What's coming up in theatres!

Toothless and Hiccup Land Home on 4K Ultra HD

Jeri Jacquin

This week on 4K Ultra HD, Bluray and Digital in a Collector’s Edition from writer/director Dean DeBlois, DreamWorks and Universal Pictures Home Entertainment is the returning tale of HOW TO TRAIN YOUR DRAGON.

On the island of Berg, Hiccup (Mason Thames) is a young man that doesn’t quite fit in, especially when it comes to fighting the one thing that plagues his village – dragons! It is even more difficult to fit in when your father is Stoick the Vast (Gerard Butler) the chieftain of Berk. Hiccup mainly spends his time in the workshop of Gobber (Nick Frost) the blacksmith and being pushed out of the way when dragons attack. Except during the most recent attack, Hiccup hears something and knows if he can bring down a Night Fury, his life will get better yet, when he does, no one believes him.

Stoick is dead set on finding the dragons lair and getting rid of their dragon problem once and for all. Before leaving on that journey, Gobber talks him into letting Hiccup go into dragon training as a way of giving him something useful to do and staying under the watchful eye of Gobber. When he arrives for training, Hiccup is met with the groans of Astrid (Nico Parker), Fishlegs (Julian Dennison), Snotlout (Gabriel Howell), Ruffnut (Bronwyn James) and Tuffnut (Harry Trevaldwyn) who see him as a hinderance and not a help to the village.

In between training, Hiccup decides to go look for signs that he caught a dragon. There, in a small opening in the woods, he sees the Night Fury struggling and shortly realizes his tail is damaged. When a friendship is struck and he discovers a way to help the Night Fury, Hiccup realizes that he can’t and won’t hurt other dragons. As the two become inseparable and he learns from the dragon named Toothless – Hiccup also becomes a surprise during training much to the suspicion of Astrid.

She learns Hiccups secret but also realizes that the villagers truly don’t understand dragons. When Stoick returns, everything comes out and now Hiccup and Toothless are separated while finding the dragon’s lair. Hiccup enlists the help of Astrid and the others to do what needs to be done – saving his father and the other Vikings!

Thames as Hiccup is a young man trying to find his place in the Viking village of Berk. Keeping himself busy with making inventions that no one really pays attention to, he thinks it’s time to get a dragon. The one thing Hiccup doesn’t count on is realizing that getting to know dragons is the answer to the villages’ problem. It’s unfortunate that Stoick isn’t interested in hearing about it. Thames is charming and captures a bit of the animated Hiccup but it works smoothly and that’s what is important.

Butler as Stoick is the only person that returns from animation to live-action. The fact is that nobody could voice the chieftain better than Butler and he is fun to watch in full Viking regalia. That makes playing the role much easier since he pretty much already knows the lines. The challenge I think would be going from being only a voice to a full-fledged Stoick on screen. He is funny, challenging, and the scene where he gives Hiccup his mother’s helmet is awkward and lovely at the same time.

Frost as Gobber is the peg-legged, one arm blacksmith who understands Hiccup’s predicament referring to him as “all this” of problems with a mixture of loyalty to Stoick as well as a trusted friend. Frost gives his character sarcasm and wit that I secretly enjoy and delivers. Parker as Astrid giving the strong minded and strong-willed Viking who believes she must beat everyone and everything in order to be seen as a leader. Hiccup is an obstacle to all that as she feels that being the son of the chieftain is a point she cannot get over. Parker delivers on the right bad attitude of her character until she begins to see the other side of the story. Well done.

Dennison, James, Trevaldwyn, and Codd round out the added cast as the other trainees of dragon camp. They might see Hiccup as a problem-child in the beginning but, like Astrid, learn that there is more to their small world than they could ever imagine. Each of these actors are a sweet addition to the live action story.

Other cast include Peter Serafinowicz as Spitelout, Naomi Wirthner as Gothi, Ruth Codd as Phlegma, Andrea Ware as Burnheart, Anna Brophy as Retcha, Marcus Onilude as Snorti, Peter Selwood as Drul, Daniel Williams as Fungi, Kate Kennedy as Flatula and Murray McArthur as Hoark.

Universal Pictures Home Entertainment has just added an amazing film to their library and making it available for us to all experience and re-experience in our own home theaters. There are films of every genre available from scary to drama to family films. For more of what they have to offer please visit www.uphe.com.

DreamWorks brings amazing, film and animated entertainment, television specials and series for the young and young at heart audiences around the world. For more of what they have to offer please visit http://www.dreamworksanimation.com.

MOVIES ANYWHERE gives viewers the ability to download the Movies Anywhere App. With that you can view films by downloading or streaming to your favorite device using a Digital Code. For more information on Movies Anywhere please visit www.MoviesAnywhere.com.

Bonus Features include Deleted Scenes, Gag Reel, Love and Legacy: Making HOW TO TRAIN YOUR DRAGON, Building Berk, Dreaming Up the Dragons and more – over an hour more!

HOW TO TRAIN YOUR DRAGON is, of course, the live action version of the 2010 version of the same name. The cast brings together that version of the story nicely with a few changes here and there but most following the formula that made the animated film such a success. That is important for the success of the film because, and let’s be honest here, when a story changes drastically, fans get a little edgy.

Toothless remains animated and everything my family loves about the Night Fury. Needless to say, there are plenty of Toothless items around our house because that is the amazing impression this character has made. He is a combination of a strong willed, free spirited, protector of a black cat and its absolutely wonderful. That’s how I’ve always seen Toothless and this film doesn’t change that about him one bit.

The film is fun, lots of laughs, and exactly the summer feature that families can have an amazing time at the theatre with. There is something for everyone bringing some of us back to 2010 and introducing a new generation to the same fun in a different way with the story of HOW TO TRAIN YOUR DRAGON.

In the end – the legend is real!

He is the One and Only ELIO

Jeri Jacquin

Take your family on an interstellar adventure with Disney and Pixar’s ELIO which arrives to digital retailers (Amazon Prime Video, Apple TV, and Fandango at Home) this week.

A great story for the entire family where ever in the universe you might be from with directors Adrian Molina, Madeline Sharafian, and Domee Shi.

Young Elio (voiced by Yonas Kibreab) is living with his Aunt Olga (voiced by Zoe Saldana) since the passing of his parents. It has been a difficult adjustment for them both as Elio isn’t sure where the new normal is coming from and Aunt Olga gives up her dream of being an astronaut. They are both trying to patch their family but Elio finds himself in a bit of trouble. First with schoolmates and then at the at Aunt Olga’s job at a government tracking station.

Both have to do with Elio’s love of space and his desire to be abducted. While at the tracking station, the group is excited that Gunther Melmac (Brendan Hunt) announces that he’s discovered a message. When Olga shoots it down, Elio decides to send a little welcome of his own and the results are more than he could have hoped for.

Taken up to the Communiverse, the aliens believe that Elio is a leader planet Earth and they are excited to have him along with Questa (Jameela Jamil), OOOOO (Shirley Henderson), Tegmen (Matthias Schweighofer, Helix (Brandon Moon), Auva (Naomi Watanabe), Turais (Ana de la Regulera) and Mira (Anissa Borrego). Before he is totally accepted into the Communiverse, Elio witnesses Lord Grigon (Brad Garrett) discovers that he isn’t accepted into the group. Angry, he vows retribution for his rejection.

Worries, Questa and the group worry that things will get worse but Elio volunteers to go to Lord Grigon and make him see reason. Over on the angry leader’s ship, Elio tries to reason with him but discovers it doesn’t work. While going through the ship, he meets Glordon (Remy Edgerly) and they strike up a plan and a friendship. On Earth, Aunt Olga is wondering what is happening to Elio because something has changed.

Chaos explodes when Lord Grigon figures out the plan and Elio is sent back to earth. Elijo explains to Aunt Olga what has happened when a craft with Glordon inside is at the military base. Now it’s time for Elijo, Glordon and Aunt Olga take on the universe to set things right again.

Kibreab as Elio voices a young boy dealing with deal and feeling alone in a very large world. Reaching out into space to find a connection, no one understands what he is doing. When the one thing that he wants in the universe happens, Kibreab gives voice to Elio finding his happy place and that’s the Communiverse. The problem is his dishonesty with his new friends but he tries to make it right. It is his friendship with Glordon that is charming, sweet and so very memorable.

Saldana as Aunt Olga doesn’t know what to do with Elio and she sees that he is so very sad. It isn’t easy trying to understand a child that has gone from being a nephew to practically being a son. Giving up her dreams to take care of Elijo, he senses that she isn’t happy with the decision she made. Saldana is a strong character in a difficult situation and lending her voice to this role is so warm and loving.

Garret as Lord Grigon is an unhappy alien who feels rejected by Communiverse and he’s going to show what happens to unhappy aliens. Garret is a tough voice lending itself to a tough character who doesn’t listen to his son. Edgerly as Glordon is fun, charming, so very sweet and can’t figure out a way to tell his father that fighting just isn’t his thing. I love the friendship that comes about between Glordon and Elio and Edgerly’s giggle is contagious.

Shout out to all the aliens because they are so diverse, colorful and wanting to keep their world intact. My granddaughter just adored Questa because, “she is smooth with a voice that is very calming when things get crazy”. I love that she felt that about one of the characters. Also, Hunt as Melmac is hilarious even though his moments on screen are brief.

Other cast include Young Dylan as Bruce, Jake Getman as Caleb, Shelby Young as Diplo Ship, Bob Peterson as the Universal Users Manual and Kate Mulgrew as Museum Exhibit Narrator.

Walt Disney Studios Home Entertainment continues to bring quality programming to kids and kids at heart. Home of the most beloved animated features including SNOW WHITE, PINOCCHIO and SLEEPING BEAUTY to name a few is what keeps families coming back for more. To see what is currently available to add to your own family library please visit. www.movies.disney.com for their At Home titles!

Bonus Features include Inside the Communiverse: The World and Characters of ELIO, Out of This World: An Astro Q&A, Astronomic Art Class: Ooooo and Glordon, Extraterrestrial Easter Eggs and Fun Facts, Galactic Gag Reel and Deleted Scenes.

ELIO is a magical, color and an absolute family film that should have parents making this a movie night. It is a story of love, sadness, friendship, understanding, dreams and how we (on this planet or any other) are not so different that we can’t learn from one another. The story is one of a young boy dealing with the hardest thing a child would ever deal with yet, the adventure teaches him the importance of being in the present and on earth.

I love when Disney Pixar brings such imaginative stories that draw people together and ELIO does just that. It has such profound moments that are made more vivid because of the animation and the imagination it took to not only tell Elijo’s story but the fantastic world of the Communiverse. Pop the corn and snuggle up with the kids and spend a little time in space with ELIO

In the end – the universe came calling!

A Winning HBO Series with THE WHITE LOTUS Season 3

Jeri Jacquin

Now on DVD from creator Mike White is the HBO Original THE WHITE LOTUS: The Complete Third Season.

Zion (Nicholas Duvernay) is attempting to try meditation with Amrita (Shalini Peiris) when gunfire breaks out leaving him wondering where mom Belinda (Natasha Rothwell) is. A week prior, a boat comes to port with Rick (Walton Goggins), girlfriend Chelsea (Aimee Lou Wood), Timothy (Jason Isaacs), wife Victoria (Parker Posey) and their kids Saxon (Patrick Schwarzenegger), Piper (Sarah Hook) and Lochlan (Sam Nivola). Also, actress Jaclyn (Michelle Monaghan) and friends Kate (Leslie Bibb) and Laurie (Carrie Coon). Already on shore is Chloe (Charlotte Le Bonn) and Greg (Jon Gries). Fabian (Christian Friedel) meets the guests along with hotel owner Sritala (Lek Patravadi).

The resort is already a buzz with Rick being upset that the person he came to see isn’t there, Kate and Jaclyn talk divorce, Gaitok (Tayme Thapthimthong) finally talks with health mentor Mook (Lalisa Manobal) about his feelings. Belinda and Pomchai (Dom Hetrakul) have something going, Saxon can’t stop himself from being inappropriate, and Timothy tries hard to avoid the calls that are plaguing him. Victoria is dealing with a big of worry about a tsunami which sets Piper off believing it is a foreboding. Piper finally gets to do what she came for and visits a monastery for her thesis. Belinda might know someone and does what anyone would do.

Fabian might have made a mistake by giving Gaitok a gun but Mook sees it as promotion potential. Ricks detachment from Chelsea has her wondering what is happening and gets an unexpected answer. Lochlan also gets an unexpected discussion with Piper about her monastery visit. Timothy can’t get away from his problems and finds a questionable way to deal with it and Gaitok confronts him. Chloe takes the younger crowd to a Full Moon party and supplies the ‘party favors. Jaclyn, Kate and Laurie go clubbing and meets up with guys and makes a night of it, literally.

Belinda is surprised by her son Zion catching her in an awkward situation. Greg is suspicious of the happenings around Saxon and Lochlan. Timothy’s situation has caused him to think about doing the worst things possible. Rick is not done trying to meet Jim Hollinger (Scott Glen) and involves Sritala in his scheming. It doesn’t take but a moment for Rick to make it clear why he is in Thailand and it isn’t for his mental health. Mook decides to go out on a date with Gaitok and she learns his security guard secret. Chelsea tries to help Saxon with his wileyness, but some guys you can’t help.

Piper finally tells her parents the truth of her visit to Thailand, after a girlfriend disagreement, Laurie remembers why she is friends with Jaclyn and Kate and Timothy turns everything upside down in a blender of pina coladas. Jim and Rick finally have their moment and it is after that Sritala changes everything and it seems the only one walking away from this in a positive way is Gaitok!

Goggins as Rick doesn’t have the same thrill as his girlfriend about being in Thailand. That could be because he is there with a mission in mind and it has nothing to do with a vacation. Watching him unpack with health mentor Amrita, he blurts out a past that might explain the present. I have to say that honestly, I love everything Goggins does so when I heard he was on this season, I tuned in for it. I love when he takes on a character that is spicey or standoffish and the character of Rick gives me both. Wood as Chelsea is a young woman who can’t understand why Rick is behaving a bit mean with her. This is a rather cheerful and outgoing young lady and her man is starting to take the joy out of her.

Isaacs as Timothy is a man with a problem, and that problem is the law. Trying to stay out of it is proving to be a challenge no matter how many phone calls he takes. It is his thoughts about how to get out of it that are disturbing. Posey as wife Victoria seems disjointed on this trip but things begin to happen around her that make it impossible to not have an all-out reaction. Hook as Piper has brought her family to Thailand for one reason but it is clear she has another reason. Out of all the people at the hotel, I think she is the sanest one of all.

Schwarzenegger as Saxon is a sex starved degenerate of a son who doesn’t hesitate to see that he has a problem – but that’s what narcissism does. He is absolutely the peacock of the hotel and doesn’t mind what anyone thinks of what he says or does. Nivola as brother Lochlan admits that he is a people pleaser but finds himself going way to far. Caught between what sister Piper is doing and how brother Saxon behaves may be the thing that pushes him over the edge.

Monaghan as Jaclyn is an actress taking time away to rekindle her friendships. Getting the gossip in person feels so much better than their yearly telephone calls. Bibb as Kate doesn’t mind filling Jaclyn in on what has been happening as their first dinner. The scene between Monaghan and Bibb is girl talk but also feels like a chipping away at a friend yet I loved it. Coon as Laurie is going through problems of her own and trying to hide it from the others. I just love Coon and especially her latest role as Bertha Russell in the wildly successful hit THE GILDED AGE also on HBO.

Rothwell as Belinda is such a charming character. She is at the hotel on her own but it is clear that she feels like she is missing something in her life. Finding it in Hetrakul as Pomchai, it makes her wonder whether staying is something she really wants but at the same time so cute! Manobal as Mook gets the joy (and I laugh when I say that) to deal with the guests and their idiosyncrasies. So charming and lovely, I don’t think I’d be as gracious as Mook and well done Manobal. Thapthimthong as Gaitok is not only a little love sick, but will do anything to move up the ladder and impress Mook. He is equally as charming as Manobal and if I were a big roller I’d tip both of them beyond belief.

Shout out to Patravadi as Sritala, the colorful and outspoken hotel owner who comes in and out at will. She is also a wonderful singer. Also, Friedel as Fabian who tries to keep things running smoothly but his facial expressions say it all.

Other cast include Ke Huy Quan as Kenneth, Scott Galloway as Chuck, Rob Carlton as Rupert, Yothin Udomsanti as Pee Lek, Suthichai Yoon as Luang Poor Teera, Yuri Kolokolnikov as Vlad, Julian Kostov as Aleksei, Morgana O’Reilly as Pam, and Arnas Fedaravicius as Valentin.

HBO Home Entertainment brings critically acclaimed and groundbreaking programming throughout the world. Releases include the global hit Game of Thrones, True Detective, Girls, The Sopranos, Sex and the City, True Blood, The Wire and Entourage. The company's catalog contains hundreds of titles including Big Little Lies and Band of Brothers. For more of what they have to offer please visit www.hbo.com.

The episodes include Same Spirits New Forms, Special Treatments, The Meaning of Dreams, Hide or Seek, Full-Moon Party, Denials, Killer Instincts, and Amor Fati.

The Special Features include Invitation to Set: Welcome to Thailand, Thai Tea, Closet Tour, Unpacking Each Episode, and Get to Know the Characters.

