, well, not so much the best.
When a client is taken out on his watch, he is now driving a small set of wheels and shaving has literally taken a back seat. Bryce’s boring life is about to change thanks to Vladislav Dukhovich (Gary Oldman), former country leader who is being prosecuted by The Hague for war crimes.
In order to hold Dukhovich responsible, prosecutors have a key witness in Darius Kincaid (Samuel L. Jackson) who was captured and has agreed to talk. Bryce’s ex-Amelia heads a tactical group in charge of getting Kincaid to court before time runs out. Unfortunately there are those who are going to make that difficult.
Part of the deal in talking is that Kincaid’s wife Sonia (Salma Hayek) would be released from prison which is just fine with Renata Casoria (Tine Joustra) and Jean Foucher (Joaquim de Almeida).
On the way the caravan is attack with Amelia and Kincaid surviving running to the nearest safe house. Knowing that getting to The Hague is imperative, Amelia calls Bryce for help. The moment Bryce and Kincaid meet it is clear these two hold grudges but not punches.
Yet a bromance begins that takes them through firefights, chases, moles, one-liners, realizations, if you can believe it – talks of love!
Reynolds as Bryce does this duo-comedy proud, but then again this isn’t rocket science. Reynolds has timing and a way of delivering a line that is sheer hilarity and, on occasion, becomes memorable. He has a razor sharp wit (have you seen his tweets?) and a sarcasm many wish they had. THE HITMAN’S BODYGUARD is a laughing-notch in his comedic belt in the role of Bryce as the uptight and resentful bodyguard who isn’t exactly thrilled with helping an ex or a criminal.
Jackson as Kincaid is doing what Jackson seems to do best, be wild and crazy. Kincaid is a criminal who took the bait getting caught and has no problem making a deal, not for himself but his love Sonia. Once out in the world however, he knows exactly how to take care of himself and have a good time doing it. Kincaid is the huge thorn in Bryce’s side and enjoys that too! There is absolutely no way Jackson didn’t have a blast doing this film because his character was certainly enjoying himself. He gets to swear, use a gun, talk smack and claim love – a well rounded acting gig if you ask me.
Hayek as Sonia is hysterical and gives her the chance to show her verbal badassness while looking pretty good in a jail cell. Again, she seemed to be having a great time. Rousell as Yung has a history with Bryce but that doesn’t stop her character from throwing him into the fray.
Oldman as Dukhovich gives his best crazy despot who doesn’t mind killing his own people and trying to get away with it character. It feels a bit like an older version of his crazy terrorist who doesn’t mind killing anyone as Ivan Korshunov in the 1997 film AIR FORCE ONE. Always love me some Oldman so no complaints from me.
Other cast include Tsuwayuki Saotome as Kurosawa (remember that name), Rod Hallet as Professor Asimov, Yuri Kolokolnikov as Ivan, Barry Atsma as Moreno, and Richard E. Grant as Seifert.
TUBS OF POPCORN: I give THE HITMAN’S BODYGUARD five tubs of popcorn out of five. I do this pretty much for one obvious reason, I laughed – and laughed hard! That is a big thing for me since most of this movie year I’ve been crying and bitching. This film took all that laughter I have been saving and shook it all right out of me.
Okay, I will also admit here, and see it as a warning in advance, don’t drink and laugh. There is a particular moment between Reynolds and Jackson that caused me to shoot Dr. Pepper right outta my nose – yes folks, THE HITMAN’S BODYGUARD produced an asner of epic proportion.
Yes, this is a buddy movie, yes there are a lot of those but are they as good as this? A few are and THE HITMAN’S BODYGUARD is setting a new high for finding the right duo to pull it off. Reynolds and Jackson are epic together and verbally go mouth-to-mouth with wit, sarcasm and song.
So group up and head to the theatre for a serious good time with laughs provided by two of everyone’s favorite crazy people with THE HITMAN’S BODYGUARD.
In the end – everyone is out to get them if they don’t kill each other first!
WIND RIVER Brings a Winter Chill to a Dark Story
In theatres this Friday from writer/director Taylor Sheridan and The Weinstein Company is the mystery and murder on WIND RIVER.
Cory Lambert (Jeremy Renner) is a Fish and Game Agent who sometimes must hunt down animals that kill ranchers’ herds. While following the tracks of a mountain lion, Lambert comes across human tracks. Following them he finds the body of a young girl.
On Native American lands, Lambert calls Ben (Graham Greene) the local law enforcement who also calls federal officer Jane Banner (Elizabeth Olsen). Clearly not ready to take on a case like this, she asks Lambert to assist in finding out who is responsible.
Lambert agrees but only because the young girl, Natalie (Kelsey Asbille) is the daughter of his dear friend Martin (Gil Birmingham). He understands his pain all to which makes him promise Martin that the murderer will be caught. Banner looks to Lambert who begins to put the pieces together but in an unconventional way.
What becomes clear is that the truth with far more shocking than anyone could imagine.
Renner as Lambert is an introspective person but that’s brought on by tragedy of his own. His character finds solace being a tracker and Renner gives Lambert a stoic disposition that keeps him focused. The scenes between Renner and Birmingham are absolutely stunning, moving and their relationship becomes even clearer to the audience taking my breath away. Renner always brings something memorable to his characters and in WIND RIVER it is heart.
Olsen as Banner is a young FBI officer who isn’t prepared for the case or the weather. This is a character that is tested in every way and isn’t very welcomes by the indigenous people on the reservation. Their trust in the outside world has been filled with disappointments and lies which puts Banner immediately at odds with them.
Greene as Ben is the law enforcement that has a wicked and biting sense of humor. Feeling as if the case is going to get mishandled, he is with Lambert almost every step of the way to ensure justice is done – even if that justice is tribal. I love that Greene is in this film and with a face that doesn’t give anything away, he adds to the mysteriousness of it all.
Birmingham as Martin has another fantastic role of a father dealing with not only the death of his daughter but feeling helpless about their situation all together. He knows that Lambert understands him and knows between his friend and Ben – something will get done. This isn’t Birmingham’s first go around with a Taylor Sheridan film playing Alberto Parker in HELL OR HIGH WATER, another amazing role.
Other cast include Julia Jones as Wilma, Teo Briones as Casey, Apesanahkwat as Dan Crowheart, Tantoo Cardinal as Alice Crowheart, Eric Lange as Dr. Whitehurst, Althea Sam as Annie, Tokala Clifford as Sam Littlefeather, Martin Sensmeier as Chip, Tyler Laracca as Frank, Blake Robbins as Tim, Norman Lehnert as Dale, James Jordan as Pete, Matthew Del Negro as Dillon, Hugh Dillon as Curtis, Ian Bohen as Evan, Austin Grant as Carl and Jon Bernthal as Matt.
TUBS OF POPCORN: I give WIND RIVER four tubs of popcorn out of five. First of all, the cinematographer is amazing set up in the wilderness and harsh setting of winter. It sets the stage for the harshness of the story that is being told drawing you in completely. There is an innate sadness in it and once the story takes off, it becomes clear that there is another story wrapped in.
Renner and Olsen are in it completely character wise and it is such a pleasure to see Greene, Apesanahkwat and Crowheart brought to the screen. Portraying Native American characters called for one thing absolutely – that they should be portrayed by Native American actors to which I give Sheridan much appreciation.
That story is Native American women are attacked so much more than anyone has ever been made aware of. That becomes clear by the end of the film along with the injustice and hopelessness those living on the reservations live with. From drugs to the taking of their land by, in this case, an oil company, Sheridan makes it clear that none of this should continue to be ignored.
WIND RIVER has a few bumps here and there but nothing that bothers me in the slightest. The performances stand out and the story is harsh and believable from start to finish. Capturing it all in the rough setting gives the film another character that doesn’t need to say a word – it is quite clear.
In the end – nothing is harder to track than the truth!
THE DARK TOWER
In theatres this Friday from director Nikolaj Arcel and Columbia Pictures is a novel to screen with the highly anticipated THE DARK TOWER.
Jake Chambers (Tom Taylor) is a young man dealing with the loss of his father. Continuing to have bad dreams, he tries to explain them to his mother Laurie (Katheryn Winnick). She and Jake’s step-father have been sending the young man for professional help but only he knows that it’s not needed.
He dreams about the Man in Black (Matthew McConaughey) and a world that includes a gunslinger named Roland Deschain (Idris Elba). The Man in Black named Walter is looking for a way to take down the Dark Tower and cause an apocalypse that reverberates into several worlds in the service of the Crimson King.
Jake holds the key with his ability known as ‘the shine’ and Walter wants it badly because it’s the only way to bring down the tower. Constantly fighting to stop it, Roland loses his father causing him to only focus on revenge in Mid-World.
When Jake puts together the pieces from his dreams, he finds his way to into Roland’s world. Roland takes the boy to a seer to discover what his dreams and drawings mean and if they can lead them to Walter. Instead, the two need to run into Jake’s world or as Roland calls it Keystone Earth to think of a plan that will get them swiftly to the Man in Black and stop his plan.
But the shine is calling out to Walter making it easier to find the two leading to a showdown where the two worlds work together to survive!
Taylor as Jakes gives the performance of a young man who is torn about the death of his father and the nightmares that plague him. There isn’t anyone who truly believes what he is drawing and even his therapist isn’t on board. Taylor’s character is withdrawn and sullen looking for answers but I think I saw him smile once.
Elba as Roland plays the troubled gunslinger that is angry about what is happening in his world. When revenge takes over, others begin to wonder if he is the gunslinger after all being the only one left. Elba says little except when reciting a creed taught to him by his father and keeps a brooding feel throughout the film which kind of bums me out because there isn’t ‘acting’ in his act.
McConaughey as the Man in Black is pretty much evil down to his core yet keeps his cool every moment. There is something between he and Roland that keeps his ‘magiks’ from penetrating the gunslingers mind. McConaughey has the perfect ensembles and hair while performing his evil deeds and Walter doesn’t mince words but that’s about it.
Winnick as Laurie wants to believe her son but with the pressure from hubby she believes that sending him away for the weekend could help things. Jackie Earle Haley as Sayre is the yes-man for Walter having one of the portals between worlds.
Other cast includes Jackie Earle Haley as Sayre, Abbey Lee as Tirana, Nicholas Hamilton as Lucas Hanson, Dennis Haysbert as Steven Deschain, Michael Barbieri as Timmy, Claudia Kim as Arra, Fran Kranz as Pimli and Joe Suniga as Dr. Hotchkiss.
TUBS OF POPCORN: I give THE DARK TOWER three tubs of popcorn five. It is definitely an adventure and I can see how there could be more to it all which means I might have to read the books. Elba and Taylor work so well together even though that means the basically brood together. They are the yin and yang of each other which plays out.
I suppose my only problem with the film is that I expected so, so, so much more. The running time is about 90 minutes yet there was nothing that really wow’d me, made me giggle a few times but no wow at all. They called Jake’s gift ‘shine’ which is a nice homage to the young boy Danny from 1980 film THE SHINING and the tower looks much like the tall residence of both Saruman and the Eye of Sauron from LORD OF THE RINGS.
There is also reference to Excalibur which made my head do a questioning shake of “whaaaaa?” Maybe it’s that I had the film figured out from start to finish the moment Jake ran away which is irritating since I haven’t read the books.
Okay, perhaps I’m just getting cranky wanting more from Hollywood in general and THE DARK TOWER is a prime example of why. Lets be honest, there is no character development really which would have been nice for those of us who haven’t had the time to delve into the printed page.
There are so many references to other Stephen King films that if I wanted to see them I’d just stay home and watch – well – Stephen King films! I really hate it too because I’m a King fan (not to be confused with the Crimson King like I know who that is) from years and years of reading so it sucks to write a so-so review. Then again, it’s not like he’s going to lose a dime over this person’s opinion of the film.
A far more interesting tidbit is that THE DARK TOWER began with a book written by Stephen King based on a poem by Robert Browning called Childe Roland to the Dark Tower Came.
In the end – in a world of superheroes there is only one gunslinger!
BRAVE NEW JERSEY Takes on War of the Worlds
Coming to theatres and On Demand this Friday from writer/director Jody Lambert and Gravitas Ventures is a town you will come to know as BRAVE NEW JERSEY.
It is 1938 small town New Jersey, USA and everyone is getting ready for a fun town gathering for Halloween. Lorraine Davison (Heather Burns) is helping her husband Paul (Sam Jaeger) by being the perfect homemaker. Happiness doesn’t seem to be part of the formula of their marriage but Lorraine does what she can to make family life easy.
Daughter Ann (Grace Kaufman) just wants to be free of babysitting her Polish cousin Ziggy (Harp Sandman). The fact that he doesn’t speak English gives her leeway to complain but Mom isn’t having it.