THE WHITE LOTUS: The Complete Third Season gives so much complexity, twists and turns, and getting to learn about each guest is so intriguing. Taking on some dark topics, they are wrapped in the kind of humor that I like. Like a warmed towel, the story slowly unwraps and keeps us comfortable so that we have no issues waiting for it all to explode. Carbon based units are difficult enough, those at THE WHITE LOTUS are ripe with their insecurities and fears but have no problem having a few drinks under the sun.

Watching all these problems under the stunning setting of Thailand, it would normally make one wonder how it’s possible to have any problems at all. Of course, the monkeys probably knew these were human train wrecks before their feet could make an impression in the sand upon arrival. Goggins is sublime, Isaacs has me as nervous as a turkey at Thanksgiving, Posey had me laughing, Schwarzenegger was good at being ridiculous, the trio of Monaghan, Bibb and Coon reminded me of groups of girlfriends I know, and Manobal and Rothwell are so endearing and charming.

This series definitely deserves to be binge-watched because one at a time is just torture. I intentionally left off details because I hate when someone gives everything away. It is much more fun to have a clue about the characters but get the deep dive while watching on one’s own. Also, this is a perfect series to have friends over to share and with the DVD you can do just that. No commercials only a fun get together with strangers in Thailand!

In the end – same luxury new reservations!

The Group Takes THE LONG WALK

Jeri Jacquin

Coming to theatres this Friday from director Francis Lawrence, screenplay by JT Mollner, Vertigo Entertainment and Lionsgate

is a story from the Stephen King novel THE LONG WALK.

The United States has become a dystopian world under the control of a totalitarian regime that has a yearly contest. Young men are chosen to walk at a designated pace or are removed until only one is left to collect a prize. One such young man is Raymond Garraty (Cooper Hoffman) who is about to leave his worried mother Ginnie (Judy Greer). Immediately Garraty makes friends with Peter McVries (David Jonsson), Arthur Baker (Tut Nyuot) and Hank Olson (Ben Wang).

Before setting off, the Major (Mark Hamill) makes the rules simple but the most important one is – keep walking! Surrounded by military vehicles and weaponized soldiers, the walk begins. Mile after mile, the group keeps it to small talk except for Garraty’s group who try to lighten their situation. Collie Parker (Joshua Odjick) has a stern face and doesn’t say much, Curley (Roman Davis) moves swiftly with Rank (Daymon Wrightly), Gary Barkovitch (Charlie Plummer) can’t help being obnoxious and Stebbins (Garrett Wareing) looks like doom.

Each step the boys take tightens their friendships as they share in the ‘what if’s’ and the possibilities of winning and losing.

Hoffman as Garraty is a young man who has seen his share of heartache but keeps it to himself. Finding friendship in the group of boys becomes the one thing to hold onto with each passing mile. Hoffman gives us a character that is complex, kind, protective and focused. His flow seemed so natural and perfectly paired with Jonsson. Speaking of Jonsson as McVries, he is almost the twin of Garraty in ways and means. He is also clear on the reason to be walking and finds a protective kinship with Garraty and I truly loved watching the two together. Jonsson gives us a character that is a leader without actually realizing he is and that serves his character well.

Nyuot as Baker is thrilled to be part of the group and is the naïve walker in many ways. It is not that he is unaware, he just chooses to see things simpler than most. Davis and Wrightly as Curley and Rank try to stay focused but get wrapped up in emotions that don’t serve them well. Plummer and Wareing as Barkovitch and Stebbins are the thorn to many of the boys on the walk. They test and taunt a bit which, under normal circumstances, would typically be considered normal but, this situation is far from normal.

Greer as Ginnie is a mother who clearly is having a difficult time being separated from her son. Wishing he had made a different choice, Greer gives us the heartache and struggle to let go. Odjick as Parker is doing his best to not becoming part of any clique or friendship group. He has his eyes on the prize and doesn’t want connection with anyone. Odjick’s character says more with his expressions than with words.

Shout out to Mark Hamill as the Major. If you didn’t know it was him you wouldn’t know it was him. Hiding behind large reflective glasses and military uniform, he is the voice that was suppose to encourage but felt more like condescending honest or even teasing with cruelty to me. I am happy anytime I see Luke Skywalker, oh sorry, Hamill on the screen and this role was his chance to be hands-off wicked.

Other cast include Jordan Gonzalez as Richard Harkness, Noah de Mel as Ewing, Thamela Mpumlwana as Pearson, Jack Giffin as Ronald, Keenan Lehmann as Larson, Dale Neri as Percy Grimes, Teagan Stark as Patrick Smith, Sam Clark as Tressler, Emmanuel Oderemi as Zuck, and Josh Hamilton as William Garraty.

THE LONG WALK is probably the closest to the source of Stephen King’s book to be put on film. The amazing part is that he wrote in in 1967 while still in college at the University of Maine. His first completed novel, finally published in 1979 but not under the name of Stephen King but of Richard Bachman. It wasn’t until 1985 when the world would come to know the name of Stephen King (which I like much better).

The film is a gambit of emotions from shocking, to sadness, to feeling a bit uncomfortable listening in on conversations and back to shock again. There is no way to avoid these feelings as the entire film is the boys walking, talking and seeing things no one should ever see or experience. Lawrence may have allowed us to listen in on the conversations but never, ever let us forget for a moment that stopping has consequences.

Keeping the road as a character in the film, the audience doesn’t have to worry what’s on the right or left because the story is right in the middle, right on the road. The cast is absolutely amazing with powerful performances as each actor playing their characters exactly how I would see and hear a group of boys behave with profound skill. It is the violence that is harsh and the choices each young man has to make it absolutely heartbreaking. Well done all around.

In the end – the task is simple, walk or die!

PRISONER OF WAR

Jeri Jacquin

Coming to theatres and VOD from director Louis Mandylor and Well Go USA in a story by Scott Adkins is the story of war and those who fight being the PRISONER OF WAR.

Wing Commander James Wright (Scott Adkins) is in the British Airforce during the Battle of Battan in 1942. He is shot down, captured and taken to a prison camp where he is marked for death. Wright is not about to let that happen and makes a daring escape but is recaptured and brought before Lt. Col. Benjiro Ito (Peter Shinkoda). Believing he has plans for Wright, to his surprise, he never anticipated anyone like this soldier.

Wright meets the other prisoners of war along with Beardy (Michael Walton), Jonesy (Gary Cairns), and Sgt. Gabrielle Villanueva (Michael Copon) who introduce their leader Captain Collins (Cowboy Cerrone). They fill him in on what is happening at the camp and how there are other camps much worse. Yet Wright is about to find out how Ito deals with punishments in the camp but, the rules are about to change. Ito sees that this soldier has been heavily trained and puts that training to the test.

Not waiting around to see what Ito has planned for the prisoners; Wright comes up with a plan that needs the help of everyone in the camp. One person he did not expect is Teresa (Gabbi Garcia), a nurse who is kept in the camp by Ito. The problem is the watchful eye of Captain Endo (Masanori Mimoto) who wants desperately to be the one to put Wright down. As the plan gets put into place, they group will only have a short window of time to get away before Ito and his men shoot to kill.

Adkins as Wright is a soldier who is sure of himself and doesn’t let anything rattle him, at least he doesn’t show it. Always watchful, it helps him stay one step ahead of anything coming after him, even Ito. The other prisoners quickly trust him and believe that his plan, although put together quickly, will work because they are doing it together! Adkins gives us a pilot who doesn’t fight to end life but fights to avoid it at all costs. I enjoyed his performance mainly because it was more brains over brawn and the martial arts was a bonus.

Shinkoda as Ito is a ruthless man who has no issue with punishments or pitting man against man. Once he experiences Wright’s abilities, he uses it for two purposes and neither of them are worthy of humanity. Trying to keep his emotions in checks, he slips occasionally and Wright is there to take note. Mimoto as Endo is an angry soldier who sees nothing redeeming about any of the prisoners but especially Wright. Trying to convince Ito to let him handle it, his frustration grows in intensity.

Copon as Villenueva takes to Wright immediately and believes that he can make an escape possible. Cerrone as Collins also sees what the pilot can do and how it has an effect on Ito but believes in an escape is possible. Walton and Cairns will follow strength and that includes newcomer Wright. Garcia as Teresa is a captive as well as Ito uses people for his own purposes. She sees that Wright can be the way out and I love that there is a woman in the mix.

Shout out to Asano as Shunsuke as he brings the past and present together.

Other cast include Shane Kosugi as Corporal Hirano, Fitim Krasiqi as The Greek, Pauline Lopez as Ana, Xin Wuku as The Monster, Andrei Kasushkin as Edgar and Kansuke Asano as Shunsuke Ito.

Well Go USA Entertainment is a theatrical and home entertainment company specializing in bringing the best Action, Genre and Independent films from around the world to North American markets. As a leader in independent film distribution, Well Go USA Entertainment’s titles can be seen across a variety of platforms including theatrical, digital, subscription and cable VOD, packaged media and broadcast television. Well Go USA Entertainment currently releases three to five films per month. To see more please visit www.wellgousa.com.

Director Mandylor is known on screen for such roles as Marcus in THE PROMETHEUS PROJECT, Ethan Hill in DAYLIGHT’S END, John Caputo in 3 DAYS IN MALAY and as Nick Portokalos in the hit film MY BIG FAT GREEK WEDDING and the sequels that followed.

Adkins history in film makes PRISONER OF WAR a perfect fit. Trained in the styles of taekwondo, judo, kickboxing, capoeira, Krav Maga, Jeet Kune Do and Wushu, it offered roles in actions films such as THE EXPENDABLES 2 (2012), ZERO DARK THIRTY (2012) up to DAY SHIFT (2022) and JOHN WICK: Chapter 4 (2023). His other film in 2025 is SKYLINE: Warpath. About his martial arts beginnings, Adkins says, “I started when I was ten years old. I did judo because my brother and dad took part in it. They eventually stopped but I kept going. I got into taekwondo for many years and was a fan of martial arts films from the start.”, so it only makes sense he would use his skills in film.

PRISONER OF WAR is a war film yes, but there is so much more to it. It is a story of survival and camaraderie in the grip of that survival. Wright comes in not to be a supersized hero who wants to take out everyone, but instead focuses on saving as many as he can with the help of fellow prisoners. Even when coming up against an aggressor like Ito, Wright/Adkins refuses to capitulate. The cast adds a layer of complexity that comes with any story of war and an ending that is unexpected!

In the end - captured in war and unleashed in battle!

DOWNTON ABBEY: The Grand Finale

Jeri Jacquin

Currently in theatres from director Simon Curtis and Focus Features based on the story created by Julian Fellowes is the ending of an era with DOWNTON ABBEY: The Grand Finale.

It is the 1930’s and the Crawley family is learning to literally change with the times. Beginning with the visiting the London stage show with Guy Dexter (Dominic West) and assistant Barrow (Robert James Collier). Lord Grantham (Hugh Bonneville), Countess Cora (Elizabeth McGovern), Lady Edith (Laura Carmichael) and husband Bertie (Harry Hadden-Paton) go backstage and meet the ever-popular Noel Coward (Arty Froushan). It is the height of the season and the next evening Lady Petersfield (Joely Richardson) has a ball and Lady Mary (Michelle Dockery) is dressed to the nines. That is when Mary’s world comes once again crashing as news of her marriage changes her social status.

Coming back to England is brother Harold (Paul Giamatti) who is visiting to update Cora on their late mother’s estate bringing advisor Gus Sambrook (Alessandro Nivola). The family happily returns to Downton welcomed by butler Carson (Jim Carter) who is turning over the reins to Andy (Michael Fox) under the watchful eye of Mrs. Hughes (Phyllis Logan). He is not the only one retiring as Mrs. Patmore (Lesley Nicol) is also preparing to depart Downton and leaving it in the hands of Daisy (Sophie McShera). Anna (Joanne Froggatt) is still by Mary’s side as is husband Bates (Brendan Coyle) caring for his Lordship. Baxter (Raquel Cassidy) and Mr. Molesley (Kevin Doyle) are still part of the downstairs staff as well. They all know what is happening with Lady Mary and, as always, keep their knowing to themselves.

Arriving at Downton as well is Tom Branson (Allen Leech) bringing daughter Sybbie (Fifi Hart) to visit and be a support to the family and Lady Mary. Isobel (Penelope Wilton) also comes to the family to talk about the upcoming family-community event asking Daisy and Mr. Carson to be part of committee much to the dismay of Sir Moreland (Simon Beale). If all of this wasn’t enough on the Crawley calendar, decisions on changes that have Lord Grantham must now make in order to keep their legacy growing.

Each come to terms with where they have been in their time at Downton Abbey and know that change is not always something to fear.

Other cast include Paul Copley as Albert Mason, Douglas Reith as Lord Merton, Lisa Dillon as Princess Arthur, Sarah Crowden as Lady Manville, Oliver Barker as George, Eva Samms as Marigold, and Rose Galbraith as Lady Gwendoline.

Focus Features’ mission is to make a lasting impact on global audiences by creating the home for artists to share diverse, distinctive stories that inspire human connection. Focus Features is part of NBCUniversal, one of the world’s leading media and entertainment companies that brings entertainment and news to a global audience. For more of what they have to offer please visit www.focusfeatures.com.

Now, let me get my Downton Abbey teapot of Earl Grey, teacup/saucer and my delicate plate of madeleines and box of tissues before I start this. Okay, here we go –

I accidentally discovered DOWNTON ABBEY in 2011 while watching another success story with The Great British Baking Show. For year, those shows were my Sunday night back-to-back fun that I could not get enough of. The cast of DOWNTON ABBEY drew me in immediately (as I am a huge fan of period pieces in television and film) and the storyline was riveting, powerful and thought provoking. The Crawley family, being led by Lord Grantham, are important to the community providing positions in the household as well as farming. From the beginning, the family dynamics were so interesting with Cora being the American wife and three daughters who were clearly so very different. Navigating their world from two different perspectives and finding themselves lost occasionally, Robert and Cora were the stabilizing force of Downton. All of it played beautifully by Bonneville and McGovern with an ending that they deserved that was graceful and loving.

Mary, Edith and Sybil were headstrong, insecure, lovely and met the challenges that the world brought them. Mary found Matthew, Edith found Bertie and Sybil found her prince charming in Tom Branson. Dockery as Mary saw more than her fair share of difficulties but the fact is, when the time came, she knew how to stand tall no matter who tries to knock her down in a time where women scratched harder than we, today, could have imagined. Carmichael as Edith began as a shrinking violet in life, love and an older sister who, at times, was not very nice. Yet, the more she experienced, the more she literally grew and deserved a loving and happily ever after. Findlay played Sybil for years and has never been forgotten season after season up until the last.

Stevenson played Matthew and he, as well, was not forgotten for Mary and I adored that about her. Patton as Bertie gave us a man who was content in his life and when it turned around, he became secure in who he was to become with Edith at his side. Now let’s talk Branson, Leech gave us a bit of Irish rebellion while wearing a chauffer’s uniform. He loved Sybil, lost himself in trying to mix working class with Downtown Abbey and it was a story within itself. I loved watching Leech grow and it was so well done.

Downton could not have been without the staff who kept the household together beginning with Mr. Carson. His story began as a young man working in the Crawley household working his way up to butler and always keeping an eye on Lady Mary. He was tough, secretly gentle but always, always put Downton first! That caused a few eyerolls from Mrs. Hughes, played by Logan, who was a woman of straight talk, a shoulder to cry on and believed that every person in service could be more than they could ever have imagined. Sharing the downstairs was the woman behind the dinners as Mrs. Patmore, played by Nicole, who made the kitchen her place of creation with pride in those she cooked for. Keeping her company was McShera as Daisy, a wide eyed, questioning and sometimes moody “sous chef” who often wondered if she’d ever be as good as her mentor. She does finally find a life with Andy, played by Fox, who shares his story of climbing the ladder of service but with a subdued character that made him instantly likeable.

Taking care of Mary’s needs was Froggat’s Anna, a woman with heart, soul and a person that trouble seems to follow on the regular. I just adored the character of Anna as such a stable force among the downstairs and even when her life was just in shambles, she found her way back. Mr. Bates might have had something to do with that strength; Coyle is a man wounded by war but finds a safe space and a kinship with Lord Grantham while also being the man who takes care of the head of house. When his life becomes a roadmap of chaos, it is Anna that helps him consistently so watching their ending in this film was everything anyone could have hoped for. Mr. Moseley, played by Doyle, is the insecure bumbler of a footman who always seems to find himself on the ins and then the outs of Downton until he accidentally stumbles into a line of work that he enjoys and provides. It also gives him a chance at love with Miss Baxter; Cassidy portrays her as a woman who is used for his back history until the day she stood tall and made a new life for herself. Who was using that back history? Well, that would be Mr. Barrow played brilliantly by James Collier. This actor spent years perfecting the man who we all loved to hate and then love again. A mixture of complexities had everyone guessing every episode whether we all wanted to shake him or hug him. In the finale, Barrow finds the missing piece of his life in silent film actor Guy Dexter played by West.

Wilton as Isobel takes the center controls with the absence of Maggie Smith as the Dowager Violet Crawley. Taking the lead in representing the family for the township, I adore her ability to remain steadfast and even cutting when she needed to be and what a relationship between Isobel and Violet that can never be matched or repeated ever again. In the final film, West returns as Dexter to say his final farewells to the Crawley’s and brings along Noel Coward in the form of Froushan and I loved every moment he was on screen. Giamatti returns as Cora’s brother Harold and is taught a lesson in sisterly tough love but knows he can always come ‘home’.

The film is stunningly beautiful with the costuming, the score is everything we have come to know and memorable and, of course, Downton Abbey itself in the form of Highclere Castle. Every time a vintage car pulled in it was the light sound of pebbles below the tires, the front door castes and the sound of the click of the latch, the library that held so many teas, the staircase that is surrounded by stunning artwork, the gallery that overlooked so many events, the lush green vast lawn that anyone would be happy to stroll along – all of it, breathtaking. There are many castles in Europe but to Downton Abbey fans, there is only one that stole our hearts. Not stolen really, more like held onto it until the saga came to its conclusion, then returned it to us with a bow and a ‘thank you’ for the years of dedication we also had to the show.

Finally, to creator Julian Fellowes, how can this woman ever thank you for your thoughtfulness, your ability to tell an amazing story that has kept the world captivated and talking, the time it took for your imagination to find its way onto paper then screen and for taking us all year after year on a journey as the world changed in so many ways for Downton and its inhabitants. These characters grew, changed, felt their worlds collapse only to be rebuilt into something stronger, found amazing joy, unexpected friendships, death of beloved characters and birth of new additions to the family. Thank you for giving me Violate Crawley in the body of Maggie Smith, the woman who had my heart and spoke the words I always wanted to on so many occasions. You kept her front and center even after we all had to say goodbye. It was all you sir, and the words ‘thank you’ feel not enough to express what you have brought to us all.

As I sit here and sit the last drop of my tea, I am comforted in the knowledge that right behind me is a Blu-ray of every season of DOWNTON ABBEY as well as the films that followed. Anytime I wish, I can return to the characters that I have loved so much. DOWNTON ABBEY: The Grand Finale was a hard watch, yes. Kleenex worthy? Absolutely. There are moments that just wrecked me and when the lights came up in the theatre, I was so surprised to see that there wasn’t a dry eye in the seats. We all looked at one another and sort of giggled, passing tissue and felt that we had just experienced one of the best endings of a series ever. Strangers had become talking friends walking out of the theatre with tears turning into laughter and hugs. It was an extraordinary experience and, I will remember it. Or, in the words of the Dowager, “My dear, a lack of compassion can be as vulgar as an excess of tears”.

In the end – the time has come to say goodbye!

Disney Released TRON and TRON: Legacy on 4K

Jeri Jacquin

Currently on 4K Ultra HD from Walt Disney Home Entertainment is the 1982 film TRON and the 2010 follow-up TRON: Legacy.

TRON

Kevin Flynn (Jeff Bridges) is a software engineer who run a video game arcade. His pastime includes hacking into his previous employer ENCOM’s system with his own program called a CLU. Alan Bradley (Bruce Boxleitner) and Lora Baines (Cindy Morgan) are dealing with Ed Dillinger (David Warner) who has been living large off of Flynn’s games. When the couple figures it is Flynn using the CLU, they go to his store to warn him. Trying to get evidence of Dillinger’s underhandedness, Flynn finds himself being uploaded into the ENCOM game!

Fitting into the games, Flynn meets Ram (Dan Shor) and Tron and in a game of Light Cycle, the MCP is in hot pursuit. Through it all it becomes clear that Flynn has something the game doesn’t, inside information that can help Tron, he must get past Sark first. Step by step and move by move, Tron and Flynn must find a way to free the system and find a way back home.

Bridges as Flynn gives 80’s diehard video gamers something to get excited about on the big screen. The character of Flynn has become so iconic that even my own grandchildren know who he is and that is in part to Bridges embracing the character he made so real. Boxleitner in the dual role of Bradley and Tron also gave a character that is complex in both the real and digital world. Morgan as Baines let it be known in the 80’s and today that women are equally as talented in creating as well as playing video games – and I have two grandkids who can attest to that. Both are well versed in how it all works and it is the characters from TRON that are a constant encouragement.

Warner as Dillinger as well as Sark has always been so good at playing bad. Taking on a videogame bad guy is equally as good if not better. He takes on the duality of bad in the real world and the game world and I was all for it in the 80’s and still love watching it every time I see it on television. Remember, “I do the thinking around here!”.

Other cast include Barnard Hughes as Dr. Walter Gibbs, Peter Jurasik as Crom, and Tony Stephano as Peter. The film’s writer/director is Steven Lisberger.

TRON: Legacy

After becoming CEO of ENCOM, seven years has passed and Flynn (Jeff Bridges) spends time with his young son talking about Tron and the grid, then, he suddenly disappears. Twenty years after that, son Sam (Garrett Hedlund) is a shareholder in the company and finding himself in trouble as his father was. Trying to get the company’s software out for free, Sam is arrested forcing Alan Bradley (Bruce Boxleitner) to bail him out because there is a message that brings him to a basement with a computer that suddenly goes off digitizing him into the grid. Immediately captured, Sam is sent to the games. Set to fight Rinzler, he instantly realizes Sam is a ‘user’.

Meeting up with Clu, Sam discovers the Light Cycle matches and it is Quorra (Olivia Wilde) who takes him to a hideout away from it all. It was Clu who sent the message to Bradley getting Sam to the Portal and tells him of the master key disc and his father Flynn. Now, father and son must work together to avoid Castor (Michael Sheen), Rinzler (Anis Cheurfa) and the warship to get back to the arcade as Sam intends to make some changes there as well.

Hedlund as Sam is a young man lost to a lot of his life still thinking about his father. Once in the world that he could never have imagined, he is put in the same danger as his father with one exception – he has Flynn on his side. The return of Jeff Bridges is everything to TRON: Legacy and I could not have wanted to see the film without him. He embraces Flynn and steps back into the role like he never left even though 30 years had passed. Dare I say – he is our Flynn and I loved his return then and now.

Keeping with the formula, Boxleitner returns as Bradley who has been watching out for Sam. Wilde as Quorra is a young ‘woman’ who knows how to protect Sam taking him to the one person who has answers. I love Sheen as Castor/Jarvis as his antics are absolutely fantastic and I have to admit that not smiling when he is on screen is impossible. He brings showmanship into a place no one else but Flynn and Sam could possibly go.

Other cast include Beau Garrett as Gem, James Frain as Jarvis, Jeffrey Nordling as Richard Mackey, Conrad Boates as Bartik, Cillian Murphy as Edward Dillinger Jr. and Steven Lisberger as Shaddix. The director is Joseph Kosinski.

TRON and TRON: Legacy has been digitally scanned and carefully restored by The Walt Disney Film Foundation to take care of direct and other imperfections to the film bringing it a mind-blowing pristine imagery. The man keeping an eye on the process is none other than director Steven Lisberger. It is just in time to see the amazing visuals at a third installment TRON: Ares is set to his theatres October 10, 2025 and the return of Flynn.

What an amazing opportunity to gather the kids and grandkids together to once again explore a film that was and continues to be a literal game changer. Led by Bridges and Leitner, it is not only a story of video games and those who make them but a bit of subtle politics as well. The story speaks of those controlled by others, living under the thumb of a ruthless dictator. Their survival depends on working together in order to stop the evil destruction.

The special effects, beginning with TRON, were absolutely stunning for their time and the remastering proves that director Lisberger got it right the first time. It is still brilliant in color and vibrant in the storytelling. TRON: Legacy reminds us that once again you can have a sequel that stays true to the original characters and storyline while pushing the envelope even further, now, fifteen years later, the prospect of the next part of the story is thrilling to fans.

In the end – the game has changed!

It is the Return of M3GAN 2.0

Jeri Jacquin

Currently on Digital and coming to 4K Ultra HD and Bluray from writer/director Gerard Johnstone and Universal Pictures Home Entertainment is the return of M3GAN 2.0.

It has been a few years as Gemma (Allison Williams) has now become a writer and spends her time advocating for AI regulation while working with cybersecurity expert Christian (Aristotle Athari). Cady (Violet McGraw) is growing up quickly and is following a bit in her aunt’s footsteps studying computer science. Their life is a bit more normal than previously when Gemma learns that the military and a Col. Sattler (Timm Sharp) have an android named Amelia (Ivanna Sakhno) that has gone a bit rogue.

Gemma is worried for Cady and attempts to find ways of protecting her from anything that comes into their home. What she didn’t count on was that M3gan (Amie Donald) is in her home as well and it is her presence in their smart house that warns of what is to come. Offering to help, she convinces Gemma to find her a ‘body’ to help gain access to the information they need. Hacking into the system, M3gan gets them all home, including Gemma, Cole (Brian Jordan Alvarez) and Tess (Jen Van Epps) and shows them a way to create a, well, super M3gan that can take on Amelia.

Secrets are coming out left and right as Gemma and Cady try to keep up with what is actually happening and how to stop it. When Cady is taken, the one thing Gemma knows is very true – M3gan will do whatever is necessary to keep Cady safe and that means no one or nothing will get in her way – no one or nothing.

Williams as Gemma has tried to bring a stable home together after the last run in with M3gan. Writing a book and speaking out for accountability in AI creation and use, having to return to a bad time just wasn’t on her bingo card. Her character of Gemma is smart, a bit of a wisecrack when necessary and trying to be a good role model for Cady and M3gan can test all of that. McGraw as Cady is in her teenage eye-rolling heavy-sigh I-know-best era which always drives me a bit crazy. McGraw does give her character a tough exterior while pretty much being a softie in the middle.

Athari as Christian was Gemma to be a part of the work they are doing and isn’t happy when Gemma rather be on her own. Athari gives us a slick and smart character that really doesn’t know what he’s getting into. Sharp as Sattler is gunning for Gemma without actually understanding what he is doing but then again, you can’t tell a government guy anything.

Donald as M3gan is just stunning as this character. She has all the right moves and with the help of Davis’ voice, they make a perfect good/bad bot. Alvarez as Cole is the bumbling dude who works with Gemma but carries a few chips on his shoulder. Van Epps as Tess also works with Cole and Gemma and is the calmer of the two focused only on stopping Amelia.

Shout out to Jenna Davis as the stunning voice of M3gan. Her humor and horror is unmistakable in that voice and we love it! Also, Jemaine Clement as Alton Appleton showing corruption has its price.

Exclusive Bonus Features include Unrated Version Upgraded with enhanced kills, deleted scenes and more blood & carnage, Total Upgrade: Making M3GAN 2.0 Equipped with some killer upgrades, the team that unleaded M3GAN returns, Droid DNA Unveil M3GAN 2.0 as she prepares to tackle rogue military asset Amelia, The Art of Slaying The cast and stunt team discuss creating and executing the film’s most explosive and gruesome action sequences and Scene Breakdown: Embrace AI Convention From a dance battle to a blood fest, this breakdown will show how each department worked together to create this epic and deadly sequence.

M3GAN 2.0, especially the unrated version, will give fans a little more than they expected. The little robot turns into a bit of a John Wick in dancing shoes and a humor setting that is really good. The action and fight scenes are set in some pretty cool settings and nothing gets in the way of it all. The cast reuniting for the film makes it so much more fun to watch and definitely should be on the Saturday night cozy couch double feature.

We are definitely M3GAN fans and M3GAN 2.0 turned out to be even more fun than the first film that came out in 2022. Don’t keep up waiting for a follow up!

In the end – she can never be erased!

A Life of ELEANOR THE GREAT

Jeri Jacquin

Coming to theatres from director Scarlett Johansson and Sony Picture Classics is a tale of friendship and stories with ELEANOR THE GREAT.

Eleanor (June Squibb) and roommate/bestie Bessie (Rita Zohar) have a daily routine with one another. From morning coffee to long walks, their friendship has spanned decades, and so have their stories. When their time comes to a close, Eleanor finds herself moving to New York with daughter Lisa (Jessica Hecht) and grandson Max (Will Price). Lisa has decided its time for Mom to check out places where she can make friends and Eleanor isn’t too thrilled about that.

She does give in and wanders into the community center and a group gathered together to share. They are also introduced to Nina (Erin Kellyman) who is writing an article about survivors of the Holocaust and Eleanor realizes she has stumbled into the wrong group. As they talk, she can’t help but tell a story as if she were Bessie about her time in a concentration camp. Captivated by the story, Nina approaches her and asks if they can talk more. Believing her mom has found a group of new friends, Lisa feels less stressed and can focus on Max’s adolescent problems.

Eleanor is also surprised to discover that Nina’s father is none other than Roger (Chitwetel Ejiofor), someone Bessie admired greatly. She does find herself becoming friends with Nina and the young girl encourages Eleanor to continue telling her stories and spending time together. They learn more about one another but secrets have a way of coming out and that’s when friendships are tested and forgiveness feels impossible.

Squibb as Eleanor is absolutely stunning in this role as a woman who clearly has a life and history with her friend Bess. They have shared lives since their youth and that includes all the stories that come with it. Trying to start over again it never easy for anyone, but even less for someone who is under the roof of family that don’t understand her. Squibb gives us all the realities of aging from sensible shoes to feeling distant from the life she loved. There are so many moments of heartbreak and laughter that there never is enough time to recover from one to the other and I’d have it no other way.

Kellyman as Nina is a young woman following in her father’s journalistic footprints in her own way. Meeting Eleanor, she believes there is an important story to tell and will not let up on Eleanor until she agrees. Nina doesn’t understand the cost of it and Kellyman is lovely at showing us exactly what it means to love and lose and still love again. Ejiofor as Roger is a man grieving a loss and forgets that he is not the only one who is trying to find a place to put all the emotions. I love Ejiofor in everything he does, and here we see a man trying to do it all alone.

Hecht as Lisa is a daughter doing ‘her duty’ to bring Eleanor to come and live with them, even though she’s trying to find a way around that. There is a muddled history between mother and daughter as the roles are now reversed. Price as Max is a kid who is doing what kids do nowadays, their own thing with emotions that can fit on the head of a pin if it means dealing with anyone but themselves. Well done Price.

Shout out to Zohar as Bessie is so adorable and charming playing next to Squibb. It is totally believable that these two ladies could be lifelong friends.

Other cast includes Lauren Klein as Vera, Stephen Singer as Rabbi Cohen, Raymond Thomas as Professor Thompson, Tristan Murphy as Charlie, Stephen Bradbury as Ivan, Barbara Andres as Clarice, Samti Steigmann as Sami, Mila Falkof as Rebecca and Elaine Bromka as April.

Sony Pictures Classics brings television, digital content, new entertainment services, independent films and technologies to viewers. Such films as GREED, THE BURNT ORANGE HERESY, THE CLIMB, CHARM CITY KINGS, I CARRY YOU WITH ME and THE FATHER are just a few of the current and upcoming releases. For more information on what Sony Pictures Classics has to offer please visit www.sonyclassics.com.

ELEANOR THE GREAT was nominated for the Un Certain Regard Award and Golden Camera for Scarlett Johansson at the Cannes Film Festival, nominated for the Grand Special Prize and winner of the Audience Award for Scarlett Johansson at the Deauville Film Festival, and a nominee for Best Feature Film for Scarlett Johansson as the CineFest – Miskolc International Film Festival.

There is so much about this film to love from the relationship of two life long friends, to mother-daughters history, new friendships but ultimate all in jeopardy because of one story that is told. I love the simplicity of the film that allows us to follow along being able to laugh, jaw drop, feel the pull of our hearts and a level of sincere friendship. Squibb is so marvelous of an actress who, at 95 years old, has put herself wholeheartedly into this story that I can not imagine anyone else playing this role.

This is Johansson’s directorial debut and taking on this storyline is so well done from start to credits. A generational story, we are taken on a journey of two stories – no matter how they are told it is love that transcended both. It is filled with complexities and although it might be easily pointed to Eleanor’s fib as the culprit, it is so much deeper than that and should resonate that way.

In the end – stories have a life of their own!

STRANGE JOURNEY: The Story of Rocky Horror

Jeri Jacquin

The legacy comes to screens from director Linus O’Brien and Kaleidoscope Entertainment comes the story behind the story of STRANGE JOURNEY: The Story of Rocky Horror.

Linus O’Brien takes us on a journey of Richard O’Brien and I’d like, if I may (if you know you know), to talk about the life that led to the iconic ROCKY HORROR SHOW. Trixie Maxwell remembers, as many of us do, the first time he saw the film and the effect it had on his life. But let us start from the beginning, shall we?

It is 1964 and Richard O’Brien was living in New Zealand making his way to England. His jobs during those days were simple and at night was attending acting classes. Chrissie Shrimpton met O’Brien in those classes. He also met wife Kimi Wong and they had two children. O’Brien also found roles including in Jesus Christ Superstar. When that job ended, he was making the decision to return to New Zealand or keep pushing toward his acting career. That brought about sitting down to write THE ROCKY HORROR SHOW for the stage.

Jim Sharman and Richard Hartley heard a few of the songs from O’Brien and signed on. Nell Campbell as Columbia reflects on the musical and the process of putting it on the stage. Tim Curry read the script and knew how he was going to play it quickly. Patricia Quinn laughs about how she wanted to sing the songs but not necessarily play Magenta. Little could have of them know that they would take a slow skyrocket ride into the status of icon.

Opening night was a huge success and the word spread quickly as the show played for three weeks. The audience immediately fell in love with the character of Frank n’ Furter and Curry understood the power that came along with that. O’Briens openness in writing a show that was sexual in nature, he believes, came because of the close-off life he had in his younger years. It wouldn’t be until later in life that he felt it was time to be who he was.

Now, Lou Adler and the Roxy want to be a part of the Rocky phenomenon. A change in cast wouldn’t happen because Adler knew Curry and O’Brien were their characters. Adler wants to make a movie and, with the exception of Curry, O’Brien, Campell and Quinn, recast Susan Sarandon as Janet, Barry Bostwick as Brad, and Meatloaf as Eddie. Sarandon and Bostwick tell of their experience and how they got their roles which is a great story.