Teaching school is Peg (Anna Camp) who is being courted by Chardy Edwards (Matt Oberg) who believes she has her place and it’s by his side. Clark Hill (Tony Hale) has lived in this small town and believes it is the perfect place to be, even if he has a secret of the heart he is keeping.
Reverend Rogers (Dan Bakkedahl) is all about the town and keeping his flock coming every Sunday. His sermons are straight to the point and reach to the heart of his parishioners that include Helen (Erika Alexander) and Stan (Leonard Howze).
That was the intent until the towners turns on their radios and discover that the Martians are invading the world! Running to the church for a meeting, Sheriff Dandy (Mel Rodriguez) doesn’t seem to have any answers either. The one person who wants to immediately plan to defend their town is Captain Collins (Raymond Barry).
In the middle of the preparations, town’s people begin to reevaluate their lives and what is important while waiting for the Martians to arrive. That means being honest about how they feel and, as Captain Collins put it ‘what would you do if you had only one more day to live?’
Martians are the least of their worries!
Burns as Lorraine is the stereotypical woman of the era in that it doesn’t matter what she wants because her job is to keep her husband and family well taken care of. As the invasion comes closer and closer, Lorraine realizes there is more to her life than cooking and cleaning. Hale as Hill is such a lovely character and I rooted for him every step of the way. His inability to speak his heart is running out of time if the Martians have a say in it.
Camp as Peg is the sweet schoolteacher who manages to hide her true feelings under her cute smile. As each moment brings the town closer to what they think is their doom, Camp gives Peg a pair of lady-balls and she let’s loose going against the era grain.
Jaeger as Paul is just everything women now would absolutely cringe about yet he does it with a Don Draper (Mad Men) glittering smile. Rogers as Bakkedahl is a pastor who apparently needs said aliens to get mouthy with God! The scene in the church is actually quite funny. Alexander as Helen calls on the Pastor to explain why this is all happening plus Howze as husband Stan has completely lost it!
Barry as Collins doesn’t care if there are Martians or not, this is the chance of a lifetime to put on his uniform and command the troops. Rodriguez as the Sheriff doesn’t seem to know much about anything except following the townsfolk.
Kaufman as Ann is a young girl who doesn’t believe everything she hears. Deciding to roam the town with her cousin and watch how the adults deal with their fear. I love how she has little fear (except maybe the Captain for a second) and takes a moment to realize that perhaps what was heard on the radio might be something else.
Other cast include Adina Galupa as Shannon, Sandra Lafferty as Farm Lady, Evan Jonigkeit as Sparky, Bill Coelius as Mac, Noah Lomax as Peter, Patrick Miller as Mr. Pepper and Gabriel Landis as Jimmy.
TUBS OF POPCORN: I give BRAVE NEW JERSEY four tubs of popcorn out of five. First of all I love that the film looks exactly like the era from the clothing, behaviors and the town. That’s what drew me into the story immediately plus the fact that the cast captures it all.
The comedy is mixed with an awakening for its female characters not only in what was expected of them in marriage and relationships but it didn’t take some long to grab a gun! I was laughing, then ‘awwwww’ing’ which was followed by more laughing and I don’t mind that one little bit.
I’m keeping a little mum about the story because this film is just so dang cute that going any deeper into it isn’t cool. Just see the film and enjoy every minute of it!
The storyline is pretty cool with how I would have thought people reacted to the 1938 Orson Welles’s radio broadcast of War of the Worlds. Performed Halloween night on The Mercury Theatre on the Air, Welles directed and narrated the story that supposedly caused mass panic. By the way, that event still remains high on my list of the most brilliant things ever done.
In the end – it is an alien comedy with no aliens!
Prepare for an ATOMIC BLONDE
Coming to theatres this Friday with a kick and a bang from director David Leitch and Focus Features is the ATOMIC BLONDE.
It is Berlin and the Cold War as Lorraine (Charlize Theron), a British agent with MI6 and a mean set of skills. Interrogated by Gray (Toby Jones) and Chief C (James Faulkner), they want to know about the mission to retrieve information stolen from another agent.
It is a list of top secret information that can hurt agents everywhere hidden in a watch. Landing in Berlin, Lorraine makes contact with Percival (James McAvoy), a twisted agent living a life more like a bohemian who is good at getting things. Under the cover of retrieving the agent killed, Lorraine begins to poke around given bits and pieces by Percival.
One thing she learns is that there is someone named Spyglass (Eddie Marsan) who has memorized the information. That brings more curiosity to Lorraine and she wants to know what other secrets everyone is keeping from her. Meeting Delphine (Sofia Boutella) might be the key to so very much more.
It is a game of cat and mouse with a high body count when dealing with an ATOMIC BLONDE!
Theron as Lorraine is not anyone I’d ever mess with. Focused, strong, smart and highly aware of her surroundings, she takes a beating but gives just as much in return. Theron doesn’t need tons of dialogue to get the job done. Her eyes and face are expressive until they are not. I love seeing her tear up the screen, not just physically but her intense presence.
McAvoy gets the chance to be sleazy once again. Trying to fit into the scene of Berlin he buys information with Jack Daniels and Jordache jeans (if you don’t know that name kids, ask your grandparents). McAvoy gives the slick chain-smoking character the right amount of angry charm that I enjoyed watching. He’s getting good at being bad!
Jones as Gray wants to know every detail of what happened to the mission yet doesn’t seem shocked at the answers. Goodman as Emmett gets the suspicion of Lorraine from the moment he steps into the room yet there is more to it than just being American.
Marsan as Spyglass is a timid man who knows a little too much about everything and uses it to try and save his family. Boutella as Delphine is the mysterious woman who captures Lorraine’s attention as she watches the chess pieces move all around the board.
Other cast includes Roland Moller as Alekander Bremovych, Bill Skarsgard as Merkel, Sam Hargrave as James Gasciogne, Johannes Johansson as Yuri Bakhtin, Tig Schweiger as the Watchmaker and John Goodman as Emmett.
TUBS OF POPCORN: I give ATOMIC BLONDE four and a half tubs of popcorn out of five. Why? Simply put it’s a heck of a lot of fun to watch, the soundtrack is smokin’, the cinematography is fantastic and the action is none stop from start to finish. It truly is the reason we go to the movies!
The story isn’t geared toward any one demographic as it plays to its strengths and not the political correctness of it all. There just isn’t anything about ATOMIC BLONDE that I didn’t like. Theron is absolutely beautiful and coming off of THE FATE OF THE FURIOUS where she is a real bad gal, in ATOMIC BLONDE she is another type of real bad gal and this one I’d want on my side.
The soundtrack includes a few awesome songs such as 99 Luftballons performed by Nena (remember that video?), Father Figure by George Michaels, Der Kommissar by After the Fire, The Politics of Dancing by Re-Flex, Voices Carry by Til Tuesday, I Ran by Flock of Seagulls and Under Pressure by Queen and David Bowie. I spent a lot of time lip-synching while watching Theron drop kick a few bad guys!
ATOMIC BLONDE is taken from the Oni Press graphic novel series The Coldest City by Antony Johnston who also authored Wasteland.
In the end – she’s about to go atomic on summer!
DUNKIRK is Astounding!
Coming to theatres from writer/director Christopher Nolan and Warner Brothers is a story that tells of the dangers, the ravages and the bravery of those at DUNKIRK.
Let’s begin with a tad bit of history behind the film’s story. It is World War II in 1940 and the Germans have pushed their soldiers into Northern France and Belgium. Allied forces are trapped on the beach as bombardment comes from both land and sea. There are almost 400,000 troops on the shores with no where to go.
The larger military vessels were under constant attack and sunk with devastating losses of life. Across the channel were smaller boats consisting of fishing boats, merchant marines, personal boats, speed boats, ferry’s and even life boats that took to the call to rescue soldiers. Over 800 of these boats made it to the beaches of Dunkirk and a mass evacuation would come to be known as the Miracle of Dunkirk.
Christopher Nolan has brought this incredible story to the screen and it is grand, beautiful and heart stopping. The audience is taken into the story from land, air and sea as filming began in Dunkirk, France. In his style, DUNKIRK is filmed in IMAX 70 mm film with the score of the incredible Hans Simmer.
On the beach, Commander Bolton (Kenneth Branagh) is the ranking officer attempting to get the men off the beaches of Dunkirk along with Colonel Winnart (James D’Arcy). As each ship leaves, it is met with either U-boat fire or planes dropping artillery either killing the men or putting them back in the water.
Soldiers Tommy (Fionn Whitehead) and Alex (Harry Styles) attempt time and time again to find a way off the beach. Finally making it onto a ship, they do not get far before they are back in the water and headed to shore where bombs are going off.
In the air is Collins (Jack Lowden) and Farrier (Tom Hardy), two Royal Air Force pilots who are hell bent on keeping the enemy off their fellow soldiers. Their fuel consumption is of concern but they will not stop until they take out the danger.
Across the channel, Mr. Dawson (Mark Rylance), son Peter (Tom Glynn-Carney) and their family friend George (Barry Keoghan) take off for Dunkirk. Knowing what needs doing, Dawson has the knowledge not only of the Channel but of how to handle the enemy. The crew finds their first shell-shocked soldier (Cillian Murphy) sitting on the turned over hull of a sunken ship. D’Arcy as Col. Winnart follows by example keeping the soldiers as calm as possible.
From air, sea and land the struggle for survival is moment by moment under circumstances that are unimaginable.
I have to start with Mark Rylance as Mr. Dawson; there is something about this actor that I believe from the moment he speaks. As this character, Rylance is the strong silent type who knows what needs to be done and doesn’t need to be told how to do it. Watching how he explains things to Peter and George, this character gets every ounce of the audiences trust. When they have their own problem on board, Mr. Dawson keeps the atmosphere calm in the emotional storm.
Hardy as pilot Farrier is straight on point and although I had a Bane moment (please stop putting stuff over his face!), it is a minor point because everything you need to know is found in this actors eyes. The message is clear ‘do what you must to save as many as you can’ and his actions are evident. Lowden as pilot Collins is equally as powerful to watch and gives a suspenseful scene that needs to be talked about later.
Whitehead as Tommy and Styles as Alex are two very young men that are trying anything to get off the beach. It just breaks the heart to see these two young men and as clever as they are, it is living from one moment to the next. Well done performances by both of these young men.
Branagh as Commander Bolton stands tall for his men even when he knows that the clock is ticking – literally. Having to change tactics quickly, he is the strong face for the men to follow. Murphy as the shocked soldier is intense and frightening because of his unpredictability. Glynn-Carney is strong as Peter as he learns the price of war along with Keoghan as George playing a character I can’t even begin to talk about.
Other performances that need recognition are Damien Bonnard as the French Soldier, Aneurin Barnard as Gibson, Lee Armstrong as Grenadier, Will Attenborough as Second Lieutenant, Richard Sanderson as Heinkel Spotter and so many, many more.
TUBS OF POPCORN: I give DUNKIRK five tubs of popcorn out of five. There isn’t a massive amount of dialogue and I didn’t need it. The ensemble of actors brought out every emotion without saying much at all. DUNKIRK is an intense experience as the volume, literally, of the film is pure cinema.
Yes, it is a film of war and there is no doubt in every flicker of film of it being anything else. Nolan meshes the inescapability of war with the human story with a cast that gives the audience a heart stopper that will not stop from start to finish.
I tell you now that the film is so powerful and strong that you will leave the theatre drained both physically and emotionally. The visceral moments that take us so deep that there was one moment during a water scene when I realized I was holding my breath!
Hans Zimmer brings on an epic score that will not let us all get away. At the screening I saw for myself what an amazing score does to people. There is a moment where a clock is ticking, which by the way is the sound of Christopher Nolan’s watch, and people were putting their hands on their chest or over their mouths knowing something was coming.
DUNKIRK is cinematically stunning and beautiful which seems weird to say considering it is a war film with human causalities. In that is the exquisite gift that director Nolan seems to have and I hope he never changes it. His films give us a duality we are forced to reckon with. DUNKIRK gives us that with the defeat of battle but the pyrrhic victor of humanity.
In the end – when 400,000 men couldn’t get home, home came for them!
VALERIAN and the CITY OF A THOUSAND PLANETS
Coming to theatres this Friday from director Luc Besson and STX Entertainment from the comic book by Jean-Claude Mezieres is VALERIAN and the CITY OF A THOUSAND PLANETS.
There once was a planet of alien beings that lived peacefully taking care of one another and giving back to the planet that provided for them. A little creature on their planet provides pearls that are important to their existence and powerful. Their idyllic life comes to an apocalyptic end when ships crash on their planet taking the life of a Limai Princess.