Oakley Court and Bray Studios became the places where the film would be shot. From the Time Warp scene to Meatloaf’s entrance that Curry called “marvelous”, it also had an impact on actor Jack Black. Of course, we cannot forget Rocky himself, Peter Hinwood, as Janet takes her character of a demure boyfriend pleaser and flips the switch. Accepting her sexuality and freedom, it is Hinwood’s Rocky who becomes the conduit for the release.

The song “I’m Going Home”, Curry talks about Frank n’ Furters vulnerability, Bostwick says Curry, “sand the hell” out of the song and Jack Black says, “he wants a few more magical moments” and we can all relate to that to this very day.

Released in September of 1975, the film had a short run. Tim Deegum of 20th Century wondered what to do in Santa Barbara. So, like anyone looking for success, they went looking for the right audience. The film began to run as a midnight showing in theatres and word of mouth about the film brought audiences in! Like-minded people who came together to have a good time! By 1978, midnight shows are sold out, so there are 2 a.m. and 4 a.m. shows that are equally sold out. Soon, the shout-outs begin, the costumes, props, and the shadow casts sharing the stage. Spreading like wildfire and a fan club shows what is happening. O’Brien says the first time he experienced all of this that it’s, “live theatre and a live audience come together and it was quite remarkable to see.”

The film brings together those who couldn’t seem to find their place. It was, and continues for me at least, to be a safe space of fun and adventure. Creating this community that belonged to one another no matter who you were/are, what your preferences may be don’t, in the greatness of it all, matter in the slightest.

Sharing their experiences are also Michael White, Sue Blane, Austin Fresh, Richard Hartley, John Goldstone, Lillias Piro and Belinda Sinclair.

Kaleidoscope Entertainment is a global independent all-rights entertainment with theatrical, digital and physical distribution with over 2,000 features. New titles include the magical family animation A TOOTH FAIRY TALE, BORLEY RECTOR: The Awakening, THE MAN IN THE WHITE VAN and the martial arts epic PRISONER OF WAR. For more of what they have to offer please visit www.kaleidoscopehomeentertainment.com

Linus O’Brien, son of Riff-Raff himself Richard O’Brien, says of the film, “I’m grateful to all those who participated, as well as the incredible crews who worked on the film, and I’m honored to have been entrusted with telling this story. We hope the audience enjoys this joyful and life-affirming celebration of a remarkable cultural touchstone – filled with amazing music, campy madness, tears, and laughter…To top it off, my own father, Richard O’Brien, was the one who created Rocky, playing a part in so many people’s lives. I knew this story needed to be told – and that it had never been explored in depth as a documentary feature.”

I was one of the first people in San Diego to see the film when it came to town in the 70’s. My sister and I ended up spending weekend after weekend to stand in line (gawd forbid it was sold out before we got there) waiting to get in. While waiting, we joked, laughed, told stories and had so much fun and could not imagine being anywhere else. Our dad asked us what we could possibly see in spending so much time on one film so, we did what any good daughters would do – we took him with us. He had the best time and never asked again what we were doing on Friday and Saturday nights and often threw us a $20 to get eats after at the diner next door to the theatre.

We sang, threw rice, sang some more, held newspaper over our heads, yelled at Brad, did the Time Warp, sang some more, and hated when “I’m Going Home” was on the screen because it meant the film was almost over. What wasn’t over was the thrill of it all, the togetherness, the joy and the community that allowed all of us in the theatre to be whoever we wanted to be. Every person in this documentary expresses exactly how my family felt the first time we saw the film. Not only was this an opportunity to go down memory lane, but also hear the stories from the literal creator Richard O’Brien, the cast and those who have a history.

On a personal note, thank you Mr. O’Brien for what you did and for who you brought along for this incredible ride. As a grandmother now, I can tell you that my kids and grandkids know of my admiration and love for THE ROCK HORROR PICTURE SHOW. Every time I watch the film, I am reminded of a time that always, always brings smile to my face and a certain song to my heart. As I write this, the words that sing out of me with a smile are, “…to the late night, double feature, picture show!”.

In the end – we are all freaks!

The Hills are Alive with THE SOUND OF MUSIC

Jeri Jacquin

Currently on 4K Ultra HD, Digital and Bluray available for the first time ever worldwide from 20th Century, Disney and director Robert Wise is the beloved Rogers & Hammerstein musical THE SOUND OF MUSIC.

It is 1938 Austria and Maria (Julie Andrews) is a young girl studying to be a nun at the Nonnberg Abbey. The problem is that all the nuns see the young girl as somewhat of a free spirit that might not exactly fit in at the Abbey. The Mother Abbess (Peggy Wood) makes the decision to let Maria go outside the convent to see if there might be a place in the outside world that can keep up with her. Captain Georg von Trapp (Christopher Plummer) is a retired naval officer and widower with seven children needing a governess. Maria arrives to discover that the captain has been basically been running his house like the military.

Liesl (Charmian Carr), Fredrich (Nicholas Hammond), Louisa (Heather Menzies), Kurt (Duane Chase), Brigitta (Angela Cartwright), Marta (Debbie Turner) and Gretl (Kym Karath) have been scaring away governesses but they discover quite quickly that Maria doesn’t frighten so easily. While the captain is away in Vienna, Maria wins over the children as they spend time around Salzburg and bringing music back into their lives. When the captain returns, he brings the Baroness Elsa Schraeder (Eleanor Parker) and family friend Max Detweiler (Richard Haydn) as well. Almost immediately, he is upset that his children are running around in play clothes and takes it out on Maria. When he hears his children singing, he becomes emotional.

The Baroness decides they should throw a formal ball inviting all around and isn’t happy when she sees the captain and Maria dancing together. Maria decides to return to the Abbey but it is the Mother Abbess who makes it clear that the young girl must decide for herself where her heart lies. Following that advise, Maria returns to the von Trapp household but that is the farthest problem for the family. The captain has been commissioned by the Third Reich to be a part of the Kriegsmarine. Determined to never follow the Nazis, the family must make the most daring decision of their lives!

Andrews are Maria is nothing short of brilliant in this role. Her charm, beauty, simplicity and voice bring such enjoyment to the film. As a young woman who knows so little of the world around her, finding herself at the von Trapps doorstep allowed her character to just, well, be herself in a way the children needed. The relationship with their father was equally as simple and lovely. There is no one on the planet who can find anything wrong with this portrayal and, if they tried, we might have words. Sharing the film with my granddaughter, she told me that is was one of the “coolest musicals” she had seen in a long while.

Plummer as Captain von Trapp begins with a military attitude to cover up the pain of being a widow. As anyone who comes from a military family back in the day can tell you, when dad tells you to jump – you ask, ‘how high?’. That being said, I always adored Plummer growing up and the diverse characters he played in films. In this film it is a pleasure to watch his character come alive because of a simple governess who loved life. Haydn as Detweiler wants his friend to be happy but also wants his children to be a part of the city’s festival. When the captain gives the thumbs down, it is Max who finds a way to turn that all around and it’s a good thing he did!

Parker as the Baroness is clearly on a mission to marry and she has her sights set on the captain. Playing this bit of a viper looks good on Parker and reminded me very much of one other actress that was good at it – Anne Baxter. Carr is so charming as Liesl, a very young girl who hasn’t quite outgrown needing a mother but wants to do what’s right in being a young adult. Hammond, Menzies, Turner and Chase are the middle children who are so full of life like Maria and just needed someone to navigate it in the right way for them. Cartwright is a familiar face as many might remember the television series Lost In Space. The cutie patootie of the film is Karath as Gretl with her charming smile and often saucy disposition.

Other cast include Anna Lee as Sister Margaretta, Portia Nelson as Sister Berthe, Doris Lloyd as Baroness Ebberfeld, Norma Varden as Frau Schmidt, Gil Stuart as Franz, Marni Nixon as Sister Sophia, Daniel Truhitte as Rolf, Evadne Baker as Sister Bernice and Ben Wright as Herr Zeller.

Bonus Features include on Disc 1 and 2 are 4K UHD THE SOUND OF MUSIC + Bonus Features- Sing-Along Version, Commentary by Julie Andrews, Christopher Plummer, Charmain Carr, Dee Dee Wood and Johannes von Trapp, and Commentary by Robert Wise. Disc 3 includes the Bonus Features The Sound of a City Documentary – Julie Andrews returns to Salzburg, Austria, A City of Song – Filming locations in Salzburg, Austria, Music Stages – The songs, the show & the family, Vintage Programs – THE SOUND OF MUSIC Rodgers and Hammerstein, location interviews and audio interviews, Rare Treasures – Julie and Carol at Carnegie Hall: The Pratt Family Singers, The Julie Andrews Hour: Julie Andrews and Maria Von Trapp, Screen Tests, 40th Anniversary DVD Introduction by Julie Andrews and galleries, and Publicity – Fox Movietone News – Academy Awards, trailers and teasers, TV spots and radio spots.

It is not surprising that awards rained down on the film including from the Writers Guild of America, New York Film Critics Circle, National Film Preservation Board, National Board of Review, Laurel Awards, Golden Globe Awards, Directors Guild of America, David di Donatello Awards, British Academy Film Awards, American Cinema Editor Awards and, of course, five Academy Awards. The film has been restored by an award-winning film restoration team and transferred to 4K in stunning color. Recently making its way around the globe with theatrical screenings, live concert events and fan experiences, it is now time to enjoy THE SOUND OF MUSIC at home.

THE SOUND OF MUSIC was a staple that my family would go to see in the theatre when it played. It was my mother that brought me up on musicals and Julie Andrews was one of her most beloved favorite actresses. This film brings such charm, love, and innocence set in the backdrop of war time Austria. The captain was a man who refused to follow the Nazi ideology and made it clear that nothing would change that even though it put people at risk. Maria was a woman who would never have settled for the children in her care to live in that way. Andrews and Plummer played those roles so well that it was an ending the film deserved. It is also based on the real story of the von Trapp family. The story of this family is not only one of struggle and survival, but one of dedication and a closeness that bring the film even more value.

Gather your own family together and discover a musical that will be one that is remembered for years to come. Everyone who sees it today will understand how THE SOUND OF MUSIC has come to be one of the most cherished and beloved films of all time.

In the end – it is radiance that floods the screen and warms the heart!

GOOD BOY Sees What He Cannot

Jeri Jacquin

Coming to theatres from director Ben Leonberg and Shudder is the story of something in the dark from a dog’s point of view because he is a GOOD BOY.

Todd (Shane Jensen) has found a friend in pup Indy and the two are inseparable. Deciding to head to his grandfather’s cabin deep in the woods, it is a getaway from home for them both. Almost immediately, Indy sense something is not right and is hesitant. Noises and shadows are keeping the canine on high alert in the night.

Daylight brings a welcome relief and a morning walk through the woods together. Exploring the family cemetery, Todd runs into the neighbor and they both remember his grandfather. Indy stands patiently but is still uncomfortable. As another night filled with creaking and sounds arrives, it also brings a fitful sleep for Indy. When Todd leaves him alone in the house, Indy refuses to move from the window.

Another rainy night and Indy is seeing and experiencing what has been making him uneasy since the very first night. What is moving all around them is clearly paranormal but Todd does not see it. Vera (Arielle Friedman), Todd’s sister, is constantly calling him feeling that something is happening not realizing it is only adding to his frustrations. The thing that lives in the house only Indy can see but how can he communicate it before everything falls apart.

Jensen as Todd is a young man who needs to get away from it all. Going to his grandfather’s house, it is a chance to take a breath but also holds strange memories for him. As the days begin to pass, it is clear something is wrong with Todd. Is it real or is it whatever seems to be taking over the house have plans of its own. Not seeing Jensen’s face, he relies on physical actions to tell his part of the story and it is so awesomely done. His body language has a story of its own to tell and Jensen pulls it off.

The voice of sister Vera, Friedman is clearly concerned with her brother and doesn’t understand his need to be at a house buried deep in the woods. Her voice tries to be sisterly in concern but tends to come off overtly motherly but then again, I’d sound that way as well.

Let us talk about the four-legged star INDY – a dog who sees everything past and present. He is on high alert the moment they pull up to the gate and seems almost ready for anything. That being said, what he sees is frightening. The line between what is real and what is dream is criss-crossed as this canine is nothing short of amazing. I followed everything he looked at, his expressive eyes, the whines as if to say ‘listen to me!’ and the protective nature against the blackness in the night. Admittedly, I cheered for Indy the whole time!

Other cast include Larry Fessenden as Grandpa, Stuart Rudin as Richard, Hunter Goetz as the Weatherman, Anya Krawcheck as the Doctor and Bandit as Max.

Shudder is an American over-the-top subscription video on demand service featuring horror, thriller, and supernatural fiction titles, owned and operated by AMC Networks. The streaming service offers original films, TV series—such as Creepshow, based on the 1982 film—and documentary series. Shudder's library also features non-original programming, including well-known horror films. For more information, please visit www.shudder.com.

GOOD BOY is exactly the kind of ‘horror’ film I love. Instead of trying to get frights from blood and gore, this film takes us to the dark places many people are scared to admit they hate. The shadows, the unexplained noises, the creaking doors and floors and – the ultimate fright – a dark, dank basement. Let me tell you, my grandparents had a basement like that and you could not get me down those stairs if you offered me all the treats in the world. Nope, not happening!

Making a horror film that is shown through the eyes of a dog is absolutely brilliant! Focusing on what he experiences and keeping the human faces mainly obscured, I found myself clutching the side of my chair at times. Keeping the story in one location allows the frights to build slowly wondering what is around every corner and in every room. What is in the darkness is so subtlety done that when confronted, silence is better than a scream.

This is director Leonberg’s directorial debut and he should be extremely proud of what he has done. The originality is something I have craved in all genres of film so when it is right in front of me, I’ll make it loud from the rooftops that everyone sees it for themselves. Take someone with you because having that arm to grab next to you is everything. Once the film is over you will once again remember why Indy would be called the ultimate ‘man’s best friend’.

In the end – trust his instincts!

Arriving Home for Mischief is THE BAD GUYS 2

Jeri Jacquin

Coming to Bluray and Digital from director Pierre Perifel, DreamWorks Animation and Universal Pictures Home Entertainment is the return of crackerjack one-time criminals in THE BAD GUYS 2.

Mr. Wolf (Sam Rockwell) has given up his life of crime after service a sentence with pals Mr. Snake (Marc Maron), Mr. Shark (Craig Robinson), Mr. Piranah (Anthony Ramos) and Ms. Tarantula (Awkwafina). Now they are all trying to be hard working citizens of a community with Governor Diane Foxington (Zazie Beetz). The problem is no one seems to want reformed criminals working for them. The only one that seems happy is Mr. Snake who is out living his best slithering life.

When Mr. Shark shows Mr. Wolf the news of a mastermind stealing, all of them see how it could easily point to the reformed group. Deciding not to stand for it, they turn to Misty Luggins (Alex Borstein), the newest police commissioner offering to help. Piecing the puzzle together, they realize that the clue leads them to the possible thieves! Once there, some of the group is shocked to see that Mr. Snake has been seeing Susan (Naasha Lyonne), a cute raven that has someone all coiled up in love. After a few chuckles, the gang jumps into a wrestling match with Pigtail Petrova (Maria Bakalova).

The problem is, it is made to look once again as if the bad guys were back into crime. Mr. Wolf calls the governor to ask for help and Diane knows who to get answers from. While waiting, the gang it taken by Susan and Pigtail to Kitty Kat (Danielle Brooks) who has information about the Governor and if the group doesn’t help, it becomes a weapon. Meanwhile, Diane visits Professor Marmalade (Richard Ayoade) to get more answers.

Once the group learns what Kitty Kat wants, it may be to late to not only save the Governor but stop an evil plan that is laced in greed!

Rockwell lends his voice to Mr. Wolf, a smooth talker who always seems to have a Plan B in his Tony Manero suit (Google it kids!) pocket. Even when he panics, it seems as if there is an angel on his shoulder because the mayhem works in his favor. I actually love this character (as does my granddaughter) who makes me laugh a lot and that’s always a good thing. Beetz as Governor Foxington has a secret of her own and the bad guys have no problem keep it, that is until Kitty Kat gets her hands on it. Beetz is calm, cool, collected and moves with catlike reflexes which surely upsets the other feline in the game.

Robinson as Mr. Shark is, for me, is so adorable with his insecurities and loves being part of the gang. It seems there is no place he’d rather be than with the gang doing gang stuff. Ramos as Mr. Piranah has an attitude in his little body filled with teeth and has only one weapon that everyone is afraid of and it stinks. Maron as Mr. Snake, in this film, is in love and a coil of mush. That won’t stop him from figuring out who is trying to frame them all. Awkwafina as Tarantula is the tech genius of the group, but a keyboard in her long legs and she could rule the world.

Borstein as Commission Luggins wants nothing more than to put the bad guys back in jail and the robberies are giving her reasons, even if her bangs should be considered a criminal offense. Bakalova as Pigtail has all the right moved as part of the Bad Girls club. Lyonne as Susan is a raven who is taken by Mr. Snake and his adoration of her. Brooks as Kitty Kat has a goal and no one is going to stop her from obtaining it, not on earth or in space! Her character is shrewd and can not be trusted but looks cute with her leopard self.

Shout out to Ayoade as Professor Marmalade who looks a little different from the first film but also has a plan of his own so don’t let his little furry size fool you!

Other cast includes Lilly Singh as reporter Tiffany Fluffit, Omid Djalili as the Billionaire, and Katherine Ryan as Maureen.

DreamWorks Animation brings amazing, animated entertainment to films, television specials and series for the young and young at heart audiences around the world. For more of what they have to offer please visit http://www.dreamworksanimation.com.

Exclusive Bonus Features include Little Lies and Alibies, Deleted Scenes with Introductions by Director Pierre Perifel and Co-Director JP Sans, BAD GUYS: Out of Line, Double Jeopardy: The Making of THE BAD GUYS 2, Meet the Gang, Double Trouble: The Animals Behind THE BAD GUYS 2, Causing a Scene, Planning the Heist, Sketching the Bad Girls, and Feature Commentary with Director Pierre Perifel, Co-Director JP Sans, Head of Character Animation Benjamin Willis, Head of Story Katherine de Vries, and Head of Cinematography, Layout Theophile Bondoux.

THE BAD GUYS 2 is a charming story that is full of fun, adventure, and laughs for everybody. There is finally a bit of romance that has finally bubbled to the surface and is kind of cute. The animation itself it absolutely stunning and my granddaughter just loved it letting me know several times during the film. It works so well and looks seamless which is what I look for in really good animation but then again, from DreamWorks I’d expect nothing less.

This is the actual kind that offers families a chance to spending time together to laugh and cheer for the ‘bad guys. I love films that offer up on a silver platter (careful or they will steal it!) an opportunity to do the family thing of cuddling up on the sofa with a bowl of popcorn and making an evening of it. DreamWorks and Universal truly know how to embrace it and having a library of such great entertainment is a must-have and I do in my own home!

In the end – they are back in badness!

He Becomes THE SMASHING MACHINE

Jeri Jacquin

Coming to theatres this Friday from writer/director Benny Safdie and A24 is the story of a life in pain because of THE SMASHING MACHINE.

It is 1997 and mixed martial arts fighter Mark Kerr (Dwayne Johnson) is part of the Japanese matches by Pride that has him travelling and winning. There are basically no rules in the ring and that is where he finds his joy. A relatively new sport, Kerr finds himself in places like Brazil and Japan. A problem is, Kerr is dealing with health issues that are causing him to struggle. If that isn’t enough, slightly off girlfriend Dawn (Emily Blunt) caters to him but has issues of insecurity of her own.

Keeping an eye on his friend is Mark Coleman (real-life UFC fighter Ryan Bader) who is also a UFC fighter and is always there for him. When Kerr begins to spiral down, he decides it’s time to make a change which annoys Dawn causing her too emotionally spiral. Seeking out trainer Bas (Bas Rutten) to get back into shape for the championship, Kerr gives it his all and returns to Japan with Coleman as they both reach for the top prize.

Johnson as Kerr is nearly unrecognizable. If it wasn’t for the voice you can’t disguise, no one would know it was him. Prosthetic designer Kazu Hiro knew exactly what he was doing when trying to hide the actor to allow him to portray Kerr inviting us into the story. Johnson gives a performance that could easily lead him to accepting a few awards. He is obviously comfortable in the ring, looks the part and gives the audience an emotional time in Kerr’s life.

Blunt as Dawn is a woman dealing with her own insecurities and jealousy’s that are a bit scary. I don’t think I’ve ever seen a role where Blunt has played a woman whose emotions jump off from loving to dark so quickly. Those emotions, I felt, are nothing more than gaslighting a nice guy and like it or not, Dawn gave me the skeevies. Bader as Coleman gives Kerr the support he needs before a fight and knows that something is wrong. Even so, he has a goal of his own that matches that of his friend. I just loved the interactions between Johnson and Bader.

Other cast includes Lyndsey Gavin as Elizabeth Coleman, Satoshi Ishii as Enson Inoue, Yoko Hamamura as Kazuyki Fujita, Paul Cheng as Masaaki Satake, Cyborg Abreu as Fabio Gurgel, Andre Tricoteux as Paul Varelans, and Stephen Quadros.

A24 is an independent entertainment company that specializes in film and television production based in New York City. Films such as A GLIMPSE INSIDE THE MIND OF CHARLES SWAN III, the amazing EX MACHINA, ROOM and THE WITCH. Many of their films can be found on DirecTV Cinema and Amazon Prime. For more information, please visit www.a24films.com.

The film is based on The Smashing Machine: The Life and Time of Extreme Fighter Mark Kerr. Kerr was a former wrestler and mix martial artist winning tournaments, championships, winning belts and medals. In 2002, the streaming service HBO did a documentary of the same name that outlined his MMA career. Kerr was inducted in the ADCC Hall of Fame in 2022.

Johnson carries the film taking on the multiple complexities of Kerr’s real-life history. Taking on the challenge of hiding ‘The Rock’ behind prosthetics to play this character, Johnson is able to dig deep into the life of a man whose career was being pummeled for the entertainment of others. Let us not forget that Kerr and Coleman made very little money compared to MMA fighters today. All of that coming from a large muscular man who is overflowing with kindness towards every person he meets. Even when dealing with his addiction, he doesn’t come to anger – except where Dawn is concerned.

Call Blunt’s character Kerr’s weakness but he can not seem to let her go but he knows when he must push her away. That’s the chemistry between Johnson and Blunt. Watching these two characters with their flaws find themselves in the midst of their own relationship madness that Kerr can not get out of his mind. Here, we have a bit of Rocky Balboa (ROCKY), Randy ‘The Ram’ Robinson (THE WRESTLER) and Billy Flynn (THE CHAMP) and now THE SMASHING MACHINE can absolutely hang their sign up as a film that should be recognized.

Safdie is known for working with his brother Josh on film such as UNCUT GEMS, and this is his first solo as director. The Venice Film Festival has already seen fit to award Safdie a Silver Lion for Best Director and Johnson received a fifteen-minute standing ovation that brought him to tears. It seems only fitting as not only did the film tell the story, but it kept true to everything of the late 1990s and 2000s. The costuming, hair, makeup, clothing, cars – all add to layer of the story Safdie wants us to join him in hearing.

The story is riveting, heart-breaking, informative and it is impossible to look away even for a second. The friendship of Kerr and Coleman is wonderful and to know their history, along with the history of Pride, the UFC, MMA and those who began the sport is so well done. This film is an opportunity to experience one of their stories. This is definitely a must-see film for what Safdie, Johnson, Blunt and Bader bring to the screen.

In the end – it is the true story of a legend!

The Mystery of the RABBIT TRAP

Jeri Jacquin

Coming to Digital such as Apple TV, Fandango, Prime Video and more from writer/director Bryn Chainey, Magnet and Magnolia Pictures is the journey with the RABBIT TRAP.

Darcy (Dev Patel) and wife Daphne (Rosy McEwen) have left the London life finding a cottage in the isolated forest of Wales. Spending time together, the couple who look for acoustic inspiration, they record the sound of the world that they find interesting for art. One afternoon Darcy finds a faerie circle that has drawn him in with the unusual sound frequencies. When he comes to after not understanding what has happened, he sees a young child (Jade Croot) who claims he lives nearby and was drawn to Daphne’s music. The boy enjoys being around Darcy and Daphne and makes it a point to visit their cottage often.

In the meantime, Darcy is having strange dreams and Daphne is aware that something is bothering him. She also embraces the young child taking who takes into the forest and shows what he knows about the natural world. Darcy wonders what the child is doing to the couple with shadows, whispers and changes that are dangerous with his pushing of boundaries. There is a psychological event happening to the couple and Daphne is starting to understand her husband’s worries.

When it comes time to face every moment that has happened, Darcy and Daphne try to find a way to embrace their lives and the spiritualness of the forest around them.

Patel as Darcy is a man who is plagued by a sadness that haunts his nights. He loves his wife and all the things they do together, especially going into the forest and recording the sounds. When the boy comes into his life, it is almost as if Patel’s Darcy can not hide his past at all without the whisperings being as strong as his nightmares. I have long been a Patel-fan and adore that he takes risks in all the roles he plays. In this film he dares to allow this bit of a thriller to expose, at it were, his emotional range in the turmoiled world that is created unexpectedly.

McEwen as Daphne is a woman who is just as creative as husband Darcy as they share the wonder of sound. She gets a bit emotional not totally understanding what causes his pain but the love is absolutely there. When the child comes into their life, Daphne is enjoying their experiences together but the relationship has moments where she wonders what is controlling everything. McEwen gives the same intensity as the script asks of her and pairing with Patel is really beautiful.

Croot as the young child is charming and innocent looking but there is something under the surface. There are moments of jaw drops as Croot gives a performance that is truly stunning, ethereal, dark and made me jump once or twice. As the story goes deeper down the rabbit hole, Croot ramps up the intensity until the very last scene.

Magnolia Pictures is responsible for such releases as SLAY THE DRAGON, JOHN LEWIS: Good Trouble, the crime thriller THE WHISTLERS, documentaries such as THE PIECES I AM and films such as the directorial debut of Italian filmmaker Filippo Meneghetti. For more of what they have to offer please visit www.magpictures.com.

Magnet Releasing specializes in films from the vanguard of horror, action, comedy, and Asian cinema. It is also the home of classics like Tomas Alfredson’s LET THE RIGHT ON IN, Ti West’s THE HOUSE OF THE DEVIL, Andre Ovredal’s TROLLHUNTER, Neil Marshall’s sword and sandals bloodbath CENTURION and Tony Jaa’s ONG BAK trilogy. To find out more of what is to come please visit www.magnetreleasingfilms.com.

The film debuted at Sunday and RABBIT TRAP was nominated for Best International Feature Film and Best European Fantastic Feature Film by the Festival Europeen du Film Fantastique de Strasbourg (FEFFS). The score for the film done by Lucrecia Dalt was inspired by electronic musicians Delia Derbyshire and Daphne Oram. It is a stand out in the film absolutely offering another layer to the story that Chainey was telling.

Using the Welsh folklore or the tylwyth teg that is drawn to children is a reason to want to dig deeper into it all. Chainey uses the fairy ring of mushrooms and milk to bring myth to the forefront of the story. I loved every moment of the mythology being show in such a dark way and the effects of humans. Producing the film is a list of names that are recognizable with Elijah Wood, Daniel Noah, Lawrence Inglee, Elisa Lleras, Alex Ashworth and Sean Marley.

This is the type of mystery/fright/mythology films that I have to have popcorn with. The story moves at its own pace, like the pace of the forest and surrounding nature giving moments to stop and take it all in. It is beautiful, ethereal and also filled with secrets and shadows that will reveal themselves when least expected. I enjoyed the pace of the film, loved the setting and keeping the cast to Patel, McEwen and Croot was nothing short of astounding.

In the end – folklore follows them home!

TAYLOR SWIFT: The Official Release Party of a Showgirl

and the Album Release of LIFE OF A SHOWGIRL

Jeri Jacquin

This is going to be a bit different for me as many of you know I am a film critic. I don’t believe I’ve ever written a review about a film (or short film) that lasted only three days in theaters nor have I written about the companion album by the same artist. That being said, since music critics are driving down a lane of misunderstanding, I’m going to do that as well but for completely different reasons.

This past weekend, from Taylor Swift Productions, fans were treated to the film TAYLOR SWIFT: The Official Release Party of a Showgirl. This one hour and twenty-nine-minute extravaganza invited the Swifties (and those who are curious) into what it takes for this pop star to bring out the ultimate show. The Eras Tour ended on December 8th of 2024 ending the 149-show tour that spanned five continents in 21 months. It becomes clear that she really hasn’t taken much time off in those nine months putting together the film. It is as lush as one would expect from Swift, but then again, she has never been one to cut corners. The Eras Tour was filled with visuals, costuming, staging and music that captivated everyone who attended and even those who could not, thanks to postings on the internet.

PARTY OF A SHOWGIRL invites us into Swifts world of imagination, creativity and visuals for her first track The Fate of Ophelia and how it came to be. That’s not all, the entire film also plays the lyrics of each of the 12 tracks with a brief explanation from Swift speaking on the story behind each one. By the end of the film, everything is all out in the open with the finale of the video THE FATE OF OPHELIA. The song is basically the story of a woman who has come to believe that being alone is her ‘fate’. In the story of Hamlet by Shakespeare, Ophelia is not treated well by the men in her life, so much so that she comes to believe that ending her life is the only escape done by drowning. Swift decides not only is that unfair, but her idea of melding her previous experiences of love is a reason to change the fate of Ophelia which changes her own fate. On Friday, fans flocked to the theatres dressed in their showgirl finest to sing, dance and exchange friendship bracelets having the best three days possible. Trust me when I say that there were people going each of the three days. Why? Because, like the Eras Tour, people coming together is what makes everything Taylor Swift does so remarkable.

The costuming is vibrant and filled with beading, feathers, sparkle, silks, satins and crystals. The set design is exceptional and reminiscent of so many, eras, if you will. The Fate of Ophelia is filled with Shakesperean themes with Swift deciding that Ophelia needed a different outcome to her life. In the video she goes from blonde, to red, to brunette and all with costume changes for different experiences and trust there are plenty of Easter Eggs from the beginning. Immediately, I recognized the 1933 Busby Berkeley inspiration with the big production of synchronized dancers (thanks Mom), theatre production, showgirl backroom all to make it clear that love “dug me out of my grave and saved my heart from the fate of Ophelia”. By the way, did anyone notice during the swim sequence that it begins which her framing her face, just as she framed her fiancé Travis Kelce’s face during the podcast of New Heights?

On Sunday (10/5), Swift released the video for The Fate of Ophelia on YouTube and it has reached over 5,018,533 views in a few short hours making it the #1 streamed video on the service. It was a fantastic way to end the screening of TAYLOR SWIFT: Official Release Party of a Showgirl. Shout out to the dancers from The Eras Tour for being a part of the film. Seeing their lovely faces again was so cool.

The many variants-released album THE LIFE OF A SHOWGIRL, Swift has decided to go in a lighter direction than her previous release THE TORTURED POETS DEPARTMENT of 2024. The tracks of this album include The Fate of Ophelia, Elizabeth Taylor, Opalite, Father Figure, Eldest Daughter, Ruin the Friendship, Actually Romantic, Wi$h Li$t, Wood, CANCELLED! Honey and The Life of a Showgirl (featuring Sabrina Carpenter). Don’t get it twisted, its happier but the undertones of her words sometimes leak out messing with people and a hint of sadness with a smile on her face, remember “I can do it with a broken heart”.

Since I already spoke on The Fate of Ophelia, let’s move on to Elizabeth Taylor. Swifties might remember that the 2017 song Are You Ready For It? from her REPUTATION album features the line “He can be my jailer, Burton to this Taylor…” referring to actor Richard Burton. The connection here is that he was married twice (“been number one but never had two”) to none other than Elizabeth Taylor. One of the first lines to the song is “that view of Portofino was on my mind…”, where she was proposed to and honeymooned with Burton. Swift sings of White Diamonds which has two meanings: 1) Burton gave Elizabeth a 69.42 carat pear shaped diamond and it is the name of her perfume which I still have and love. The song talks about success in Hollywood and Swift knows that, like Elizabeth Taylor, you are only as good as your last hit. The song is smooth, sultry, polished and as elegant as Elizabeth Taylor herself. I love the harmonies and hard hit that slides smoothly as the song plays. You know it is worthy of Elizabeth Taylor when her son Michael Wilding Jr., gave his thumbs up for the song with his mother’s name.

Opalite is a snappy and catchy song about letting go of the past and finding love, especially when your family is on your side. Her brother says her Swift’s past relationships as “eating out of the trash” and Mom Swift says, “it’s alright, you were dancing through the lightening strikes” and friends, that is relatable on both counts. Yet, the song is upbeat and giddy, reminding us to “make your own sunshine”. Father Figure is a song about mentorship and, in Swift’s case, when your eyes open up to the fact that the person who is supposed to be looking out for your best interest…isn’t. This past year, Swift finally was able to purchase her masters back and creates the lyric “you made a deal with the devil, turns out my check (clean version) is bigger”. The mob boss phrases lets those who need to know who the boss really is.

Swift talks about the song Eldest Daughter as the emotions and expectations that come with being just that, the eldest daughter. If you are one, then you can absolutely understand where this song is going. As the eldest daughter myself, I understood totally the line “every eldest daughter was the first lamb to the slaughter, so we dressed up as wolves and we looked fire”. Once again, Swift reaches a wide audience of eldest daughters with a slower song to let us grab every word and let it in only to remind ourselves, to ourselves that “I’m never gonna let you down”. Ruin the Friendship returns to her high school days musically to tell the story of the question we all ask ourselves from time to time with “what if?”. What if we had said those words or shared our feelings? And, as Swift tends to do, nails it perfectly with “should’ve kissed you anyway” at the prom etc. realizing that life changes so quickly that it makes us wonder (especially when we get older) what would be different if we had said or done the one thing we were afraid to.

Actually Romantic had me laughing so hard because it is so me! Not only that, it is filled with lines that might make TTPS fans giggle as well. The song is about someone who clearly has nothing better to talk about than Swift. Learning about it, she basically says “it’s actually sweet, all the time you’ve spent on me, it’s honestly wild, all the effort you’ve put in, it’s actually romantic”. Every time I listen to the song I can’t help but crack up and what has been in most of our heads is now out in song and it is, actually romantic. Wi$h Li$t is a tale of what people want in their life and Swift wishes them well, but what she wants shouldn’t surprise anyone. What does she want? “We could have a couple kids, got a whole block looking like you…and now you got me dreaming ‘bout a driveway with a basketball hoop” and, as should everyone, we wish Swift gets everything on her list. The music is charming and happily sappy and I’m here for it, especially the jabs as recognizable individuals she doesn’t name but hey, we know what we know.