It is the 28th century and a city known as Alpha floats in space. Filled with thousands of cultures and thousands of languages, they must all work together for the survival of the ship and its crew. Commander Arun Filitt (Clive Owen) is doing what ever he needs to ensure that it all works.
Major Valerian (Dane DeHaan) and Sgt. Laureline (Cara Delevingne) are sent on a secret mission. The assignment from the Minister of Defense is to retrieve a one-of-a-kind creature that is sought after by unknown forces. Once Valerian and Laureline find it, they also have to fight there way back to Alpha city with it.
Back on duty, the two soldiers are set to protect Command Filitt but it all goes wrong when they are attacked and he is taken. General Okto Bar (Sam Spruell) takes over and isn’t happy when Valerian takes it upon himself to go after the ship with the Command inside. Laureline does what she can to track him but Valerian is lost in the Dead Zone. It is a zone where anyone that goes in does not come back.
But Laureline won’t take no for an answer and finds a way to Valerian. Immediately captured by alien creatures, Laureline now needs rescuing herself. He meets Bubble (Rihanna) who has the ability to shape shift which is a neat skill especially when it may be the only way to rescue Laureline.
General Bar begins to believe what Valerian told him about the alien beings on the lost planet beginning to investigate. What he finds will not stop what the Commander has planned all along but it may be the destruction of Valerian, Laureline and a race thought to be extinct!
DeHaan as Valerian plays a straight forward action hero who has a past with the women but wants a future with his partner. Always looking for answers, the Major isn’t going to let anyone or anything stop him from discovering the truth. DeHaan jumps right in action wise yet his character finds a moment here and there to remind Laureline that she’s the one.
Delevingne as Laureline, oh gawd I know I’m going to get it for this, just drove me absolutely nuts. I wish I had a clicker to count how many times she said ‘Valerian’ per scene. I know one scene that’s all she said and when the camera cut away I couldn’t have been happier about it. I’m sure her character is meant to be an example of female empowerment but I didn’t see it. Instead I saw a girl trying to be standoffish yet always felt the need to rescue someone who isn’t her man that she wants as her man but pretends she doesn’t want her man. Yea, that’s about how I felt.
Spruell as General Bar doesn’t care for his commander very much so it’s not surprising that he’s willing to listen to Valerian and not make extremely hasty decisions. Owen as Commander Filitt gets a chance to be secretive and down right devilish. It’s an interesting look for him even if his role is sporadic.
Director Luc Besson is responsible for some of the most memorable films such as THE BIG BLUE and my family’s favorite THE FIFTH ELEMENT. There are several things in this film that remind me of THE FIFTH ELEMENT which means VALERIAN AND THE CITY OF A THOUSAND PLANETS will probably end up being a cult classic.
Other cast include Haban Limai (Elizabeth Debicki), Jolly the Pimp (Ethan Hawke), Aymeline Valade as Haban-Limai, Kris Wu as Sgt. Neza, Diva Cam as Maatri, Alexander Willaume as Captain Kris and Rihanna as Bubbles.
VALERIAN AND THE CITY OF A THOUSAND PLANETS is an interesting sci-fi film with special effects for days. Besson brings bright colors, crazy aliens, space ships and special effects like an oven on broil. There is so much to visually take it that it’s almost a story within itself.
The film takes an air of predictability with a few things I am calling out. So, I felt like I was watching a bit of other sci-fi films over the years and a bit of THE FIFTH ELEMENT mixed with characters that are changed up. When seeing the film tell me that you see Jessica Rabbit because I swear I did.
That’s probably the part of the film that I liked the most – the special effects and characters that were created. Of course I’m probably a little bias since I think most ‘human’ roles are overplayed and overly spent acted. Bring on the colorful aliens!
If anything it is certainly a film about loyalty and accountability no matter what species you associate with. There’s nothing wrong with that at all.
In the end – a universe without boundaries needs heroes without limits!
WAR FOR THE PLANET OF THE APES
In theatres now from writer/director Matt Reeves and 20th Century Fox is the epic ending to a world ready for WAR FOR THE PLANET OF THE APES.
Caesar (Andy Serkis) and the ape clan are trying to stay out of site from any humans while looking for some place else to live. Attacked by a military group led by The Colonel (Woody Harrelson), it becomes even more imperative that they find a new home.
Caesar welcomes the return of his older son with news of a place that will suit them all. Winter (Aleks Paunovic) is a gorilla anxious to leave right away but orangutan Maurice (Karin Konoval), Rocket (Terry Notary), and Luca (Michael Adamthwaite) want to make a safe plan.
Later in the night, an attack on the sleeping clan brings such anger in Caesar that he sends everyone on the road to their new home. He doesn’t join them but instead believes the only way they will survive is by taking out the Colonel. Maurice, Rocket and Luca won’t let him go alone as they trail the soldiers.
On the road they discover a young girl, Nova (Amiah Miller) and Maurice takes it upon himself to care for her. They also find Bad Ape (Steve Zahn), another talker who has a story to tell about a human zoo. Caesar realizes that’s where they need to go and when they reach the facility only horror awaits them.
Caesar’s mind is even more made up that the Colonel is a dangerous man but also learns a secret that could end humanity as they know it. Coming from the North are more soldiers that have a war of their own to wage with the Colonel and the apes are in the middle.
Now the apes must come together stronger than ever if they are to survive.
Serkis as Caesar spends a lot of time in this film being righteously angry or with eyes full of tears. Highly emotional (with cause to be) Caesar fights one more battle against a human who has a plan of his own that doesn’t include the survival of the apes. Carrying the vocals of his clan, it is still clear to see why he is still their leader but even a leader has his breaking point. Serkis has taken the character of Caesar from birth to the promise land.
Harrelson as the Colonel is a man on a mission to destroy Caesar and his clan. Even though Caesar continues to offer ways out of war, the Colonel continues his barrage of attacks with his own agenda at hand. Harrelson’s portrayal is of a straight forward soldier who believes in what he is doing and rules with fear. He isn’t hysterical or outrageous which means his insanity looks normal!
Konoval as Maurice believes in Caesar but fears for them all when he seems to be led by anger and revenge. Maurice’s relationship with Nova is absolutely beautiful. Notary as Rocket is a faithful friend and when Caesar is in trouble, puts himself in the line of fire to support their leader. Adamthwaite as Luca is a gorilla that will fight if Caesar wishes it and protects him whether Caesar wants it or not.
Zahn as Bad Ape is the comic relief of the film but in that comedy is an ape that clearly has seen the worst of humanity. Living away from everything and everyone, his fear is valid and the cause of a few loose screws.
Miller as Nova brings an amazing performance without a single sentence being uttered. Her fears are put to rest immediately and the connection with Maurice is what Caesar has always wanted with the humans. Every move she makes is because of a friendship created by a caring species not her own.
Other cast includes: Gabriel Chavarria as Preacher, Judy Greer as Cornelia, Sara Canning as Lake, Devyn Dalton as Cornelius, Alessandro Juliani as Spear, Max Lloyd-Jones as Blue Eyes, Mercedes Zerda as Lang, Chad Rook as Boyle, Ty Olsson as Red Donkey and Toby Kebbell as Koba.
WAR FOR THE PLANET OF THE APES brings the story full circle. I won’t hesitate to say that I am a huge admirer of the original 1968 PLANET OF THE APES. I believe the five films in the original franchise are absolutely spectacular in the telling, the filmmaking, the effects and make up brought to life by amazing talented actors. Charlton Heston, Roddy McDowall, Kim Hunter, Maurice Evans and Linda Harrison set up a franchise that to my mind can never be touched.
There is no way to stop Hollywood from “reimagining” films and the 2001 Mark Wahlberg puts a pin in why remakes should never happen. Of course that didn’t stop the re-attempt in 2011 with the release of RISE OF THE PLANET OF THE APES followed by DAWN OF THE PLANET OF THE APES in 2014. The story twists and turns bringing only glimpses of the 1968 story-glory. The newer versions invite a generation into this ape-human storyline but I’d rather they experience the original. Oh well, you can’t have everything.
WAR FOR THE PLANET OF THE APES gives fans of this trilogy more special effects, a big battle and a finality that is nothing short of an epic promised-land ending. There are moments here and there where things get a bit too dramatic with waves of orchestra tugs at the human heart strings. There are also nuggets all over the film that will either make you say ‘oh no they didn’t’ or ‘oh isn’t that great’ as nods or homage’s are strewn about.
With that said, the film does have a few thought provoking moments, loads of tears, war and anger, redemption on many levels and characters that must act to be believed. My purest heart is still with Heston and McDowall whose portrayals will always stop me during channel surfing to experience how it all began.
In the end – for freedom, family and the planet!
SPIDERMAN: Homecoming is Going to Spin a Web of Success this Weekend!
The anticipation builds as this Friday in theatres from director Jon Watts, Marvel Studios and Columbia Pictures is SPIDERMAN: Homecoming.
It has been a while since Peter Parker/Spiderman (Tom Holland) had his experience with the Avengers. Now he’s back home with Aunt May (Marisa Tomei) living the life of a teenager. Watching him is Tony Stark (Robert Downey Jr.) who gives Happy (Jon Favreau) the babysitting gig.
In school Peter finds himself love-struck by Liz (Laura Harrier) who is also part of the debate team. Hanging out with best buddy Ned (Jacob Batalon) is just as nerdy as Peter in some ways. By day he is anxious for the night when he can dawn his Spiderman persona and search for ways to help fight crime.
When the opportunity to hang with Liz at a party comes about, both Peter and Ned are ready to mingle with the cool kids. Promising that Spiderman would make an appearance, that would fall through when busting up a crime is more important. More so than Peter could have imagined when he finds a piece of their equipment that has incredibly technology not seen before.
Not about to let him take it, Peter meets Vulture (Michael Keaton) who puts a thrown down on the young superhero. If that isn’t enough, best bud Ned discovers what Peter has been up to. That’s going to have to wait because Peter is on his way to Washington D.C. with the debate team to compete.
Of course that’s the side story he tells Aunt May but with Ned’s help they begin to locate who is responsible for the technology in the weapon Peter found and who is the Vulture! Taking it upon himself, it only takes one mistake before Tony Stark comes calling and brushes away Peter’s big cobweb dreams.
Once again back to his high school life, Peter is taking Liz to the dance. When he shows up with his flowers looking dapper – it is who opens the door that set in motion an epic test of good versus evil.
Holland as Peter Parker is just frakken amazing. I will be honest from the get-go and say that I rolled my eyes time and time again thinking how awful another Spiderman would be. I was even more grumpy when I learned Holland took the role. I felt this way mainly because Holland captured my attention completely in 2012 with the film THE IMPOSSIBLE.
I said then that Holland “is a tremendous talent ... with the amazing capability of showing such strength of character” and nothing, I mean nothing has changed my mind since. My only worry (as all Mom’s have them) is that he will be sucked into the superhero universe leaving little time to expand is resume. This is an actor to keep an eye on when he’s out of the suit as much as when he’s in it. Well done young man, well done.
Keaton as Toomes is a man irritated with the system that tried to rob him of a business. Finding a way around that is what keeps everyone on their toes. I absolutely love Keaton so to see him once again doing what we all know he can do is a treat scene after scene. Yes he and Adam West are my Batman but I’m willing to cut him a little slack for his character in the film.
Batalon as Ned is the buddy we all should have in our lives. He’s a bit goofy, a lot nerdy, and scary when it comes to keeping secrets but we wouldn’t change him for anything. His loyalty to Parker is without questions and helping makes him outrageously happy.
Zendaya as Michelle is that girl everyone is irritated with one moment and laughs with the next. Her one liners are pretty good. Harrier as Liz is lovely and plays her storyline well. Tomei as May Parker is a bit scatter brained and pops in and out of the storyline, it is good to see her again.
Downey Jr., as Tony Stark just continues to cause cheers in a filled theatre. Fans love him and there will never be another Tony Stark like this (so don’t try to recast it for at least 100 years okay?). He keeps his eye on Peter Parker in the oddest ways as his inner father-figure kicks in. Favreau as Happy is irritated to have to babysit but also has a soft spot for the kid. These two actors bring in the comedy in the most bizarre places yet I love it.
Other cast includes Donald Glover as Aaron, Tony Revolori as Flash, Bokeem Woodbine as Herman Schultz, Tyne Daly as Anne Hoag, Abraham Attah as Abe, and Hannibal Buress as Coach Wilson.
SPIDERMAN: Homecoming doesn’t need my tubs of popcorn because it’s going to blow up the screens. So much so that you might forget the other incarnations of the webbed kid and believe they may have finally gotten it completely right. Holland gives us teen angst, a bit of teen hero-rebellion, loyalty to friends, battles that are worthy of the webbed one and moments of a kid trying to be a kid.