I suppose we can’t not talk about the song Wood since it has flooded the internet. Yes, it is campy and filled with double-entendre and so damn what. Anyone taking the time to look at the lyrics knows Swift is being her usual word-smith-Swift sitting by waiting for the world to lose its mind. Well, first of all, let me be clear here and I saw this on the internet, “Moms, you used to listen to Madonna’s “Like a Virgin”, Donna Summer’s “Love to Love You Baby”, Meatloaf’s “Paradise by the Dashboard Light”, Prince’s “Cream” (among many others), George Michael’s “I Want Your Sex” and Madonna’s “Justify My Love”. Your daughter (or anybody) will be just fine”. That being said, again, SO WHAT? The song is hilarious with “seems to be that you and me, we make our own luck” and if you look further into the lyrics, it’s just more of Swift’s playing with words based on superstitions. Make what you will of it but it reminds me of Swifts performance of “Vigilante Sh*t” meant to shock and awe – me? I’m the laughing type. CANCELLED! is that song that is smirk-approved by me because it has that hard-hit beat letting you know Swift is about to call throw down and call out facts like “at least you know exactly who your friends are, they’re the ones with matching scars”. She makes it clear that she’d rather hang out with people who have been through the rumor mill blitz because, as I say to people, if you truly know me then rumors are laughs, not truth. If you are missing a bit of REPUTATION, this is the closest to it and the grit isn’t playing around.

Honey, Swift explains, is a song that changes the meaning of the terms ‘honey’ and ‘sweetheart’ when they are said by the right person. “You give it different meaning cause you mean it when you talk” and she isn’t wrong. Listen up lovers, Swift is talking the talk! The Life of a Showgirl is glitz, glamor, feathers, sparkle and everything else you’d expect from a song about, well, a showgirl! Swift tells the story of Kitty, a showgirl who she meets believing that being a showgirl is the life. Explaining that being a showgirl isn’t all it seems, it doesn’t stop Swift from taking that route with “I’m married to the hustle, now I know the life of a showgirl, and I’ll never have another…now I know the life of a showgirl babe, wouldn’t have it any other way”. Joined by Sabrina Carpenter, both women learned the pitfalls of their profession and yet, still manage to be the best showgirls in the world right now. Swift, in the video lyrics, shows up in blonde hair, full on makeup and a stunning outfit that is total showgirl reminding us all “I’m immortal now, baby doll”.

I was saving my write up until the dust settled but we know all things Taylor Swift don’t settle quickly. That being said, I would like to address the critics who seem upset by THE LIFE OF A SHOWGIRL. What is it they don’t know? Well, the Swift ride is a slow burn of a journey as each album links to her life. Years of exploration is something many critics just don’t understand. They put their quill in the jar of poison ink to write scratching on an album they are clueless about. Driving outside their lane, the Swiftie army laughs watching the writer crash and burn. There might even be a little dancing around the flames while exchanging friendship bracelets.

Every time this woman releases an album, critics rush in to say how bad it is and, like all things negative, it spreads quickly – EVERY FRAKKEN TIME. Yet, like a slow burn love, her albums stay on the charts for weeks, months and even more. Maybe the ‘critics’ should stay in their own musical lane because their work shows one thing for sure – THEY AREN’T LISTENING with Swift ears. Those who have followed the trail she lays out are having a wild ride doing it. Critics throw down their ‘wordings’ and move on to trash the next album because it’s their paid job. So, take their words with a grain of saltiness and let them continue their search for “unhappy” Swifties to the liking of Goggle because their algorithms love it, and let them glue their blank spaced eyes to the click bait numbers that will downfall quickly. Because the Swiftie army is clearly stronger. In the meantime, those of us willing to listen, have fun and know that this is a happy Taylor are having the best time this past weekend.

Here’s the thing – it takes time to vibe with Taylor. She gives people time to jump on the Swift train to ride at their own pace. This album is spirited, racy, makes moves, hilarious and bites at the bit. She has come out from behind the tortured poets shadow of hurt and decided to be cheeky, fun, witty, smart, make us want to dance a bit, jaw-drop and, dare I say, be happy in her happiness. With our country they way it is right now, I’m up for some happy so I’m all about it. Who cares if she writes about her happiness with fiancé Kelce, did anyone care when she was writing sad songs about all the others that did her wrong? No, they embraced it, all 237.6 million people (google it if you don’t believe me). So, the question is, if we are all so willing to embrace the gut-wrenching songs – why can’t we also come out from under that shadow and celebrate like crazy with happiness?

The music is such a mixture that only Max Martin and Shellback can bring out of Swifts lyrics. Back together again, Martin and Shellback have worked with Swift on her albums RED, 1989 and the still freaking awesome REPUTATION. Side note, REPUTATION remains the only album Swift hasn’t re-recorded and it has her army wondering if it will ever come to pass. Getting together for THE LIFE OF A SHOWGIRL brings references that people over forty get a good giggle about and the feel of tunes from the 70s which might by why this particular 65-year-old grandmother is jammin’ to this album. The interpolations come from George Michael, Swifts early songs, the Jackson 5 and so many more offer up such a vibe that it’s infectious. Swifts time on the New Heights podcast had her saying, “This album is about what was going on behind the scenes in my inner life during this tour, which was so exuberant and electric and vibrant.”

What the album does shows is that she finally has found love and is silly about it in many of her songs while also giving her legion a peek behind the curtain of fame and what the life of this particular showgirl brings. The whole album is the kind of different I actually didn’t know I wanted until I sat through the whole album, then played it again, then played it again (not to mention the CD in my car). Each of her albums are an era and THE LIFE OF A SHOWGIRL is the era of “come on and join me in being happy with a little bit of snark, camp and word-smith fun” and that’s what millions are doing. Many might carry a pocket dictionary/thesaurus so we get music, detective work and a bit of an Shakespeare education and there’s nothing wrong with that.

You don’t have to love it right now, just enjoy it and, like a cardigan under someone’s bed – it might end up being your favorite!

Disney Revisits TRON: Ares

Jeri Jacquin

Coming to theatres this Friday from director Joachim Ronning and Walt Disney Pictures is the return outside the game with TRON: Ares.

There is a battle brewing in the computer world between Eve Kim (Greta Lee), the CEO of ENCOM and Julian Dillinger (Evan Peters) who is the CEO of Dillinger Systems. What these two mega-techs want is something Kevin Flynn (Jeff Bridges) has hidden, the Permanence Code. While Eve spends her time going through her sisters notes and computer, Dillinger has made a connection inside the digital world creating Ares (Jared Leto). Kim wants to use the code to help the world and Dillinger wants it to creates weapons that can make him millions.

Ares mission is to find the code and bring Kim to Dillinger. Bringing his team, Ares has the help of Athena (Jodie Turner-Smith) who takes directives seriously. After a chase, Dillinger manages to send Kim inside the same code as Flynn yet Ares is beginning to understand what is happening and doesn’t agree with the ‘creators’ programming. What he does want is to remain outside and see the world that he’s beginning to understand. Dillinger is furious and does something causing Athena to go after Kim and now Ares. Dillinger is unstoppable, just ask his mother Elizabeth (Gillian Anderson).

Kim team up to put a stop to Dillinger with the help of Ajay (Hasan Minhaj) and Seth (Arturo Castro) to fight against Athena. Ares goes back inside the program and meets the one person who can help get what they all want – Kevin Flynn. The fight is on as both sides become aware that this is not a normal fight!

Leto as Ares begins as a 29-minute killing machine but soon begins to experience something that isn’t part of his programming – curiosity. Taking in everything around him and meeting Kim makes it clear that the ‘creator’ Dillinger is not who he seems to be. I love that Leto’s character discovers a conscious, is awaken by the simplest of feelings (ie Depeche Mode) and has a dry sense of humor that I enjoyed. This is such a cool role for Leto playing the armored silent type who knows the game Dillinger is playing, literally.

Lee as Eve is still dealing with the death of her sister but also knows that looking for the Permanence Code means following the bread crumbs her sister left behind. Instead of freaking out at every turn, Lee takes it all in and adapts quickly to Ares’ world. This a role that has so much happening with Lee’s Eve being smart, quick and creative every step up to the final scene. Turner-Smith as Athena is angry at every turn but more-so when she sees Ares and Kim together, almost a computer jealousy deal. When Ares decides to go rogue, Turner-Smith’s Athena has no issue with taking the lead of destruction. What a fantastically ‘angry’ role that looked like it was a lot of fun to do.

Castro as Seth understands that Eve knows what needs to be done and he is her right-hand shadow. When Ares shows up, Seth’s reaction is hilarious but doesn’t stop him from getting the job done. Minhaj as Ajay has a smaller, chaotic role but he also brings about a sense of humor that is based on the madness happening around him. I loved both these guys!

Mr. Bridges, the Dude abides, returns as Flynn explaining to Ares about his choices. He hasn’t lost his swagger or his pearls of wisdom and I personally am thrilled he returned to role he first played in the summer of 1982.

Other cast include Sarah Desiardins as Erin, Cameron Monaghan as Caius and Selene Yun as Tess Kim.

Walt Disney Studios incorporates Pixar, Marvel, Star Wars, National Geographic and more. There are exclusive originals with new feature films, shows, short form content, documentaries, and actions films such as the highly anticipated upcoming film THE MANDALORIAN. For more information, please visit www.disney.com.

It should be noted that Nine Inch Nails is responsible for the film’s soundtrack. It is punching loud and doesn’t hold back providing perfection for the action scenes. It pulsates so much that your chair is moving and your feet are being musically massaged. I have to say I actually enjoyed every bit of it. Another part of the film I enjoyed was the return of some memorable things but I’m not about to expand on that!

TRON: Ares is visually stunning and there is no doubt about that. The action is intense and it is a 119-minute eye workout. The Light Cycles are still amazing to watch and as cool as ever to watch. What is stunning is that writer Jesse Wigutow stayed true to the original story but adding a twist that the digital world finds itself in the real world. Seeing the film in IMAX is such a bonus and I can’t imagine experiencing it any other way. TRON fans will not be disappointed in the slightest.

In the end – there is no going back!

He is Born to be a SAMURAI FURY

Jeri Jacquin

On Digital and coming to 4K Ultra HD, Bluray and DVD from writer/director Irie Yu is a story of fighting for those who cannot find for themselves with SAMURAI FURY.

It is the fifteenth century in Japan and there is a devastating famine and plague running rampant in the country during the Muromachi dynasty. Ronin Hasuda Hyoe (Oizumi Yo) wanders the countryside seeing the pain and suffering by the people who are dealing with the emperor and Honekawa Doken (Shin’ichi Tsutsumi), a longtime friend but now believe different things. Hyoe understands that there is only one way to stop the shogun who puts people in indentured servitude, is by gathering the people to fight.

Hyoe meets Saizo (Kento Nagao), a young man who has a mind of his own and isn’t about to bow to anyone. Seeing something in Saizo, Hyoe believes he can set the young man on a path for serving others but Saizo needs to be trained up. Proving that so, Hyoe tries to take on a government passage that taxes anyone trying to get through which puts people in danger. The fight shows the young man why he needs training.

Doken knows that Hyoe is working against the grain of things while he constantly remembers their younger days together. The problem is Doken became corrupted by money and power but Hyoe stayed true to service to people. Now, with Saizo joining Hyoe once again, that can take all those willing to fight oppression and change the face of their world.

Yo as Hyoe is a man who moves through his world gracefully and without attracting attention. He tries to touch as many lives for the good as possible and shows the look of a man who hides the disgust he feels. This is where Yo shines in this role and there were moments that just touched me. Also, his moments of comedy are giggle worthy if not totally charming. The action sequences are spot on and what one would expect from a film with the word “samuri” in the title.

Nagao as Saizo is unrecognizable in the beginning and is totally out of control almost in a way that probably kept his character alive. No one wants to mess with crazy. Once he calms down, Saizo gives us the story of a young man who begins to experience what Hyoe is all about and wants that for himself. He may have fought the training but, as with meeting Hyoe, he does begin to see where it can lead him for his life and for others. I really enjoyed Nagao and his humorous moments were spot on.

Tsutsumi as Doken is clearly a conflicted character. Enjoying the richess he steals from others and all the glory that comes with it, he also tries to find a middle ground in his friendship with Hyoe. Letting this slip and that slip by, Tsutsumi’s portrayal also gives way to the fact that there has to be a point in time where a choice has to be made – and he makes it. The fight scenes give Doken a chance to show clearly what his leadership is made of and not even those above him stand a chance to take what he feels is his.

The battles in this tale are fast paced and the visual are along the lines of most Japanese epic films like this one. It is almost like a film from three different perspectives. Hyoe as a wandering ronin who looks to do good where he can, Saizo who has been put through the hardship of his country but refuses to back down and Doken, a man who is conflicted by friendship and greed. That kept the movie interesting as if to see which road each of these characters takes to their goal.

Director Irie takes a bit of unknown history as Hyoe is in Japanese history but only as a small footnote believing him to be a Masterless Samuri or Ronin who led a rebellion. Ryosuke Kanine wrote the 2016 novel entitled Muromachi Burai that talks about an uprising of the common people of Japan. I am a huge fan of historical novels and even more thrilled when they are turned into action films. Irie turns that bit of history into a 135-minute action adventure that offers up perspectives that add a richness to the story itself.

In the end – he fights for those who cannot!

Celebrating a 50th is THE ROCKY HORROR PICTURE SHOW

Jeri Jacquin

This week on 4K HD, Bluray and Digital from director Jim Sharman and 20th Century Studios comes a film celebrating its 50th Anniversary and remains the longest-running theatrical release in film history is THE ROCKY HORROR PICTURE SHOW.

At the wedding of their friends, Brad Major (Barry Bostwick) and Janet Weiss (Susan Sarandon) have a celebratory moment and decide they need to go see their teacher Dr. Scott (Jonathan Adams) who is the reason they met. Along the way, a strong storm makes their drive a bit dangerous but even more so is when their car blows a tire (I knew I should have gotten that tire fixed – B). Wondering what to do, he remembers a castle a bit back and the couple make their way to the light in the fireplace.

Greeted at the door by Riff Raff (Richard O’Brien), they are invited in and meet domestic Magenta (Patricia Quinn). Brad seems to be casual about the strangeness around them but Janet has her bad thing-senses tingling as she should. They are both startled by the arrival of Dr. Frank-N-Furter (Tim Curry) who invites the couple into his lab to see what’s on the slab. Escorted by the unimpressed Columbia (Little Nell), all arrive at the lab to hear that the scantily clad Dr. is about to create his own personal Rocky (Peter Hinwood).

Just when he’s found his joy, it is all interrupted by Eddie (Meat Loaf) who has a few bars to sing to the glee of Columbia. But, all good things come to the dinner table, including Dr. Scott who shows up looking for someone but Frank, Magenta and Riff Raff are about to turn all their worlds inside out considering it is all upside down already!

Curry as Dr. Frank-N-Furter is disarming, charming, hilarious and underhanded but does it all with perfect makeup and heels. There is no doubt that no one but Curry could have ever played this role and to think otherwise is pure insanity. His performance felt then and now as if he embodied this role to the hilt. Starting this role on stage before it ever hit screen, it was extremely smart to put that expressive face on the big screen.

Sarandon as Janet is naïve, also charming, endearing and a bit of a vixen for sure. Watching her character go from Gidget (Goggle it kids) to a bit of Elvira is touching (yes, I said it) in all the best ways possible. I love that Sarandon embraces what she did all those years ago and even finds humor in what they accomplished. Bostwick as Brad is just an oblivious male portraying a bit of machismo but doesn’t hesitate to be corrupted for absolute pleasure. Bostwick just jumped right in and his final outfit needs to be totally applauded because, if anything else, he looked damn good in it.

O’Brien as Riff Raff is a disgruntled handyman upset that the candy man hadn’t shown up according to his master. The reality is, he isn’t happy in the castle and putting up with Frank’s nonsense is pushing him to the limits. I just love O’Brien’s portrayal and as the creator of the play and knowing the history behind it there is one thing to say – he is a mad genius. Quinn as Magenta is a domestic that isn’t quite as domestic as one would hope. I mean I couldn’t have her cleaning my house no matter how well she dances. She watches, listens and waits but also has a good time being bad. I just love her character. Little Nell as Columbia is colorful, a spitfire, and more opinionated that she probably should be. The love of a motorcycle man is something she hasn’t gotten over and why should she. That being said, she is torn between Eddie and Frank so there’s that.

Adams as Dr. Scott is a scientist in his own right and clearly knows that Frank is up to something. The problem is, once inside the castle lair, he has his own story to tell and don’t let the wheelchair fool you. Meat Loaf as Eddie might have a small role but it is a showstopper and I just absolutely loved it. Nothing better than a motorcycle man who can play the sax after bursting out of a freezer. Well done sir! Hinwood as Rocky is there as total cute gold-colored undies decoration with no lines whatsoever yet, there wouldn’t be a story if he wasn’t there. I mean, his name IS in the title of the film.

Shout out to Charles Gray as the criminologist for not only telling the tale step by step but jumping up on a desk to dance to the Time Warp. Absolute fire!