In case you are wondering, of course I’m not telling you things about the film. Seriously, why would I do that? I’m not into spoiling fun! Fans are going to be leaving the theatre giddy and probably buying tickets to see it again with more friends who are fans. With ComicCon right around the corner I am expecting to see more Spidey suits than ever before because of this film.
There is excitement, action, laughs, surprises and a cast that bring it all together in such a way that it’s almost a bummer when it’s over. As for what happens after the credits, well, I guess you’ll have to make sure you stay in your seat for a few minutes longer than normal (insert grin here). SPIDERMAN: Homecoming is completely epic without being full of itself and I’m refreshingly okay with that.
In the end – he’s just your friendly neighborhood Spiderman!
BABY DRIVER Rides in on Rails!
Racing into theatres this Friday from writer/director Edgar Wright and Tri-Star Pictures is the song mix of the summer with BABY DRIVER.
Baby (Ansel Elgort) is a quiet young man who has the uncanny knack for calm driving in intense situations. That is exactly what boss man Doc (Kevin Spacey) consistently counts on. Using Baby’s wheel talent for heists, it quickly becomes clear that Doc is using him.
Taking car of a worried Joseph (CJ Jones), Baby lets him know that one more job will get him free of Doc. Using music to keep his focus, it takes lovely waitress Deborah (Lily James) to pull out the ear buds.
Finishing his last job with Doc, Baby wants to be part of life without fear. Taking a job in pizza retail, even Joseph is happier. Taking Deborah out for a grand dinner to celebrate, Baby freaks when he sees Doc who sways him in for one more go by threatening through charm.
Putting a plan into action, Doc recruits Buddy (Jon Hamm), his gal Darling (Eliza Gonzalez) and Batts (Jamie Foxx) for the most intense and brazen score. Keeping focused, Baby is about to turn left while everyone else goes right and all to the beat of his own iPod.
Never mistake being quiet for being a pushover!
Elgort as Baby is brilliant! Everything about this character, Elgort makes look so seamless and easy. From his smooth walking, music choices and quirkiness, Baby is somebody you watch intently and cheer on with an evil grin. Also, Elgort is as cool as an outsider can possibly be and I loved every minute of his performance. Can someone explain to me why isn’t he Han Solo?
Spacey as Doc is just impeccable because, as everyone should know by now, you don’t mess with the Spacey! This actor has brought roles of badness to a level no one can touch. As Doc he once again plays outside the good guy lines with a gleam in his eye all the way.
Jones as Joseph cares so much about Baby and it is in their relationship that a deeper understanding of his story comes to light. James as Deborah is charming, sweet and knows Baby isn’t all he seems yet she doesn’t hesitate to be all in.
Foxx as Batts is intense and out to get all he can. Having a problem with Baby from the moment they meet, Foxx has no problem showing his edgy side. Gonzalez as Darling is into her man and the money they get together. At the same time she certainly isn’t shy about cutting someone down who gets in her way.
Hamm as Buddy just rocks the screen. This is such a dark character and Hamm certainly embraces every scene and aspect of his character. There is one particular moment where his character just goes deep dark and the change happens right before our eyes. Absolutely fantastic!
Other cast includes Sky Ferreira as Baby’s Mother, Lane Palmer as Baby’s father, Flea as Eddie, Lanny Joon as JD and Jon Bernthal as Griff.
TUBS OF POPCORN: I give BABY DRIVER four and a half tubs of popcorn out of five. Giving Edgar Wright the props he totally deserves, this film has saved my film sanity. Depressed at the ridiculous franchise films, superheroes being jammed down my throat and lack of imagination elsewhere in tinsel town, BABY DRIVER gave me story, action, cinematography and music for months to come.
The audience was yelling, cheering and laughing from start to finish. There is something to be said for sitting in a theatre and to be taken on a ride in so many storyline directions. Does it hurt to have a cool ass cast and awesome soundtrack? In this case, not one dayyuum bit!
In the first five minutes of the film I was happily hooked and like a kid, I found myself sitting on the edge of my seat wanting more. Translated…I was having fun. Using music across so many eras allowed something for everyone to lip-synch too.
Car chases, underlying stories, sweet romance, good guys, bad guys and the lines between them blurred, BABY DRIVER is a mash-up of what summer fun at the movies is all about. Grab a group of cool, a large bucket of popcorn, sit middle seat dead center and mentally buckle up for 113 minutes of awesome.
In the end – all you need is one killer track!
DESPICABLE ME 3 Expands the Family Fun!
Get the family together because coming to theatres this Friday from directors Eric Guillon, Kyle Balda and Pierre Cofflin along with Illumination Entertainment is DESPICABLE ME 3.
Gru (Steve Carell) and Lucy (Kristen Wiig) are on their next mission for the Anti-Villain League going after Balthazar Bratt (Trey Parker), a once child star who took his role into adulthood. With his keytair and 80’s dance moves, Bratt gets away with a diamond as large as his head!
Returning to the AVL headquarters, Silas Ramsbottom (Steve Coogan) announces that he will be stepping down. Taking his job is Valerie Da Vinci (Jenny Slate) and her first move is to fire Gru. Lucy threatens to walk if she follows through with the firing and now both are out of a job. The Minions aren’t happy when Gru refuses to return to villainy and stage a walk out.
Going home to explain it all to Margo (Miranda Cosgrove), Edith (Dana Gaier) and Agnes (Nev Scharrel), the parents assure the girls it will all work out. That’s when a stranger shows up and announces that Gru has a twin brother names Dru (also voiced by Steve Carell). Not believing it Gru forces his Mom (Julie Andrews) and he learns the truth about his family.
Packing the family up, they fly to Dru’s luxurious estate and Gru learns more about who his father was. He also learns that Dru wants to be villainous and it’s Gru’s chance to capture Bratt while Lucy works on her Mom-skills. Bratt isn’t about to make anything easy as he has plans for tinsel town.
In their efforts to strengthen their family, Gru, Lucy and Dru along with the girls learn that love of family is amazing and there is no bad guy big enough to break them apart!
Recently at CinemaCon, Steve Carell spoke about his iconic work as Gru saying the DESPICABLE ME franchise is filled with “characters that are funny for adults as well as kids and that’s what has made it all successful”. How did the voice of Gru come to be? Carell says, “I tried voices on my daughter and when I did the voice of Gru they told me that was the one. Gru’s voice was like I flew over Eastern Europe and Dru’s voice had to be different. It had to be very fun, free and giddy in a way”.
Wiig as Lucy is trying her best to be a good Mom and it takes being herself to let everyone know that no one messes with Mama Bear! I just think the character of Lucy is crazy cool. Cosgrove, Gaier and Scharrel as Margo, Edith and Agnes are just girls growing up in a different household that is filled with unexpected adventure and they roll with it.
Parker as Bratt had me cracking up! His shoulder pads, keytar and dance moves along with a balding mullet and bubblegum means he isn’t about to let Gru, Dru, Lucy or anyone else stop him from a little Hollywood payback.
DESPICABLE ME 3 is going to give families everything they have come to love about Gru, the girls and even the minions. This may not be the average family but it sure is one filled with love, excitement, understanding and fun. One would have thought that completed the family.
Of course not, Illumination expands their family with Dru and a unicorn, well of sorts, which means a double dose of excitement. There are the usual jokes with the minions trying to be jail house rockers but they know where they truly belong. The animation is strong, vibrant and has such creativity that I am always surprised yet not surprised.
Gru and Dru have found one another which means Lucy and the girls have their hands full. That doesn’t have to be a bad thing but if Illumination wants one more story line I have a few ideas that I wouldn’t mind sharing!
So gather up your own minions and head to the theatres to begin your summer with family fun of a different kind with DESPICABLE ME 3.
In the end – ohhhhhhhh brother it’s good to be bad!
Coming to theatres this Friday from director Sophia Coppola and Focus Features is a story of love, jealousy and one man in the middle of THE BEGUILED.
It is Virginia at the time of Civil War as head mistress Miss Martha (Nicole Kidman) keeps the students of her girls school hidden away from war. Teacher Miss Edwina (Kirsten Dunst) gives lessons to the young ladies Alicia (Elle Fanning), Amy (Oona Laurence), Jane (Angourie Rice), Marie (Addison Riecke) and Emily (Emma Howard).
Foraging in the woods, Amy finds Confederate Corporal McBurney (Colin Farrell) wounded up against a tree. Instead of alerting the Union soldiers, she takes him back to the school. Alarmed at what Amy has done, Miss Martha still takes the soldier inside being reminded it is the Christian thing to do. Tending to McBurney's wounds, a decision is made that he will stay until well enough to be turned over to the Union Captain.
Immediately McBurney's presence begins to have an impact on the women and girls of the school. McBurney takes a keen interest in Miss Edwina and she shares her desire to be gone of the school. Miss Martha is also affected by his presence but she maintains an air of Southern hospitality and charm. It is Alicia (Elle Fanning) who makes it clear to McBurney that she is smitten with him.
As he begins to heal, McBurney helps around the grounds with gardening and fixing things. The tensions begin to rise when McBurney and Miss Edwina get closer but one slip brings disaster to the entire house. One fateful error brings a group decision that will change everything each of them thought about themselves and each other.
Kidman as Miss Martha is cool, calm and steadfast - even when her own womanly desires kick in. I love when Kidman puts on a corset and tight chignon and makes it clear that no one is going to mess with her, especially a Confederate soldier with an Irish brogue.
Farrell as McBurney is charming, dark and doing what ever it takes to survive. Lets be honest, he smolders on screen whether he wants to or not which adds to the intensity in many scenes. Dunst as Edwina is a woman clearly unhappy with life and feeling trapped inside the school. Her performance gives the faraway wants of this character on point.
Fanning as Alicia is the teenage temptress who pretends to follow along with the rules but in fact is trying to find ways to break every one of them. Laurence as Amy wants to believe the best about McBurney and convinces everyone else to do the right thing. Rice as Jane is a mini-Miss Martha with Riecke as Marie and Howard as Emily round out the young girls trying to feel safe in the middle of a war.
In 1971 director Don Siegel brought THE BEGUILED to the screen with Clint Eastwood and Geraldine Page and I loved every frame of that storytelling. That's what makes the 2017 version so difficult for me. Cinematically it is beautiful although I'm not sure how many shots of moss dangling from trees and the sounds of birds I could take over and over again.
The cast is amazing and I wouldn't have changed a thing about that portion of the film. However, that being said, there is something greatly missing and I can't even tell you what that is. I want to say it seemed the film just went through the motions but that would be insulting Farrell, Kidman, Dunst and the cast that clearly put their all into the film. It is probably my disappointment in the film being remade when the original stands on its own.
I am not a fan of remakes, retellings, rethinkings, or reimaginings as anyone who knows me will tell you. I have said it over and over that the creativity seems to have gone out of Hollywood. Instead of presenting movie goers with new and amazing stories, it seems the decision makers believe that no one will complain if they just recycle (oh look, another "re"!) that they can get by.
This version of THE BEGUILED is a Saturday afternoon relaxing in front of the television type film that will lull the senses and for that I'm saddened. The costuming is stunning which adds a dimension of richness to southern sensibilities.
In the end – innocent until betrayed!
THE MUMMY Needs to Stay Wrapped
Jeri Jacquin with Vince Munn
Coming this week from director Alex Kurtzman and Universal Pictures is the rise of evil with THE MUMMY.
Nick Morton (Tom Cruise) is in the middle of the desert with sidekick Chris (Jake Johnson) looking for antiquities. With the help of Col. Greenway (Courtney B. Vance) and a well place bomb that has unearthed something huge, Jenny Halsey (Annabelle Wallis) sweeps in to take over.
Down in a cavern they find signs of an Egyptian tomb with something evil that is being protected. Nick jumps right in and with one bullet a sarcophagus rises out of a pit of mercury and the mummy of Princess Ahmanet (Sofia Boutella) resides inside.
Taking the find to London, Jenny knows only one person who knows what to do. Dr. Jekyll (Russell Crowe) is a collector of all things malevolent. The princess has other plans when the plan carrying them all comes down mysteriously.
Discovering that the dark force is looking for a knife with a special stone, Jenny and Nick (with the help of a weirdly decomposing Chris) must stop the princess from completing a ritual that started hundreds of years ago.
Unfortunately Nick is part of that ritual that changes everything that is to come!
Jeri Jacquin: So, I once again invited my friend Vince to weigh in on THE MUMMY. I do so because although I started out giving the film a chance not wanting to be grouchy, I once again should have trusted my initial instincts. Am I right Vince?
Vince Munn: Sadly, while the film starts with great promise, it trips over the bandages of its title character on their way to the conclusion. Universal is following in the footsteps of Disney and Warner Bros, making a connected universe of characters that they own.
JJ: So for readers who don’t like spoilers and I try not to do it normally, I feel I have to on this one. Seriously? Egypt, Iraq, the Templar’s and Dr. Jekyll and Mr. Hyde? Are you kidding me? Now you know I became totally disconnected when the last was brought into this film – none of these things are connected and I checked out of the film.
VM: Unfortunately the characters they are using really seem to have no reason to share a connected universe. Taking the classic Universal Monsters by bringing them in to the modern world and connecting them with a secret society of scientists and monster hunters is a ridiculous idea.
JJ: If this is how the studios see the “Dark Universe” then we have a problem going forward. This was supposed to be an intro into the concept and it is totally a hot mess. I don’t care if you put Tom Cruise in the lead, and he doesn’t do a horrible job, it’s just a horrible script.
VM: Tom Cruise is getting older. Mission Impossible aside, he doesn’t need to be doing this film. I am just glad that for now it’s not the Van Helsing reboot we were threatened with. The rest of the cast (Annabelle Wallis, Jake Johnson, Sofia Boutella, and Russell Crowe) do a serviceable if not forgettable job.
JJ: Don’t put evil in the air talking about a Van Helsing reboot! I think Crowe as Jekyll/Hyde is not right for this role at all. I can’t even imagine what they were thinking. Then again I didn’t care one wit for the character and actually tried to finish the film not thinking about him again.
VM: Had he been cast as anyone else aside from Dr Jekyll I would be more at ease. He comes off too thuggish and tough as tough Hyde is the dominant mind much like Bud White in LA Confidential.
JJ: What I came away with after the torture of watching THE MUMMY is that Brendan Fraser and Rachel Weisz are safe in my heart and mind of being the coolest version of THE MUMMY. The time period is fantastic and I immediately care about the characters and feel like I’m on a fun trip with tons of craziness. Going home to my DVD of the 1999 THE MUMMY, Rick and Evie made it all better.
VM: Had this been set in the same period as the 1999 reboot, this would be a better film. If you want good popcorn fodder and escapism at its minimum, this is one for you.
JJ: Well, go to http://www.darkuniverse.com and see what the Dark Universe is. Notice there is nothing modern in this piece and yet watching every piece of this clip is just fantastic. It can not be duplicated and I wish they would stop trying. I’d rather see these films once again in theatres than any ridiculous remake, reimaging, rethinking or retelling (all words for ‘hey, lets waste millions on nothing’).
VM: I wanted more and am now nervous about what is to come in this Dark Universe.
That last statement says it all! Nervousness is being kind as I truly don’t think those in charge of creating this Dark Universe know what they are doing. Fans love their Gods & Monsters but when you mash them up and change their look – you’ve slapped fans in the face. THE MUMMY may be spectacular with its special effects and double-iris evil but it is not enough – at least not for me.
I want story, I want to care about the characters enough to cheer for them and throwing a gold book for 2.5 seconds on a library floor expecting me to be happy just don’t do it. Thanks Vince for sharing popcorn with me on this one!
In the end – ancient evil returns without Rick and Evie to save us all!
TRANSFORMERS: The Last Knight
Landing in theatres once again tomorrow from needing-to-be-stopped director Michael Bay and Paramount Pictures is the next loud landing of TRANSFORMERS: The Last Knight.
Well, Optimus Prime (Peter Cullen) is still floating about somewhere in space while Cade Yeager (Mark Wahlberg) is rescuing Transformers where he finds them. While roaming about he comes across an ancient Transformer who entrusts him with a medallion. It comes alive and won’t let go of Yeager.
It is a relic from the time of King Arthur (Liam Garrigan) and Merlin (Stanley Tucci). The Autobots were part of the round table helping the humans as they were needed. The medallion needs to seek out a knight that will help find the staff of immense power keeping it out of the hands of evil.
While trying to save the Transformer he meets Izabella (Isabela Moner), a young girl without a family who has a knack for fixing Autobots. They all end up back at Yeager’s home station where Jimmy (Jerrod Carmichael), Bumblebee (Erik Aadahl), Drift (Ken Watanabe), Hound (John Goodman) and Daytrader (Steve Buscemi) hide from the government agency TRF.
When they are discovered, Sir Edmund Burton (Anthony Hopkins) sends his ‘butler’ Cogman (Jim Carter) to take Yeager to England. Along with Vivian Wembley (Laura Haddock), Burton explains the history of the medallion Yeager has and how Vivian is the only one that can handle the staff of power.
Which is more important now that a nasty wench named Quintessa (Gemma Chan) wants to return Cybertron to its former glory – but not in a good way. When Optimus Prime arrives to discover things are chaotic, he becomes part of Quintessa and Megatron’s (Frank Welker) plan to retrieve the staff and take over Earth. Yeager, Burton, Wembley, Cogman and Col. Lennox (Josh Duhmel) push themselves to save the planet once again.
Because the Decepticons aren’t going to get it without a fight!
Wahlberg as Yeager is once again running around without a story. His relationship with Bumblebee is an awesome one and there are humorous moments with the other Autobots. The thing is I don’t really care about this character because it’s the same metal clanging… different day but not really. There are quipps back and forth with Hopkins, Cogman and Vivian that are chuckle worthy but not enough to sustain the story.
Hopkins as Burton is a curious character and I do love me some Anthony Hopkins but really? Your giving one of our greatest actors a story to tell that involves King Arthur and the Autobots? I think I laughed more at that garbage because it was only a few weeks ago that I sat in the same theatre watching Guy Richie’s version of KING ARTHUR.
Duhamel as Lennox is a character that is all muddled from beginning to end. I wasn’t sure what side he was on but then again does it really matter? He shows up guns blazing hoping it all works out for the best. Moner as Izabella is, and I’m going to get crap for saying this but a totally unnecessary character. Really? Your going to throw this kid into a war zone and she gets out without a scratch? Suspension of disbelief…poof…gone.
Haddock as Wembley is clearly a Megan Fox look alike and that’s sad because it isn’t that her role is bad, just whatever. Cool to be related to a historic figure but I didn’t buy it for a second which means, yep, don’t care about her character in the slightest.
Carter as Cogman is hilarious and his recognizable “yes my lord” brings back the heady days of Downton Abbey Sundays and good television over crappy film. His language was a little testy but I don’t think its going to stop parents from bringing their kids.
The recognizable voices of Goodman, Buscemi and Watanabe are funny, especially since they argue and wrestle around like metal-brothers-from-another-Autobot. Bumblebee still wins hands down and the storyline brings in some weird ‘he once was a soldier for England’ story which just falls flat. Not your fault B!
Other cast includes Santiago Cabrera as Santos, Martin McCreadie as Lancelot, Rob Witcomb as Percival, Marcus Fraser as Gawain, John Hollingworth as Tristan with Stanley Tucci as a drunken Merlin and John Turturro as Agent Simmons.
TRANSFORMERS: The Last Knight is a two and a half hour metal clanging story that gives Bay a reason to waste $217 million dollars. That’s right folks, enough to save a small town or education thousands of kids is vying for your dollars. Of course if it doesn’t do well here there is always the overseas market waiting to gobble this up.
Look, I’m tired…tired of a story that lasts into five films that tells the same story beginning and ending with Optimus Prime boring monologue about how the Autobots are there to save the human race. Didn’t Wonder Woman just do that? Or Batman, Superman, the Justice League, Thor, or any of those others?
It was easy to entertain myself with thoughts like ‘doesn’t that robot look like Darth Vader’s fighter?’ and ‘Wow! They used pieces off the alien ship from THE ABYSS for decoration’ and ‘They stole an Imperial Walker – I wonder if Grand Tarkin knows?’ and ‘Is Robocop going to show up?’ and ‘Stonehenge? Oh the Queen isn’t going to like this’.
I swear if I listen to Optimus go into his schpeel I’m going to strain my eyes from the constant rolling and the hand gestures of ‘blah! blah! BLAH!’ Honestly I lost interest once Shia decides to exit stage right although the film does touch on the Witwicky family tree. He brought comedy of a different kind that broke the monotony of the metal banging.
Seriously, I miss the cool rantings of Mom and Dad…and I miss Mojo the dog! Oh well, I can always not wait for Transformers 6, trust me, someone will give Bay the money to do it.
In the end – they have been here forever…and ever…and ever…(yawn)…and ever!
CARS 3 Revs Up Their Engines for the Weekend!
Racing into theatres this weekend from writer/director Brian Fee, Pixar Animated Studios and Disney is everyone’s favorite racers with CARS 3.
Lightening McQueen (voiced by Owen Wilson) has been a winner on the track race after race. That is until one day a big race that he felt was a win suddenly changes when a new generation car speeds past to take the win. Shocked, McQueen meets Jackson Storm (Armie Hammer), a new race car that is all teched out and he isn’t sure how to deal with it.
When an event on the track happens, McQueen goes back to his little town to basically hide. That is until his friends Sally (Bonnie Hunt), Luigi (Tony Shalhoub) and Mater (Larry the Cable Guy) convince him that he needs to reach out Rust-eze, the sponsor who is now owned by Sterling (Nathan Fillion).
Sterling gives McQueen trainer Cruz Ramirez (Cristela Alonzo) who makes her duty to get him up to speed, literally, before the next big race in Florida. Wanting to go back to training the old-school way, McQueen and Cruz begin to understand one another.
But there is still one more thing McQueen needs to do and that’s return to where his mentor Doc (Paul Newman) lived and discover what motivated him! He meets Smokey (Chris Cooper) who introduced him to old-school racers who push McQueen.
When they arrive in Florida, McQueen begins to realize that the racing world is changing and it might be time for him to change too!
Wilson as McQueen once again brings humor and fun to his vocal role. This is a character that just continues to grow, even if he doesn’t understand why he has to. Wanting to be the best for as long as he can isn’t a new concept in life and McQueen eventually shows us all that being the best only changes when we realize change can be oh so good!
Alonzo as Cruz is a young lady car that absolutely needs to know her worth. As McQueen begins to understand her drive, he realizes that he can either help his new friend or be part of the problem. I love Cruz’s get up and go but also her dreams.
Cooper as Smokey brings in the old school gang to straighten out McQueen letting him know that Doc has always been with him. Those scenes are extremely touching. Hammer as Storm is a car that plays to the cameras but his wit even though it is stingingly aimed at McQueen. The addition of Fillion as Sterling is an owner that seems committed to McQueen but, of course he’s only in it for what he can get out of it and not the love of racing.
Larry the Cable Guy as Mater is till the sweetest and sometimes smartest car of them all. He wants what is best for his friends, believes in them and will drop everything to help them. He helps McQueen in ways that even Mater doesn’t realize. Larry will always be Mater!
Other cast includes Ray Magliozzi as Dusty, Kerry Washington as Natalie Certain, Bob Costas as Bob Cutlass, Margo Martindale as Louise Nash, Darrell Waltrip as Darrell Cartrip and Isiah Whitlock Jr. as River Scott.
TUBS OF POPCORN: I give CARS 3 four tubs of popcorn out of five. It is fantastic that Pixar and Disney have returned to the original formula that made the original CARS so much fun. Having come full circle with the inclusion of Paul Newman’s character just brought a tear.
The story gives each character an added depth of loyalty, belief in one another, can-do attitude and even when feeling defeated the uplifting of friends. It is thrilling that the original cast came together bringing all the comedy and laughs I felt missing in the second film.
Everyone in the audience truly had a great time and with school ending it is a great beginning to the summer family movie going experience. Lightening McQueen and the gang have brought their story full circle and it is nothing short of well done and fun.
Grab the family and head to the theatre this weekend for an amazing story from beloved friends who just happen to be CARS.
In the end – It’s not over until lightning strikes!
THE HERO is an Absolute Winner
In theatres from writer/director Brett Haley and The Orchard is a performance that brings us THE HERO.
Lee Hayden (Sam Elliott) is an out of work actor who is about to discover his mortality. Given medical news that requires almost immediate action, Lee isn't sure what he wants to do.
Sitting with fellow out of work actor Jeremy (Nick Offerman), Lee has an opportunity to share the news with someone. Instead he tells Jeremy that he is getting ready to make another movie. He also meets Charlotte (Laura Prepon), a younger free spirited woman who happens to be a stand up comic. They take a liking to one another but Lee is distracted dealing with life.
Visiting his ex-wife Valarie (Katharine Ross), he tries to tell her as well but ends up asking about their daughter Lucy (Krysten Ritter) who seems to be avoiding him. Lee tries to invite Lucy to be his date to receive a Lifetime Achievement Award but receives a cold response. So he takes Charlotte who introduces Lee to a night of induced fun.