Other cast include Jeremy Newson as Ralph Hapschatt and Hilary Labow as Betty Monroe. Unconventional conventionalists include Perry Bedden, Christopher Biggins, Gaye Brown, Ishaq Brux, Stephen Calcutt, Hugh Cecil, Imogene Claire, Tony Cowan, Sadie Corre, Frank Fullenwider, Lindsay Ingram, Peggy Ledger, Annabel Leventon, Anthony Milner, Pamela Obermeyer, Tony Then, Kimi Wong, Henry Woolf and Rufus Collins.

Twentieth Century Home Entertainment brings award-winning global product and new entertainment to DVD, Bluray, and Digital HD. There amazing collection offers fans an opportunity to expand their own home libraries with the best films. To discover what other titles they have please visit www.20thcenturystudios.com.

What can be said about THE ROCKY HORROR PICTURE SHOW that hasn’t been said by anyone who was there from the beginning. First, let me say the perfection companion to this film is Linus O’Brien’s documentary STRANGE JOURNEY: The Story of Rocky Horror because it literally takes fans through the creative process of his father Richard O’Brien’s ideas and how it finally came to the big screen.

My sister Ellen and I spent most of the 1975 and 1976 at the Strand Theatre in Ocean Beach. Our Friday and Saturday nights were spent standing in line enjoying the sights, sounds and camaraderie there was to be had waiting to get into the theatre. People dressing up and dressing down, bringing props (like rice for the wedding scenes) and gearing up to yell back at the screen some of the most infamous comebacks that are still uttered to this day. One of the best memories was talking our dad into seeing the film with us. Now, granted, it really wasn’t a 1970’s parents cup of tea but he went open minded and, I think, curious as to what we were always up to so late on a Friday night. After what I am sure was an initial shock of it all, he saw us having fun – REAL fun. Not out causing trouble, not doing anything wrong, just being in a theatre with a huge crowd of our closest friends singing, dancing, throwing rice and yelling at the screen. Afterwards we went for breakfast and he laughed at how giddy the film made us. He never said he hated the film or was against the film, no, instead, he thought we were nutty (we were) but never had a problem with us seeing it again and again.

That’s what THE ROCKY HORROR PICTURE SHOW did for us, gave us a weird and fantastic freedom that it also gave so many others. Returning again and again to share an experience with strangers in a way that is so very memorable. Every person in the theatre was able to be who they wanted to be – you like Frank? Full of Frank. You like Magenta? Full on Magenta. It didn’t matter because every person accepted every person for their reasons, their costumes and how so very cool it was to be part of something as extraordinary as the film was.

Released in August of 1975 – here we are 50 years later and although most of us that were in theatres in 1975 couldn’t possibly do the Time Warp again, a new generation is discovering Frank and the gang in their own unique way thanks to THE ROCKY HORROR PICTURE SHOW now available on so many platforms. I do feel a bit sorry for them though; they will never know the joy of being pelted by rice!

In the end – let’s do the time warp again!

The Secrets to THE WISDOM OF HAPPINESS

Jeri Jacquin

Coming to theatres in time for the Dalai Lama’s 90th birthday from directors Barbara Miller, Philip Delaquis, Theorem Media and Abramorama is the wonderful words about THE WISDOM OF HAPPINESS.

Tenzin Gyatso is known all over the world today as the 14th Dalai Lama and he comes to the screen to offer what he believes is happiness. He begins immediately with “we are all the same human being” and it sets the tone for everything one hears for the following one hour and thirty minutes. He speaks on fear, anger and hatred that are so prevalent in the world today. He wants to share about a peaceful life – now. It begins with the easiest thing we do, and that is breathing.

At 16, the Dalai Lama dealt with the military occupation by China in Tibet. By the time he turned 24, things were becoming more intense and he escaped to India. Thousands of Tibetans followed him as the people in his country continued to suffer. The world embraced him immediately.

He saw compassion in his mother who was a farmer. He started learning at a very early age and through it all was his mother’s compassion. Using nature as an example, the Dalai Lama spoke of how animals work together and live simple which brings them happiness. The same with children in that they don’t care about differences but as they grow the differences are learned. He admits that some of his father’s traits came about but he worked on himself to keep it out of his life.

Describing human beings as social animals, he explains that the negative feelings cause our inner emotional doors to close. Intelligence is a source of inner peace says the Dalai Lama. Loving science, he looks to investigate everything and ask questions such as “what is mind?” To change the mind of destructive emotions, he says we must have willpower. He is very clear in saying happiness is within ourselves but we get blocked by such things as money, desire and wanting more. Unhappiness is division and that brings war which has no victors.

Speaking of his own country, there have been over one million Tibetans have been killed since 1959. He speaks of male dominance being the most destructive thing of all. The Dalai Lama believes the women can make the world safer. He points out that important leaders are women and it is women who re-create the Lama with hopes of someday there might be a woman Dalai Lama.

He also speaks of the earth and how it is feeling what humanity has done as well and saying the world is so busy fighting itself, it doesn’t see that time to be in our world is sliding away fast. All of these things are based on emotion believing discourse is where all of this flows from and emphasizing that breathing can reconnect with inner peace. Meditation can bring compassion and by thinking of others your mind opens. He also smiles mentioning that it doesn’t matter how long it takes, just continue!

What does he want for his own country? That the Chinese government to allow Tibetans to keep their own culture without fear of hate or violence but with compassion. To do that, there needs to be calm dialogue, peaceful dialogue. The Dalai Lama believes every community should be based on compassion. In that is education; sing the brain to be constructive in the world. It begins with ourselves and then outward to others through positive emotions.

Abramorama is the preeminent global theatrical distributions and rights partner for many documentary and music films and is recognized for the consistent high quality of its work on award winning features. Over the course of 20 years, Abramorama has successfully distributed and marketed hundreds of films including Ron Howard’s Grammy Award Winning THE BEATLES: EIGHT DAYS A WEEK, Stanley Nelson’s MILES DAVIS: BIRTH OF THE COOL, as well as Academy Award Nominee and IDA Best Documentary Winner THE LOOK OF SILENCE. For more of what they have to offer please visit www.abramorama.com.

THE WISDOM OF HAPPINESS Film Festival Selections include Best Film at the 2025 Croatian International Film Festival, Official Selection at the 2024 Zurich Film Festival, Official Selection at the 2024 DOK.fest Munich, Official Selection at the 2024 Thessaloniki Documentary Festival, Official Selection at the 2024 Millennium Docs Against Gravity (Poland), and Official Selection at the 2024 Biografilm Festival (Italy).

Executive Producers include actor Richard Gere, Oren Moverman, Walo Kamm, Tashi Albertini-Kaiser, Monlam Maurer-Adotsang, Tobias Asch, Annette Werenfels and Ann-Marie Le Flanchec. Gere says of the film, “Watching how the Dalai Lama embodies love, generosity, and kindness allows viewers to pause, reflect, and reconnect with themselves in a way that feels real and achievable”.

I first learned of the Dalai Lama when I was 15 and was fascinated by his life. I read everything I could throughout the years about him, his life and how he saw the world. What I cam to feel was the calmness that he always seems to express, the way he walked among people from all walks of life, his ability to laugh with people oh goodness, a smile that just draws one in. Even before reviewing the film, I have listened to him speak about each of our parts in the world. What directors Miller and Delaquis have done is allow the Dalai Lama to bring the word of happiness again to people from all over the world.

Sharing his early life, how his family made an impression on him, the sadness of having to leave his beloved Tibet, his daily life now in India and his continual journey to spread the word on finding happiness. What is the most amazing thing about the Dalai Lama is his ability to speak with such eloquence, humor and – yes, compassion, that it is impossible not to take in every word. Perhaps he knocks gently on that door he knows many of us have closed, gives us a smile and invites us to remember all the things about life we may have forgotten.

He is quite aware that the world is a harsh place sometimes, he knows from experience that it would be easy to point fingers, scream and holler. Instead, he asks us to remain calm, find peace and then approach is all in such a way that we do good and not be part of the problem. The timing of the film coming to theatres is so important, especially right now since so many are suffering from TPF (Twisted Political Fatigue I’ve coined it). Listening to the Dalai Lama speak on what is possible is so uplifting and feels like a snap back into what is possible for a life that not only brings us joy but spreading it to others through the one word he repeats over and over – compassion.

In the end – life is compassion!

The Family is Back with NOBODY 2

Jeri Jacquin

Coming to 4K Ultra HD, Bluray and Digital from director Timo Tjahjanto and Universal Pictures Home Entertainment is the vacation of NOBODY 2.

Hutch Mansell (Bob Odenkirk) is still dealing with what happened in recent events and to make amends, he works for The Barber (Colin Salmon) to pay back the money he turned to ash. Seeing the strain at home with wife Becca (Connie Nielsen) and kids Brady (Gage Munroe) and Sammy (Paisley Cadorath). Telling The Barber that he is taking a break, Hutch promises his wife that plans are in motion to take a family vacation together.

Packing up the car and grandpa David (Christopher Lloyd), the family takes off for Plummerville, an amusement park Hutch went to as a child. Wanting to create the same memories with his kids but as they unpack, it is clear the family quick as impressed as dad would like them to be. Making the best of it, they family heads to the arcade and actually begin to have fun. That is until Brady gets into a tiff with local bully Max (Lucius Hoyos). The altercation brings security in and Hutch has had enough of the goings on and takes matters into his own hands.

The local sheriff, Abel (Colin Hanks), takes the family in to see Wyatt Martin (John Ortiz) to decide what to do. The problem Hutch is up against is that Wyatt is Max’s father and there is something fishy happening in the town. So, what does one do when confronted with a weird problem? Call your brother of course! Hutch tells Harry (RZA) who is on a spiritual journey and tries to bring calm to his brother. Still, Hutch can’t let go of the feeling there is more to this town than meets the eye and, of course, he’s going to find out.

Instead of leaving like they were warned and after Hutch’s attack, Hutch finds out that the town has a bootlegging issue led by a woman named Ledina (Sharon Stone) and everyone is involved. She, in turn, decides that its time to turn up the heat, there is a bit of a kidnapping, a bit of family danger and a whole lot of mess being made – so much for a family vacation!

Odenkirk as Hutch returns to play the character that gave film goers such a thrill in 2021 and did so well at the box office. A mild-mannered husband and dad who just happens to be a very good assassin; it’s all about balance right? This time he is trying to spend quality family time but it seems trouble accidentally got packed in his suitcase. Not even a day passes and he is back to doing whatever it takes to protect his family and no one is getting in the way of that. He does this so well and I loved watching him play Hutch once again.

Nielsen as Becca is a wife who is a little frustrated with Hutch’s away time putting all the family issues on her. Totally understandable but she is willing to give it a chance with a family vacation. She is stronger than she portrays and Nielsen gives her the gumption to see the world through her husbands’ eyes. Lloyd as grandpa David may be older but that doesn’t mean he has lost his ability to be useful and useful he is, especially when the family is at risk. I loved watching him in his quirky moments and his generational assassin moments with Hutch and Harry. Lloyd is still so awesome and seeing him continue to take roles is nostalgic and cool at the same time.

Ortiz as Wyatt is a man who thinks he’s the big man on campus but, when in fact, he is just another rat in the race. He starts out tough but, Hutch shows him to never underestimate a plain looking guy with his family. RZA as Harry had me cracking up as the brother who was on his spiritual journey but also knows family is everything. Salmon as the Barber is caught off guard when Hutch wants to take a break from being an assassin and his reaction is hilarious.

Hanks as Abel is a sheriff with a chip on his shoulder, a bad attitude and playing for the wrong team. I was thrilled to see him take on this role showing his ability to mix a level of badness with a bit of comedy. Munroe as Brady is a typical teenage kid with a smart mouth and the ability to blame the world for everything, but in this case – his father. Cadorath as Sammy is just so dang cute and spunky, which counts in the story when you are surrounded by so many bad guys. Hoyos as Max is just the town bully who thinks he can get away with it because of who his dad is. Yeah, how did that work out for you kid?

Finally, Stone as Ledina is a woman who had her world wrapped up tight and only had to snap her fingers to make things happen. She had no problem making people disappear and there was no getting away from her reach. I just adored this for Stone as she gets to be as bad as she wants to be and I’m here for every moment of it.

Other cast include Nolan Grantham as young Hutch, Felipe Salazar as young Wyatt, Jahron Wilson as young Harry, Jeremy Warren as young David, Jacob Blair as Dann, Daniel Bernhardt as Kartoush, and David Macinnis as Toby.

Bonus Features include Nobody 2: The Fight Continues, Nobody Does Stunts Like Us and Deleted Scenes.

NOBODY 2 is a full-on comedy and action film staying true to its predecessor film. Odenkirk brings back Hutch in the middle of a family crisis as he tries to find out how to pay back his debt to The Barber and be with family. It cracked me up immediately when he says he needs to take a break from being an assassin. Unusual to say but even more unusual when told ‘okay’. Wanting to take the family on a vacation seems like a normal thing right? Normal for most, not normal for Hutch.

The family dynamic felt like something we all can relate to in the realm of ‘are we there yet?’ or ‘I need to go to the bathroom’ or ‘Really? This is the place?’. Probably the reason most of us aren’t thrilled about family vacations. Yet, Hutch is determined to make it work and it probably would have if trouble didn’t find him. Of course, as with the first film, we already know that when trouble taps Hutch on the shoulder, nothing good is going to happen. This time out the cast is expanded to include a mash up of family problems, teen problems, and adult bad-guy problems. Don’t worry, Hutch gives us a floor plan of what not to do on a family vacation! Pop that popcorn and take in all the action provided by NOBODY 2.

In the end – Hutch is back!

It Rings in BLACK PHONE 2

Jeri Jacquin

Coming to theatres this Friday from writer/director Scott Derrickson, Blumhouse and Universal Pictures is the return of terror in BLACK PHONE 2.

It is the 1980s and has been several years as Finn (Mason Thames) and sister Gwen (Madeleine McGraw) have grown up quite a bit and taking on the challenges in a town where everyone knows about the Grabber (Ethan Hawke). Finn is trying to hide what happened to him in a constant flow of marijuana to ignore the ringing of phones. Gwen tries to talk to him about it but Finn is closed off. What he does do is protect his sister from her constant sleep walking. Nightmares have become more frequent lately and have become so dangerous, he found her in the Grabbers old house.

Gwen is having visions of children under a frozen lake and sending her signals which she believes are a cry for help. She also begins to hear the same phone ringing as Finn. When she realizes that a camp in Alpine Lake might have answers, she enlists the help of her friend Ernesto (Miguel Mora) under the guise of being a camp counselor-in-training. Finn is against going but he can’t let his sister investigate on her own.

Arriving during a snowstorm, they are greeted by Mando (Demian Bichir) and niece Mustang (Arianna Rivas) and two employees who don’t much care for Gwen and her infamous mouth. When Gwen begins to get stuck in her nightmares, it is the Grabber’s opportunity to continue his reign of terror that affects everyone in reality. Mando learns what Gwen knows and realizes they are all there for one thing – to find missing kids from years past and do it before the monster finds ways to destroy them all.

Thames returns as Finn but much taller and moodier (teenagers, go figure) either fighting those who know or avoiding his time with the Grabber. What he doesn’t want to accept is that there is no way to get away from it and the telephones ringing are a constant reminder. Even if Thames gives his character moodiness, he does realize that he must gut up in order to help his sister, decent performance actually.

McGraw as Gwen is in the Grabbers sites this time around. She is less hesitant to answer ringing phone and begins to piece together what is happening at the Alpine camp. McGraw gives Gwen more strength and makes us remember that she has a pretty intense mouth on her. The dreams are what bring her to the one person her family has been trying to forget but Gwen refuses to give up until she helps Mando. This is the sisters side of the horror!

Bichir as Mando took over the Alpine camp with the sole purpose of finding a little boy. Once he understands what Gwen has been dealing with, he is all about trying to do the right thing. Bichir is such a marvelous actor and here he gets his chance to dive into the horror genre and does it splendidly. Rivas as Mustang is the quiet voice behind her uncle but doesn’t hesitate to speak up when she needs to.

Welcome back to the mask Ethan Hawke! There would be no way this film would have worked without him. He is the Grabber, he is the evil and he is the evil that needs to be dealt with. Thanks for showing up to remind us that horror wears many faces but for the Grabber, all of them are evil.

Shout out to Davies returning as Dad Terrence and more into soda than alcohol with Gwen putting into place the last piece of a puzzle that has tortured him.

Other cast include Simon Webster as Felix, Jacob Moran as Billy, Maev Beaty as Barb, Shepherd Munroe as Cal, Graham Abbey as Ken, Chase B. Robertson as Spike, Anna Lore as Hope and Jeremy Davies as Terrence.

Universal Pictures has an amazing film library with films of every genre available from scary to drama to family films. For more of what they have to offer please visit www.uphe.com.

Blumhouse Productions is known for producing horror films such as PARANORMAL ACTIVITY, INSIDIOUS, SINISTER, THE PURGE, THE GIFT, GET OUT, HAPPY DEATH DAY, SPLIT and M3GAN 2.0. The films from Blumhouse have become instant classics and they continue to give us something to scream about! See more at www.blumhouse.com

BLACK PHONE 2 did a few things right and it includes bringing back the original cast because nothing says ‘stay in the story’ like familiar faces. Thames and McGraw together again feels like we are picking up where we left off accept this time, it’s Gwen’s turn to be at the mercy of the Grabber. Also, staying in the era because there is something creepy about the way the 70’s and 80’s are portrayed. Makes me wonder what else I missed during that time that could have been more fun (yes, spooky film fan here). Finally, staying true to the story and not going overboard in changing the history that BLACK PHONE laid out.