Charlotte invites Lee to see her stand up comedy stylings. He is devastated by what he hears and a tail spin ensues as Lee being to feel every moment of his life on his shoulders. You can run or swim in any kind of bottle through life and Lee learns that the hard way.
To his surprise there is a great potential for forgiveness, friendship, love and a chance to make his life a good one.
It is never too late to see the love!
Elliott as Lee is everything audiences have come to love about this actor and more. His magnificent slow cowboy drawl and full on mustache has always been recognizable. From his debut in the 1969 BUTCH CASSIDY AND THE SUNDANCE KID to THE SACKETTS in 1979 his cowboy persona wins. His side-eye and mischievous grin has become iconic and even more so in the 1989 film ROAD HOUSE.
Elliott was quoted as saying, “I think I might have been a more interesting actor, had more of a career earlier on, if I had more formal preparation”. Not taking away how you feel there Sam but audiences continue to be thrilled by past performances and are going to be stunned with THE HERO.
Prepon as Charlotte is an interesting woman who sees past Lee’s age. To her there is a mystery too be unraveled about Lee but at the same time embraces her free spirit. That being said, he ‘take-it-or-leave-it’ attitude is also a bit of a façade.
Offerman as Jeremy is the relaxingly baked comic relief yet a gentle spirit for Lee. Enjoying Lee’s company since he was a young actor seems to be enough for him. Their scenes together are both funny and touching.
Ritter as Lucy has a years worth of bones to pick with her father and she gets her chance. The problem is, as in life, wanting to call someone out on their flaws doesn’t always feel as good as you think it will and Lucy learns that. Ross as Valarie is still stunning and I personally was thrilled to see her back on the screen across her husband.
Other cast include Doug Cox as the Doctor, Max Gail as Gary Babcock, Jackie Joyner as Betsy, Patrika Darbo as Diane and Frank Collison as the Man in Dreams.
TUBS OF POPCORN: I give THE HERO five tubs of popcorn out of five. Elliott gives a powerful, intense, funny, charming and heartfelt performance without special effects, cgi or sappy music pulling the audience into the story. Instead, we go willingly into Lee’s life because the journey is one we all have faced.
Owning up to past mistakes, Elliott gives the character every bit of the complexities we understand and care about. We also get treated to knowing that no matter what age, we all can still do crazy stuff and be surprised by life.
The one moving piece of THE HERO is that redemption maybe painful but it is a fleeting pain in comparison to the compassion and love that can follow. THE HERO is beautifully filmed, stunningly cast and had the screening audience thrilled to have experienced every moment.
THE HERO was nominated for a Grand Jury Prize at the Sundance Film Festival and nominated Best American Independent Feature Film by the Cleveland International Film Festival for Brett Haley. The film won Honors for Outstanding Achievement in Filmmaking for actor Sam Elliott at the Newport Beach Film Festival.
Take a moment to experience a film that will bring out every human emotion we share in this journey through life.
In the end – this is where the past and his mortality collide!
47 METERS DOWN Brings Teeth with Little Bite
In theatres this Friday from writer/director Johannes Roberts and Dimension Films comes blood in the water when you are 47 METERS DOWN.
Lisa (Mandy Moore) is dealing with a broken heart while on a trip to Mexico bring along sister Kate (Claire Holt). Deciding that Lisa needs more excitement in her life, Kate shows her sister the fun side of a night out. Meeting Louis (Yani Gellman) and Benjamin (Santiago Segura), the two men talk the girls into shark diving.
Knowing Captain Taylor (Matthew Modine) and for one hundred bucks the girls have the opportunity to go in a case surrounded by sharks. Lisa isn’t sure about doing any of this but is swayed by Kate to do something exciting in her life.
Taking an outboard to a larger ship, the girls watch as Javier (Chris Johnson) chums the water and Louis and Benjamin get into the cage lowered into the water. Lisa and Kate watch in excited nervousness as 20 foot sharks swim around the boat.
When it’s the girls turn, Lisa still isn’t convinced and once again has to be convinced by Kate. Once in the water however, Lisa loosens up to see the beauty becoming excited by it all. It is all fun and games until a cable comes loose and the girls are sent screaming 47 meters down.
Immediately they realize that they will soon be out of air, Kate knows that the weak signal in their headsets means she has to get out of the cage. Reaching Taylor at the boat, he tells them help is on the way and to stay in the cage.
The sharks have other ideas as the girls deal with air, depth of water, potential bends, and fear of what is swimming in the deep.
Moore as Lisa is a young woman who is dealing with the breakup of a man she thought was her life. Swayed into letting her hear down a bit, she goes one step to far into the waters. Holt as Kate is the fun loving sister and Lisa makes a point of saying so. Both of their performances brought the audience into a blood frenzy of their own (which I will explain later).
Modine as Taylor has a small role as the rusty boat captain and it was because of him that I chose to see the film. Call it supporting a fellow one-time IB’er as my motivation to see his performance. Hey, no matter how big or small, bad or good, there is something to be said for small town supporters! Gellman, Segura and Johnson are the supporting shark-bait potentials.
I’m not going to put a rating on 47 METERS DOWN because there is a duality here that I need to write about. First of all, this is the best-worst-best shark film I’ve seen in a long time. The dialogue is horrible and the story line totally unbelievable. From the moment the cage goes down it’s an epic underwater sh*tshow. Everything is wrong with it and sitting in the theatre I have to say biting my tongue became impossible. Come to find out I wasn’t the only one having that problem.
Here is where it gets good-bad; the audience began to participate in the film verbally! There were hollers from the upper seats, popcorn being thrown at the screen coming from every direction, really loud head smacking, serious belly laughs, loud groans of frustration and the phrase, “oh hell no!” every 2 minutes.
There is one scene where Kate picks up an underwater flashlight and turns it on to which my friend Vince sitting next to me says out loud, ‘Turn the light off! Jeeeez!’ and sent the crowd cheering. During another scene I became so frustrated with the character Lisa I said, not as loudly, ‘you deserve to get eaten!’ and the lady behind me spit her soda laughing.
So, what happened is that 47 METERS DOWN turned into an audience participation film that was absolutely fantastic! We all became film-friends with total strangers and said out loud what each was thinking which brought even more cheers and fun to the event. I couldn’t believe what was happening around me since the last time I experienced something similar was in 1975 with THE ROCKY HORROR PICTURE SHOW.
Look, 47 METERS DOWN, like all shark films have a difficult goal because of the 1975 film JAWS. That film is epic and although challengers to the throne come and go, it has yet to be de-toothed as the king of shark films. This film doesn’t have a hope in hades of being anything more than an under water court jester.
Now, for the cool news – there is about 10 minutes of the film that are frakken awesome. So much so that people were jumping in their seats, screaming out, hollering and yelling in such a way that you couldn’t even hear the film sound. Nicely done underwater work with sharks that I never want to see again – okay I’m going to see it again. Once again audience participation took over. Nope, that’s all you get from me on that!
Walking out of the theatre it was agreed by mostly everyone leaving that the film was an audience event that made the poor story weirdly forgivable. People were laughing and yet talking about the film in a way that is normally reserved for, dare I say, a good film. That is the duality of this film that will continue to be talked about as I see 47 METERS DOWN becoming a cult classic and fodder for the Mystery Science Theater 3000 guys (and please invite me to be part of that when you do guys!)
Mandy – congratulations on This is Us and I can’t wait for season two! Claire – I’ve always loved you in The Originals and glad to see you back! Matt – what can I say dude, IB’ers in this town are kinda diggin’ you no matter what so kudos!
In the end – no help above and no hope below!
MEGAN LEAVEY Speaks on Loyalty, Friendship and PTSD
In theaters this Friday from director Gabriela Cowperthwaite and Bleeker Street Media is a compelling story that needs to be seen because of MEGAN LEAVEY.
Megan (Kate Mara) is a young woman staggering through life. Unhappy with her job and unhappy living at home with mom Jackie (Edie Falco) and her boyfriend Jim (Will Patton), it seems the days just blur.
That is until she makes the decision to hop a bus and join the U.S. Marine Corps. It didn’t take long until Megan was in trouble within the Corps as well that has her cleaning the kennels of the K9 unit.
There she meets Rex, a four legged anti-social dog who gives trainers a difficult time. Megan continues to ask Gunny Martin (Common) to become part of the K9 unit. When a situation presents itself, Megan and Rex are paired together and so begins a training of each other to become a strong unit through patience and friendship.
Sent to Camp Ramadi in Iraq, Megan and Rex are sent on missions to sniff out IED’s clearing the way for soldiers and the Iraqi people. She also meets Matt Morales (Ramon Rodriguez) who is also part of the K9 unit and starts to become comfortable being part of a team.
Then a mission puts both of their lives in danger changing the path for them both. Megan knows that she can not continue on her path without Rex and with dad Bob’s (Bradley Whitford) push, she is will get Rex back at her side and will do anything to make that happen.
In that is the true meaning of friendship!
Mara as Megan portrays a young woman who clearly has problems dealing with home and family. Making a swift move to join the military, Mara’s character puts up serious walls until she creates an unbreakable bond with Rex. What is amazing is that feeling this connection and watching the story unfold between Megan and Rex; it is not surprising that they would work together so brilliantly. Mara and Rex are lovely in this film and the audience fell in love with them both.
Common as Gunny Martin is a man who clearly doesn’t take any guff from anyone – including a pint size Megan Leavey. Testing her potential and patiently watching to see if her dedication to the K9 unit is solid, he gives us both the tough Gunny as well as a man who understands the hurt of battle.
Rodriguez as Morales is a wise cracking but dedicated part of the K9 unit in Iraq. He manages to bring down some of Megan’s emotional walls but it can take the snap of fingers to bring them back up. Patton as Jim is not someone Megan is thrilled to have around and this is a small role.
Whitford as Megan’s father Bob is a man who realizes that choices he made in his life have affected his daughter. Wanting to reach out and help her, he just isn’t sure how to do it or if it would make a difference. This is a different role for Whitford and he delivers with a lovely scene when Megan returns from Iraq.
Falco as Jackie is – well – Falco. She is an over dramatic and wildly awesome to watch as Megan’s mother. Big or small, Falco brings her best to every role she does and always manages to surprise me.
Other cast include Geraldine James as Dr. Turbeville, Shannon Tarbet as Barb, Miguel Gomez as Gomez, Jonathan Howard as Peter Walters, George Webster as Finn, Corey Johnson as Master Sergeant and Tom Felton as Andrew Dean.
TUBS OF POPCORN: I give MEGAN LEAVEY four and a half tubs of popcorn out of five. It is be very easy to call this a feel good film but that would be an injustice to the story being told. There are so many issues that are handled in this story with straight forwardness, no sugar-coating and boldly done.
It is the story of a young woman dealing with the situation her life is in and knowing at some point something had to give. Joining the Marine Corps gives Megan the opportunity to become part of something bigger than herself and not just fighting in a war but becoming responsible for Rex and the lives of everyone around her. Mara takes this role and lets us all experience the journey of this young woman until the end where we come to understand more than we ever could.
Director Cowperthwaite says of her film, “There are so many important story threads, what about the political commentary about the war one could make or about a ton of things regarding women Marines and dealing with their situations…and to focus on this world from Megan’s perspective. You have to hone in on that relationship and how that bond gets built because that is really what the story is – loyalty and friendship.”
In regards to PTSD and returning troops she says, “Dealing with PTSD when our military come home and how we can maybe look at it different, pay attention and be better listeners I think that would be a great thing.”
MEGAN LEAVEY is a story that is well done dealing with issues that might be uncomfortable for some to see but necessary to experience. This film speaks on love, understanding, patience and a friendship that saved not only the lives of others – but of one another as well.
In the end – a true story of a marine and her best friend!
MY COUSIN RACHEL Brings Twists and Questions
Coming to theatres this Friday from writer/director Roger Michell and Fox Searchlight Pictures is a story of love and mystery surrounding MY COUSIN RACHEL.
Philip (Sam Claflin) loses his parents at a very young age but it blessed when Cousin Ambrose raises him. When Philip becomes a young man, Ambrose travels and becomes involved with a woman named Rachel (Rachel Weisz). As strange letters begin to arrive, Philip has no choice but to find his Uncle.
Seeking wise advice from family friend Kendall (Iain Glen) who regards Philip highly and daughter Louise (Holliday Grainger), a plan is made to find Ambrose. When the young man arrives it is to sad news that Ambrose has died. His anger wells up against his new cousin Rachel believing she is responsible.