A few things I have to think more about is the dream sequences as director Derrickson and cinematographer Par M. Ekberg decide to use the grainy-aged effect to separate it from the waking world. It’s cool but I think a tad overplayed. Does it affect the story being told? Not at all, so perhaps it’s just something that had me overthinking. The original BLACK PHONE was more of a thriller because it made the audience think about the horrors that happened, BLACK PHONE 2 decided to delve into a more delicate world of showing what happened to kids. This film also has more bloodiness to it which is fine but I’m still a thriller kind of gal.

Fans of the first film won’t be disappointed one bit, heck, neither am I actually. The film offers twists, turns, secrets and mysteries that are unexpected and, in the middle, Ethan Hawke and black ringing phones freaking everyone out. One thing is for sure; this is the new fright in the night brought to you by the Grabber!

In the end – dead is just a word!

BACK TO THE FUTURE Brings its 40th Anniversary to 4K

Jeri Jacquin

Coming to 4K Ultra HD, Bluray and Digital from director Robert Zemeckis celebrating the 40th Anniversary are films that are beloved and so iconic with BACK TO THE FUTURE, BACK TO THE FUTURE II and BACK TO THE FUTURE III.

BACK TO THE FUTURE: Welcome to Hill Valley in 1985 and the life of teenager Marty McFly (Michael J. Fox) who lives with mom Lorraine (Lea Thompson), dad George (Crispin Glover), brother Dave (Marc McClure) and sister Linda (Wendie Jo Sperber). Mom seems to have a problem with the drink, dad is constantly being bullied by boss Biff Tannen (Thomas F. Wilson) and the only consolation is girlfriend Jennifer (Claudia Wells). Marty also has a friend in scientist Doc Brown (Christopher Lloyd) and really enjoys spending time with him when he’s not working on playing music.

Doc calls Marty to the mall to show him a time machine he’s made out of a DeLorean with a flux capacitor powered by plutonium. Well, the plutonium was sort of lifted from some angry people and a shoot out happens in the parking lot but Marty accidentally does the 88 miles per hour sending the DeLorean through time. Well, now Marty is in 1955 and doesn’t know how to get back home. A series of incidents bring him face to face with his mom and dad as teens but he doesn’t have time for that. He finds Doc and explains what has happened as they both discover another source of power and it has to happen soon or Marty’s future could be in jeopardy.

Once home, Marty is in for a huge surprise!

BACK TO THE FUTURE II: Marty isn’t home very long before Doc shows up in the DeLorean letting him know he must accompany him into the future because there are problems. This time they take Jennifer (Elisabeth Shue) with them! It seems Marty and Jennifer have children and now Marty Jr. is in trouble going up against Biff’s grandson Griff (Thomas F. Wilson). Doc knows the only way to fix this is by Marty taking his son’s place to handle Biff and his shenanigans.

Jennifer finds herself in her future home and learns about what Marty’s co-worker Douglas is up to and it could hurt the family. Biff, in the meantime, has found the Delorean, returned to 1985 and found a way to become wealthy. Now things have changed again and this time his mother Lorraine is involved! Now Marty must do some sleuthing himself to find out what is really going on and set things right.

Doc finds himself in a place Marty never could have imagined he’d go!

BACK TO THE FUTURE III: Marty gets a letter and it seems Doc has found himself in 1885 and the only way to get to him is find the DeLorean left with Doc 1955’s help. Follow? Even though Doc has told Marty not to come, that’s not about to stop him. Arriving in the west and with a damaged DeLorean, Marty finds himself in the presence of his great-great-grandparents Seamus and Maggie McFly who take him in. Asked his name, he replies, “Clint Eastwood” and all around him is the new town of Hill Valley.

Immediately, Marty recognizes Buford “Mad Dog” Tannen as Biff’s relatives and they are just as much a problem as they are in the future. Doc and Marty realize the only possibility of getting home (since there is no plutonium or lightening), that a locomotive will have to work. Doc meets schoolteacher Clara Clayton (Mary Steenburgen) and he’s smitten. At a town festival, Buford challenges Doc to a showdown and it’s hoped they will be gone by then. As with all things that Doc and Marty are involved in, things get chaotic and quick thinking needs to happen which is good since Marty knows how Buford is. On the locomotive, there one chance to get home turns into the most unexpected result.

Then again, Marty and Doc always do the unexpected!

Fox as Marty made a name for himself on the television series Family Ties which led to him playing the iconic character of a young man with an interesting life. After seeing the first film, there is no one else who could possibly play the role of Marty then or now. Fox had the amazing ability of timing with his humor, facial expressions that are hilarious and played opposite every character in such a way that he made it look easy. Maybe it was easy for him because, honestly, it looked like a blast to do. Fox is the reason for such repeatable lines such as, “you made a time machine…out of a DeLorean?” and so many more. I still hear people say things from the films still today and clearly, anyone who is a BACK TO THE FUTURE fan will know them instantly and from which film.

Lloyd as Doc is another character that can not be played by anyone else – ever. In the films he is clever, hilarious faces and embodied the character full on in all three films. Playing along side Fox, these two actors bounced off one another in such a way it flowed and kept us all entranced from the first film to the last. That is important because films in the 80’s had, and still have, such an impact on people that I don’t think the character of Doc would have worked without him. Instead, he gave us so much in this role that returning for all three films is nothing short of appreciated by fans and stellar in every way possible.

Thompson as Lorraine also gets the chance to play a teen, then Mom and future Mom. As a teen she was absolutely charming and cute, as a mom she showed the vulnerability of questionable youngster choices and it follows her when Biff pulls his nasty stunts. I loved watching Thompson in all three films and, as with Fox and Lloyd, she will always be Lorraine. Glover as George was the dad that just couldn’t seem to cut a break in the family life and as a teen, it took one moment with his sons help to change his future. That is food for thought even today, one choice can change everything.

Wilson as Biff and all the Biff incarnates is mean, vicious, hilarious, silly, and mainly a generational bully. That being said, well done sir, well done! I remember in the theatre people yelling at Wilson’s Biff being very unhappy with his shenanigans which is the sign that he was doing something very right. I’m a firm believer that if an actor can cause massive outrage, then his craft deserves a golf clap – if not several.

Bonus Feaures include All New Content 40 Years Later: Reflecting on the Future, Back to Hill Valley, Untold Stories of BACK TO THE FUTURE, TCM Classic Film Festival Panel, and A Mystery is History. In other words, 90 minutes of All-New Bonus!

Legacy Bonus Features include Tales from THE FUTURE: 6-Part Documentary, Deleted Scenes (Commentary by Producer Bob Gale), An Alternate Future: Lost Audition Tapes, The Hollywood Museum Goes BACK TO THE FUTURE, BACK TO THE FUTURE: The Musical Behind the Scenes, Could You Survive the Movies? BACK TO THE FUTURE, OUTATIME: Restoring the DeLorean, Looking BACK TO THE FUTURE, and The Physics of BACK TO THE FUTURE with Dr. Michio Kaku.

Also, Huey Lewis and the News “The Power of Love” Music Video, ZZ Top “Doubleback” Music Video, BACK TO THE FUTURE: The Ride, Archival Featurettes, Behind the Scenes, 2015 Message from Doc Brown, 2015 Commercials, BACK TO THE FUTURE: The Animated Series (2 Episodes), Michael J. Fox Q&A, FAQs About the Trilogy, Theatrical Trailers, Q&A Commentary with Director Robert Zemeckis and Producer Bob Gale and Feature Commentary with Producers Bob Gale and Neil Canton.

It was 1985 and the theatrical experience was turned upside down as throws of people went to theatres because of a movie called BACK TO THE FUTURE and it was a monster hit. Yes, I was at the theatre with my kids as well at the time. My sons were especially taken with the films and it was Fox that got them into skateboarding and puffer vests along with attempting one liners – okay, they were funny. The same reaction happened with BACK TO THE FUTURE II and III. Audiences had embraced the characters of Marty and Doc because, at that time, adventure, imagination, creativity and originality was everything in the theatre.

These three films were a reason for entire families to go to the theatres together. It was “wholesome” entertainment, not exactly a word we hear much now. Everyone had a great time, everyone laughed, everyone cheered and everyone left the theatre in a fantastic mood. Can you imagine? No technology, no phones, no ipads etc., just a family going to the movies together to have a wonderful time. Maybe that is why these films are so nostalgic for the 80’s crowd, because it is reminiscent of a time of focus on family films and family fun – not to mention an amazing soundtrack that most of us can still sing today.

So, gather the kids and grandkids for a three-film experience that is memorable and see it through a new generation’s eyes with BACK TO THE FUTURE, BACK TO THE FUTURE II and BACK TO THE FUTURE III.

In the end – nothing better than a time machine for fun and adventure!

The Story is in THE SUMMER BOOK

Jeri Jacquin

Available on Digital from director Charlie McDowell, Bright Iris Film Co. and Music Box Films comes a tale of loss, generations and discovery in THE SUMMER BOOK.

Sophia (Emily Matthews), dad (Anders Danielsen) and grandmother (Glenn Close) come to their small summer house on the coast of Finland. Arriving in almost silence, it is clear that the absence of Sophia’s mother is felt by each of them, especially the young girl who can’t remember a time without her.

Sophia’s father has retreated into himself and spending almost no time with his daughter. Good thing she has quite an imagination and ability to keep herself occupied. Helping that along with grandmother, who answers questions, takes walks and shares stories of her own life. Sophia clearly loves her grandmother and each moment together is filled with curiosity and love. Knowing that her son is emotionally neglecting his daughter, grandmother makes it clear that she won’t always be there to take up his slack.

Instead, grandmother gives Sophia a chance to learn to take care of herself and be herself. Their time together is filled with just that – time, as grandmother knows that it isn’t something she can be sure of.

Mathews as Sophia is an absolutely charming young girl who swims through this film with the curiosity and adaptability needed. After losing her mother, Sophia is in a world of loss as she spends the summer with a disassociated father and a very elderly grandmother. Yet, Matthews gives us a character that is attempting to accept the world as it is and her place in it. The curiosity and self-awareness reaches deep in the heart given by Matthews.

Danielsen as dad is a man who cannot seem to find himself after the death of his wife. There is a disconnect between father and daughter and it feels as if he doesn’t want to see that. His days are spent alone no matter how much his daughter might try to engage him. This is a difficult role, even though it is sparce, but Danielsen’s time on screen is a must to bring the ending to where it was always meant to be.

Close as grandmother is nothing short of stellar and moving with moments of chuckles. She is clearly an aging woman without memories of her own to share with Sophia, but that’s not all. Spending time with the young Sophia is also her chance to share what she knows and talk her through the issue that Danielsen’s character is causing. All I can say is Close is portraying a woman who knows what’s happening to the family and to herself but it doesn’t stop what needs to be handled. I just adore her in this role in every way; it is absolutely stunning.

Other cast includes Ingvar Sigurdsson as Eriksson, Pekka Strang as Mr. Malander and Sophia Heikkila as Mrs. Malander.

Music Box Films is dedicated to curating a diverse repertoire of films and television from around the world. In partnership with the iconic Music Box Theatre, Chicago’s premier independent cinema, it is their mission to engage audiences with exciting alternatives to mainstream entertainment. For more of what they offer please visit www.musicboxfilms.com

Bright Iris Film Co. connects films to audiences by providing guidance and expertise to storytellers ready to bring their work to the world. In an ever-changing film industry, they champion collaborations that are nimble, innovative and thoughtful. For more information, please visit www.brightirisfilms.com

The film is based on the 1972 Tove Jansson novel of the same name that reads like a book of exactly what the film portrays. There is grief, sadness, confusion, love, three generations, memories and healing and it is performed brilliantly by Matthews, Danielsen and Close. The film brings such a richness to Jansson’s story as this is not a film filled with long speaking moments but, instead, allows the world around these characters to be another participant in the film.

Matthews and Closes’ scenes together are of their time outdoors walking through flower fields, on the rocks, on the shoreline and add to the emotions of the characters. I do not mind at all films that allows the characters to meld with the world we are shown. Sometimes words are not necessary and it is as simple as that. THE SUMMER BOOK has been nominated by the Miami Film Festival for the Knight Marimbas Award for director McDowell and the CineKindl Award at the Munich Film Festival also for Charlie McDowell.

THE SUMMER BOOK is a film that deserves to be seen, appreciated and even embraced. It has so much to offer in the way of the struggles and simplicities of the human experience.

In the end – each needs the other!

Marriage Changes with THE ROSES

Jeri Jacquin

Coming to Digital this week followed by Bluray and DVD in November from director Jay Roach and Searchlight Pictures is the telling of being together with THE ROSES.

Ivy (Olivia Colman) met Theo (Benedict Cumberbatch) in the most unusual way but it was enough for them to marry. Ivy is an amazing chef in her own right and Theo is known for his stellar architecture. Together they are making their life work, especially when Ivy opens up her own restaurant. That is until a freak storm turns both of their careers on their heads. Theo’s crumbled like a building and Ivy finds herself being discovered for her creations.

As fate changes their lives, Theo becomes a stay-at-home dad and Ivy’s success grows without her even trying. Seeing that her husband is struggling, she comes up with the grand idea of Theo putting himself to work creating their forever home and he dives right in. As each year passes, the witty repartee turns into witty sarcasm and people are noticing, including their friends Amy (Kate McKinnon) and Barry (Andy Samberg) who are also married.

After a disastrous dinner party, Theo decides its time to divorce and Ivy is going to make sure that he understands the consequences of that decision. No one ever said marriage was going to be easy but the Roses make it look impossible – maybe!

Colman as Ivy is absolutely everything I love about her as an actress. Her delivery of lines, the face she makes delivering them, her impeccable character presence and how she makes it all look so flawless. As Ivy, Colman is as sharp as the knife she uses in the kitchen and I am absolutely here for every moment of it. I might be a little biased since I adore her, but that being said, she delivers and her with a gun is perfection. Keenly aware there are problems, the early marriage set the tone to how they would handle problems and, as with most things, the rules change as time goes by. Ivy and Theo didn’t understand the rules of the game but she made it clear when needed that there is only one way to poke the bear.

Cumberbatch as Theo is a man who had an award-winning career until Mother Nature decided she had other plans. Immediately his ego can’t handle it at all and that childishness begins to seep out of every pour of his body. Believing that staying home for a while might be a good idea, he begins to resent Ivy’s success, the same success he encouraged. Cumberbatch takes his character’s insecurities (and the whispering in the ear from his ‘friends’) and whines a bit to get his wife’s attention. Of course, accurately, the narcist in him can’t handle the attention his wife is getting. As quick with the wit as Colman, it is a pairing made in heaven (or the other place).

McKinnon as Amy is a hugely uncomfortable character to watch but hilarious at the same time. She makes it clear what her intentions are and doesn’t really care who sees or hears her, then again that’s how I see McKinnon anyway so the casting is spot on. Samberg as Barry is a man that clearly understands that his wife is different and forward but yet, and he makes it clear, he loves her. As a lawyer however, he needs more practice but entertaining all the same.

Shout out to Allison Janney, let me just say that having watched her since The West Wing days, I have always admired the roles she takes and this is just another one I love. In this film she goes for the jugular and it made me wish she was a real lawyer because that would be worth sitting in a courtroom for!

Other cast include Ncuti Gatwa as Jeffrey, Sunita Mani as Jane, Zoe Chao as Sally, Jamie Demetriou as Rory, Hala Finely as Hatti, Wells Rappaport as Roy and Allison Janney as Eleanor.

Searchlight Pictures is responsible for such films as SLUMDOG MILLIONAIRE, 12 YEARS A SLAVE, THE SHAPE OF WATER and THREE BILLBOARDS OUTSIDE EBBING MISSOURI. They have an extensive film library as well as documentaries, scripted series, and limited series. For more information, please visit www.searchlightpictures.com.

Digital & Blu-ray Bonus includes Gag Reel, Featurettes: A House To Fight For – A behind-the-front-door look at the epicenter of both beauty and acrimony. See the construction of the Roses’ home, hear from the designer and the filmmakers on their vision, and discover the actors’ wish to take everything from the house home with them, The Roses: An Inside Look – Hear from the cast and filmmakers about making The Roses. Learn about the actors’ connection and chemistry, and join the grounded, satirical, British, wry wit that only Olivia Colman and Benedict Cumberbatch can pull off and Comedy Gold – This cast is stacked with comedy talent bringing Tony McNamara’s witty dialogue to life with Jay Roach directing. Even Olivia Colman had to ask about this special cast, “How the F did we get them?”

THE ROSES is director Roach’s re-imagining of the 1989 Kathleen Turner and Michael Douglas film WAR OF THE ROSES. To be honest, although there are some situational similarities, the film could have been called something else and still worked for the comedy alone. I have always made it clear I am not a fan of remakes, reimagining’s, re-do or anything re when it comes to films but I shall put that aside for now.

What THE ROSES has going for it is the spine-snapping, acid wit, crazy intensity and excellent lines that come in rapid fire from both Colman and Cumberbatch. They are absolutely hilarious in every way and I couldn’t stop laughing. There is comic gold in those lines and the delivery is nothing short of sharp, cutting and delicious. Casting these two actors would not have been ones I would have thought of, yet, Roach obviously saw something early on. A black comedy that dives into the battle of the soon-to-be ex’s that is filled with verbal machine-gun resentment and, actually, some of it might be relatable. Just stay away from Julia Childs, okay?

In the end – it is their love story!