Returning home, he receives word that Rachel is coming for a visit and Louise helps Philip prepare. What Philip is not prepared for is a mysterious cousin who tells a story of sickness and anguish. Feeling emotions he had never felt before, Philip is faced with the duality of love and suspicion.
Coming closer and closer is either a life filled with love or the brink of insanity!
Weisz as Rachel has the uncanny and fantastic ability to add so many dimensions to a character and playing Cousin Rachel is no exception. She is endearing, kind, secretive, altruistic with a history of pain yet it is up to the viewer to understand if any of it is real. I have always enjoyed this actress’s performance but especially those where she gives a turned eye as if she knows something we all don’t.
Claflin as Philip is a young man possessed by every emotion that swings his way. Fueled by anger at first he learns that one can be fueled by the craziness of love with equal fervor. Wanting to experience life, he looks to his cousin to make that happen and isn’t quite sure how to deal with suspicion. Claflin also brings every range of emotion to his Philip.
Glen as Kendall is clearly a man who Philip as respected but even he can not talk to the young man. Being a Game of Thrones watcher, it is truly awesome to see Glen take on a role that once again is filled with sincere feelings. Grainger as Louise is a young woman with her own heart that is aching but goodness is she good at getting things done. Whether finding out the truth or make a house a home, her agenda is patience.
Other cast include Andrew Knott as Joshua, Andrew Havill as Parson Pascoe, Tristam Davies as Wellington, Louis Suc as 12-year-old Philip, Poppy Lee Friar as Mary Pascoe and Katherine Pearce as Belinda Pascoe.
MY COUSIN RACHEL is based on the 1951 novel by Daphne du Maurier. In 1952 Olivia de Havilland and a very young Richard Burton starred in the first telling of the novel in theatres. Geraldine Chaplin and Christopher Guard reprise the story with a BBC television mini-series in 1983.
Now director Michell brings his version of the novel My Cousin Rachel adding his own sense of the complications of life. The cast brings these characters from stage to screen along with amazing costuming, locations and an atmosphere ripe for a thriller that still leaves us all asking the question – did she or didn’t she?
It’s not secret that I am an avid fan of period pieces with all the pomp, pageantry, darkness and intrigue that are not hidden behind cgi and the like. Instead, this film breaks everything (and everyone) down to its rawest form leaving the viewer to decide for themselves. That is an amazing part of storytelling and MY COUSIN RACHEL will have people still asking questions long after the film has ended.
In the end – love and madness sometimes go hand in hand.
WONDER WOMAN Gets Opposing Views
Jeri Jacquin and Vince Munn
In theatres this Friday is the highly anticipated film directed by Patty Jenkins with DC Entertainment and Warner Bros. Pictures bringing WONDER WOMAN.
Jeri Jacquin: First of all, it is no secret that I’m not the most ardent fan of super hero films, mainly because you can’t swing a tattered comic book without hitting one in theatres. I don’t need 15 super hero characters mushing up my screen time doing the same thing they always do – mainly tearing up the world that other people have to live in after.
I’ve been told in whispers I am suppose to slobber all over WONDER WOMAN because we share the same body parts (minus the wrist cuffs and svelty figure) because the film is suppose to “empower women”. Robin Wright looked amazing in her Amazonian get up, do I get points for that? So knowing you are not going to get it out of me my irk list is extensive.
Instead, from the get-go dear Diana is lied to by the people she is suppose to trust the most – her family, then she is lied to by a man (why should she be any different) and then ends up helping humanity save itself basically showing her altruistism. I spent more time rolling my eyes than cheering.
Yes, I’m just horrible for not feeling empowered by WONDER WOMEN which is why I am letting someone who loves all things DC do his thing and give his views on the film. Ladies and gentlemen – I give you Vince Munn, take it away!
Vince Munn: Diana (Gal Gidot), princess of the Amazons is a trained lethal warrior, blessed by the gods and raised on an island of women. When American spy Steve Trevor (Chris Pine) crashes on their island of Themyscira, he tells of a great conflict in the outside world. Diana she seeks to travel with him into the heart of the conflict convinced she can end the threat.
Through her journey Diana will see the dark side of man while discovering her full power and destiny. Warner Brothers and DC comics have found the bright light in their dark cinematic universe. Wonder Woman is a film with heart, humor, and forgive the pun, wonder.
Gal Gadot reprises her role of Diana, first introduced in Batman v Superman, a highlight of that film. Carrying the film she imbues it with charm, beauty, and heroism. Were I a young girl, this would absolutely be my heroine. The core of the character is there as her motives for what she does.
Chris Pine is solid in his role of Steve Trevor. While he is the male lead, he never steals the spotlight and supports his lead in the best way. Connie Nielsen, Danny Huston, and Robin Wright round out the main cast, each filling their role with full talent and commitment - sometimes a little beyond what is necessary.
While the villains are there, much like most Marvel antagonists, they lack the bite you want. The spectacle of the film is there as well. This is a comic book film and feels like one, but at no time does it ever wink at its audience.
Coming out at this time in history, amidst all the politic and unrest, Wonder Woman will stand out as a beacon to women. This is a strong character and is not pandered to. A personal stand out moment is the crossing of No Man’s Land. You’ll know it when you see it. Absolutely beautiful. “I will fight, for those who cannot fight for themselves.”
Fully enjoyable, while at times feeling its length, the only real issue is that you could shave a close 15 minutes and probably have a tighter, better film. That being said, this is a lot of fun, a lot of eye candy, and worth a second viewing.
Jeri: Thank you Vince! Although there are moments in the film that I agree with Vince it really doesn’t matter because WONDER WOMAN will earn its stop spot, at least for a week. With big films showing up week after week, each one will take its place on the top stop unless WONDER WOMAN has other super powers that can keep her there longer.
In the end – the future of justice begins with her…apparently.
CHURCHILL: The Untold Story of D-Day is an Epic Telling
In theatres this Friday from director Jonathan Teplitzky and Cohen Media Group is an incredible telling about the man everyone knows as CHURCHILL: The Untold Story of D-Day.
It is ninety-six hours before D-Day in 1944 and Winston Churchill (Brian Cox) arrive for the final meeting with Dwight Eisenhower (John Slattery), Field Marshal Montgomery (Julian Wadham), Admiral Ramsay (George Anton) and King George VI (James Purefoy) to discuss the landing in Normandy, France.
Much to the surprise of the battle leaders, Churchill makes it clear that he does not agree with the plans made and has ideas of his own. Eisenhower does not understand why he is trying to change plans that have taken so long to prepare. Standing his ground, the leaders of the Allied Forces are shocked.
Churchill’s wife Clementine (Miranda Richardson) tells her husband that those in charge of the landing are perfectly capable. What she doesn’t know is that the internal fear is of a man who has seen thousands of young men dead on the beaches of Gallipoli in 1915.
Even friend Jan Smuts (Richard Dursen) tries repeatedly to reach Churchill explaining that he should support the Allied Forces. Secretary Helen (Ella Purnell) begins to experience parts of his personality as the hours tick by and Churchill wants the invasion to stop.
Turned down at every avenue, Churchill turns to the Almighty begging him to stop the invasion. Becoming emotionally reclusive as the hour draws near, it takes one timid voice to remind him of who he is and what his voice means to the people who need to hear its strength.
As the invasion commences, Churchill embraces what is to come and once again lifts up all within the sound of his voice.
Cox as Churchill once again brings a stellar performance that I could not stop watching. Capturing the wave of emotions from military failures to political turmoil’s, Churchill’s countrymen were not privy to his personal struggles and all seemed to plague him. Cox has captures all of it magnificently with a flawless performance. This is a performance that should be recognized for its depth – period.
Richardson as wife Clementine is equally brilliant. She is clearly a woman who knows her husband is a difficult and complex man yet isn’t afraid to have her opinion. Richardson embraces the strength of this woman and still allows her moments of tenderness that are endearing. I absolutely love when she calls Churchill out through his bellowing to make it clear that enough is enough.
Durden as Smuts is a man who understands Churchill as a military man and tries to keep him focused. When others begin to turn away, Smuts reminds them of what Churchill means to their country and respects it. Purnell as Helen is a young woman who wants to do something important for the war effort. I don’t think putting up with Churchill’s antics was in the job description but I love her spunk.
Slattery as Eisenhower is a military man who sees the cloth Churchill is cut from but is not about to veer from a plan everyone agrees on. Never once does Slattery’s character back down and this actor does it with military understanding but only so far. Purefoy as King George VI has a brief part in the film and the most outstanding scene is explaining to Churchill that they both have a part to play to help win the war.
Other cast include Angela Costello as Kay Summersby, Danny Webb as Alan Brooke, Jonathan Aris as Mallory, Steven Cree as Captain Stagg, Peter Ormond as Briggs, and Kevin Findlay as Fanshawe.
CHURCHILL: The Untold Story of D-Day is an absolutely stellar film with performances that are rich and riveting. Cox performance of Churchill is one of a complex man filled with the demons of war and the insecurities that a man in his position isn’t allowed to show.
Instead of this film showing the ravages of war that pretty much everyone has seen on film, it instead focuses on one of history’s leaders and gives Churchill a human side. I don’t mind learning that this man had fears and weaknesses as I would never trust a leader who didn’t, but it is how to overcome those fears that earns my respect.
In the end – it is one man’s journey through war.
PIRATES OF THE CARIBBEAN: Dead Men Tell No Tales
Jack is back this week in theatres as directors Joachim Ronning and Espen Sandberg along with Walt Disney Pictures is PIRATES OF THE CARIBBEAN: Dead Men Tell No Tales.
Henry Turner (Brenton Thwaites) is a young man who wants one thing – to see his father Will Turner permanently returned to dry land. What he needs is Poseidon’s Trident and the map that will lead him there to break the curse holding his father deep in the ocean.
Carina Smyth (Kaya Scodelario) is a young woman who holds a map to the where the trident is and only she can read it. Basically it’s because she can read the stars where as most pirates can’t, well, read.
Someone who can help them is Captain Jack Sparrow (Johnny Depp) but he’s not having the best lucky with a crew lately. As if that’s not enough, Henry tells Jack that a ghost named Captain Salazar (Javier Bardem) pretty much wants his head on a platter.
Unphased by the prospect of losing his head, Jack is more focused on what he’s always focused on – getting his hands on the Pearl! When Captain Barbossa (Geoffrey Rush) comes upon the hair flowing Captain Salazar, a deal is struck to find Jack together.
Jack, Henry and Carina try to stay one step ahead of Barbossa and Barbossa tries to stay two steps ahead of Salazar. As they all get closer to the prize, there are still scores to settle and a few surprises for them all.
This is the life of a pirate!
Depp as Jack Sparrow puts a period at the end of his time as a pirate. His usual throwing caution to the wind and not being upset by much, Depp throws out lines and facial reactions that will make the audience laugh. Jack Sparrow is endearing and even to the very end he seems to be able to come out with what he truly wants.
Thwaites as Henry Turner is a young actor that is able to pull off the role of a kid who just wants his Dad back. Becoming somewhat of an expert on the legends of the sea, Thwaites is charming, caring and daring all rolled into one. Scodelario as Carina is a smart young woman who is misunderstood by, well, pirates. Looking for the trident is her mission to finding her own family.
Rush as Barbossa is his usual peg-legged self who wants to keep the money rolling in and going up against Jack is just topping on the cake. Bardem as Salazar is kind of creepy but then again he is a tad upset at Jack so we have to let him get out his frustration.
Other cast include Kevin McNally as Gibbs, David Wenham as Scarfield, Stephen Graham as Scrum, Adam Brown as Cremble, Orlando Bloom as Will Turner and Keira Knightley as Elizabeth Swann. There is also a cameo appearance that had the audience cheering so look out for that!
PIRATES OF THE CARIBBEAN: Dead Men Tell No Tales is a fantastical journey’s we have all enjoyed with Captain Jack Sparrow. Although the film isn’t really a stretch in terms of a storyline (meaning kind of predictable or else I’m just getting really good at this) but the special effects are cool. Of course they would be in a Disney film right?
It has been an adventure from 2003 until now with characters that are memorable and have become iconic. Disney has done a good job in wrapping up this series of films (I hope it’s a wrap!) in such a way that I don’t think anyone will be disappointed.
Everyone jumps on board for another adventure and a few surprises as well. This is fun for the family for the holiday weekend with laughs, adventure, action and characters that once again having us cheer for our favorite pirate.
In the end – it is the final tale of a pirate’s life!
GUARDIANS OF THE GALAXY Vol. 2 Protects in Theatres
Finally arriving in a theatre near you are our favorite heroes as writer/director James Gunn, Marvel Studios and Walt Disney Pictures bring GUARDIANS OF THE GALAXY Vol. 2!
Zipping through the galaxy once again being heroes, Peter Quill aka Star-Lord (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket (Bradley Cooper) and Baby Groot (voiced by Vin Diesel) are helping Ayesha (Elizabeth Debicki) keep their power source from being stolen.
After an epic saving, their reward is the one thing Gamora has been wanting – her sister Nebula (Karen Gillan). On their way out the door, Rocket can’t help but grab a few power capsules thinking no one will miss them.
Not even out of range, Ayesha and her people attack Quill’s ship and they may not get a chance to jump through space. That is until an unusual craft assists them right before they manage to escape only to crash land tearing up the ship. Moments later, the same craft lands as Ego (Kurt Russell) and Mantis (Pom Klementieff) introduce themselves.
Shocking Quill a tad is the announcement that Ego is his father. Trying to explain everything, Ego convinces Quill to come with him where all will be revealed. Taking Drax and Gamora, Rocket stays behind to repair the ship and babysit Nebula.
Also looking for the guardians is Yondu (Michael Rooker) as Ayesha makes it known she wants them all. Even that goes into chaos when Yondu and Rocket come together to put a traitorous band in its place.
Landing on Ego’s planet, it is a beautiful place and the story of what happened between Ego and Peter’s mother Meredith is explained. Peter also learns that he is the son of a god with powers he can call upon. Gamora knows there is something not right about it all, especially with Mantis seemly secretive.
As the story begins show its true meaning, Peter is joined by Gamora, Rocket, Yondu and Nebula along with Baby Groot to set things right again but not without great cost.
That’s not about to stop the Guardians!
Pratt as Quill has this role down to perfection. He covers everything from a hero to a kid needing to know who his father is and everything in between. With his Guardian family he knows they accept him for all his idiosyncrasies and the penchant for his mixed tapes (which we all are!). I just love watching Pratt go for it every moment he is on screen and listening to everyone cheer for their favorite Star-Lord.
Saldana as Gamora is keeping her emotions in check with Quill and even more so with a sister who is driving her crazy. Trusting her instincts about everything she gang is going through, it becomes clear that the history with Nebula is something that has always needed to be talked about. Oh sisters – they can hate each other but one good brawl always sets things right.
Cooper voicing Rocket is arrogant, guarded, hilarious and yet has a soft spot for all his guardian buddies. He may be a Guardian but he still has his old habits that need to be kicked. Diesel as the voice of Baby Groot, I mean really, what can else can be said here about the awesomeness that is Groot. “I am Groot” – we’re done!
Bautista as Drax has a chance to really show serious comedy here although what he laughs at isn’t as funny until he laughs about it. He is the powerhouse the group needs and he doesn’t hesitate to stand up for his buddies. I love the scenes between Drax and Mantis. Klementieff as Mantis is endearing, sweet and giggly funny.
Debicki as Ayesha is clearly a woman who has anger and power issues. Gillan as Nebula tries to work on her anger issues but when you’ve been angry as long as she has, it’s difficult.
Rooker as Yondu brings his blue-ness back to irritate Quill and the gang. It is the scenes with Yondu and Rocket that are pretty amazing. This is a role that looks so easy for Rooker to play because he has a swagger that is distinctive and an attitude that would give anyone pause.
Russell as Ego is always a thrill to see. Nothing seems to be slowing this actor down and being the god/father to Quill finally gets to tell the whole story – and I mean the whole story. Russell gives us the charm and flashy smile to bring us into his world and I don’t mind visiting at all.
Other cast include Sean Gunn as Kraglin, Tommy Flanagan as Tullk, Laura Haddock as Meredith Quill, Chris Sullivan as Taserface and Sylvester Stallone as Stakar Ogord.
TUBS OF POPCORN: I give GUARDIANS OF THE GALAXY Vol. 2 five tubs of popcorn out of five. I mean seriously, would you expect anything less? I am not always on board to all things in the Marvel Universe but the Guardians franchise is definitely worth every second on screen.
This ensemble has brought a uniqueness that I enjoy with characters that are relatable with their flaws, awesome in their survival/fighting skills, care for one another, humor and how each one protects Baby Groot. Come on, you know that’s cute! The special effects are just amazing and add to the story instead of being used to just dazzle.
I am purposely being vague about the film because I had such a fun time that I want everyone who sees it to have a great time as well. This is an event, truly, and groups of people should see the film together. Grab everyone and make it a movie night to remember.
It must be said that the soundtrack for GUARDIANS OF THE GALAXY Vol. 2 is just as frakken awesome as the first film. There is no way, absolutely no way to not tap a foot or even sing along because each song fits the scene perfectly. Everyone in the audience during the screening was so into the music which made it all even more fantastic of a time.
I don’t know what you are doing this weekend but if it’s not seeing GUARDIANS OF THE GALAXY Vol. 2 then you must be in traction! This film is funny, action packed, endearing, hilarious, and yes Baby Groot steals every scene he is in – I mean is that shocking? Hardly.
In the end – you only get one chance to save the galaxy twice!
ELLA BRENNAN: Commanding the Table is a Delicious Documentary
Coming to Netflix on May 1st from filmmaker Leslie Iwerks and Iwerks & Co. with theatrical release in May comes the intriguing story of ELLA BRENNAN: Commanding the Table.
Ella Brennan has made more than a name for herself as a legendary restaurateur but is a pioneer of what is now considered a food movement. After high school in New Orleans, her brother Owen wanted to open a business that would take care of her parents. In 1933, Owen hires piano player Fats Pichon plays in their club and it is a success!
At the age of 20, Ella along with sister Adelaide take on opening a restaurant. Trying to find their niche among famous places on Bourbon Street, Ella teaches herself the business. Creating Breakfast at Brennan’s comes from her European learning trip and brother Owen wants an original dessert on their menu as well. The creation of Bananas Foster became a hit then and is still a hit today!
Brennan’s becomes a rising restaurant and Ella a rising star that is noticed by editors and food critics. the Brennan’s opened a restaurant on Bourbon Street. Food Editor Helen McCully would take Ella to New York where she meets Julia Childs, Jacques Peppin and James Beard (yes, that James Beard).
The passing of Owen and the lease on Bourbon Street property is up but Brennan’s begins again at a new location. The patrons followed eagerly with a party that Ella says, “lasted a month easily”. Never an empty table, Brennan’s continues to be successful on Royal Street in New Orleans.
The restaurant keeps her busy but Ella meets Paul, they marry and start a family with son Alex and then daughter Ti. Keeping life surrounded by family, members recall having get together’s that always included delicious food. Their marriage unfortunately leads to divorce because of Paul’s problem with drinking.
After a shocking family takeover, Ella walks away from Brennan’s Restaurant and buys a place called Commander’s Palace Restaurant and once again starts from scratch. Beginning with an idea from brother Dick, she creates a Garden District Jazz Brunch. It was instantly a smashing success!
Wanting her patrons to have an experience, Ella creates just that with crowds taking over on Saturdays and Sundays. Surrounded by celebrities of all types there were write ups constantly. Moving in with sister Adelaide, they both continued fancy and dressy party’s at their home.
Paul Prudhomme became an Executive Chef at Commander’s Palace creating menu’s with Ella that include Cajun Crusine and flavors New Orleans hadn’t brought before. A line of amazing chefs came through Ella’s kitchen from Jeremiah Tower, Danny Meyer, Emeril Lagasse, Jamie Shannon just to name a few. Each chef that came through continued to pave the way for amazing cuisine and continued success for Commander’s Palace.
When Hurricane Katrina came through New Orleans, Ella once again is faced with picking up the pieces by gutting Commander’s Palace. Committed to rebuilding, Ella says, “it breaks your heart to know what people went through in this city. This was no longer survival of yourself but survival of the city we all live in”.
Not only did she rebuild Commander’s Palace, she helped local owner Dooky Chase rebuild her restaurant as well. Reopening thirteen months after Hurricane Katrina, they were back!
This is a family business as Ella and Dottie move into the home right next to the restaurant to be close to it all. The dedication of this woman named Ella and the Brennan family has continued to bringing the dining experience to generation after generation and I personally have Commander’s Palace on my bucket list!
Director Leslie Iwerks is an Oscar and Emmy nominated filmmaker who has brought Oscar and Tony nominated actress Patricia Clarkson on board to narrate this amazing story. Choosing Ella Brennan, family and their love of the restaurant business as a subject for her documentary is wonderful perfection.
ELLA BRENNAN: Commanding the Table has been the Official Selection for the 2017 Dallas International Film Festival, Audience Award at the New Orleans Film Festival, Official Selection of the: 34 Miami Film Festival, Houston Cinema Arts Festival, Santa Barbara International Film Festival, Tiburon International Film Festival, Annapolis Film Festival, Vermont International Film Festival, San Luis Obispo International Film Festival, Mill Valley Film Festival and the Boulder International Film Festival.
The story is told from Ella herself along with family, friends, critics and the chefs that were a part of her kitchen which bring such a personal aspect that I was enthralled watching every moment.
A admitted “foodie”, I am fascinated by the creative process of chefs, food and restaurants décor and how they are run. Ella Brennan was a name I had heard before so I was thrilled to have the opportunity to see this documentary. I had no idea that I was in for a delicious treat with not only the food but the history of this amazing woman who created something spectacular.
ELLA BRENNAN: Commanding the Table is a must-see for everyone, whether you are a foodie or not. This documentary is a history of a family who understood and continues to understand their city and patrons. Constantly reinventing itself, Commander’s Palace has a woman at its helm who believes in what she does – and it shows. Brava Ella Brennan!
In the end – she brought grace, elegance and good taste to the nation’s culinary map!
UNFORGETTABLE Brings Love and Terror to the Screen
This Friday in theatres from first time director Denise Di Novi and Warner Bros. Pictures comes the twisted meshing of families that will be absolutely UNFORGETTABLE.
Julia Banks (Rosario Dawson) is packing her home in San Francisco to move to Southern California to be with boyfriend David Connover (Geoff Stults). Happy about her decision, Julia knows that there will be an adjustment with young daughter Lily (Isabella Kai Rice) and ex-wife Tessa (Katherine Heigl).
Eager to start their life together, Julia notices almost right away the tension with Tessa. Trying to make things easier for David, she does her best to show Lily that everything is just fine. What Tessa doesn’t know is that Julia and David are planning to be married.
Getting his brewery business off the ground, David thinks its better to wait until everyone has settled to break the news. Tessa decides to take matters into her own hands and look at Julia’s past to discover that she has something that she hasn’t disclosed to David.
Putting discomfort between Julia and David, Tessa is clearly aware of every move she makes. Julia can’t seem to convince David of what is happening to their family until someone shows up at their door igniting a chain of events and there’s no turning back!
Dawson as Julia clearly wants to begin a new life with David. Trying her best to have a integrated family with Lily, Tessa is making sure that they don’t get to close. Dawson’s character eventually holds her own with Heigl’s character and it is a stand off that shocks.
Heigl as Tessa is walking perfection! From her stunning hair, impeccable clothing and steely eyed stare, I can’t recall the last time I saw a character like this and thought, ;I definitely don’t want to meet her anywhere day or night!’ This is a scary lady for the ages for sure but the apple doesn’t fall far from the three.
Stults as David is a man trying to have a new relationship while having an understanding with ex-wife Tessa. Clearly a doting Dad of daughter Lily, starting a new business means he doesn’t have time for two women who need to work it out. Trying to be understanding of Tessa’s feelings, he is caught between three females!
Rice as Lily is adorable and put in the middle of the adults nonsense. There is one scene with Heigl that totally broke my heart for her and that means she handled her character beautifully. Well done young lady!
Other cast include Simon Kassianides as Michael Vargas, Jayson Blair as Jason Michaels, Alex Quijano as Miguel and Cheryl Ladd as Tessa’s mother.
UNFORGETTABLE is a film that is up front about every aspect of what is going on. So why does this work so well? Because it’s like being a fly on the wall watching everything unfold or like a train wreck that you can’t help but watch. I’m keeping the details to myself because this film needs to be seen first hand and remember to keep your jaw off the floor.
The audience absolutely loved the film and there are several times where people were yelling at the screen or hiding their eyes. That’s always a good sign when the audience doesn’t realize its participating!
At this years CinemaCon in Las Vegas, Heigl says of the film, “They say the things that you are most afraid of might actually happen. But what happens when one person can’t deal with it and jealousy turns to madness”.
Dawson continues by saying, “UNFORGETTABLE is a suspense thriller that harkens back to some of my favorite films but with a modern and contemporary edge. We think this film will give audiences what they want, an experience where they are on the edge of their seat!”
In the end – love makes some do dangerous things!