TAYLOR SWIFT: The Official Release Party of a Showgirl
and the Album Release of LIFE OF A SHOWGIRL
Jeri Jacquin
This is going to be a bit different for me as many of you know I am a film critic. I don’t believe I’ve ever written a review about a film (or short film) that lasted only three days in theaters nor have I written about the companion album by the same artist. That being said, since music critics are driving down a lane of misunderstanding, I’m going to do that as well but for completely different reasons.
This past weekend, from Taylor Swift Productions, fans were treated to the film TAYLOR SWIFT: The Official Release Party of a Showgirl. This one hour and twenty-nine-minute extravaganza invited the Swifties (and those who are curious) into what it takes for this pop star to bring out the ultimate show. The Eras Tour ended on December 8th of 2024 ending the 149-show tour that spanned five continents in 21 months. It becomes clear that she really hasn’t taken much time off in those nine months putting together the film. It is as lush as one would expect from Swift, but then again, she has never been one to cut corners. The Eras Tour was filled with visuals, costuming, staging and music that captivated everyone who attended and even those who could not, thanks to postings on the internet.
PARTY OF A SHOWGIRL invites us into Swifts world of imagination, creativity and visuals for her first track The Fate of Ophelia and how it came to be. That’s not all, the entire film also plays the lyrics of each of the 12 tracks with a brief explanation from Swift speaking on the story behind each one. By the end of the film, everything is all out in the open with the finale of the video THE FATE OF OPHELIA. The song is basically the story of a woman who has come to believe that being alone is her ‘fate’. In the story of Hamlet by Shakespeare, Ophelia is not treated well by the men in her life, so much so that she comes to believe that ending her life is the only escape done by drowning. Swift decides not only is that unfair, but her idea of melding her previous experiences of love is a reason to change the fate of Ophelia which changes her own fate. On Friday, fans flocked to the theatres dressed in their showgirl finest to sing, dance and exchange friendship bracelets having the best three days possible. Trust me when I say that there were people going each of the three days. Why? Because, like the Eras Tour, people coming together is what makes everything Taylor Swift does so remarkable.
The costuming is vibrant and filled with beading, feathers, sparkle, silks, satins and crystals. The set design is exceptional and reminiscent of so many, eras, if you will. The Fate of Ophelia is filled with Shakesperean themes with Swift deciding that Ophelia needed a different outcome to her life. In the video she goes from blonde, to red, to brunette and all with costume changes for different experiences and trust there are plenty of Easter Eggs from the beginning. Immediately, I recognized the 1933 Busby Berkeley inspiration with the big production of synchronized dancers (thanks Mom), theatre production, showgirl backroom all to make it clear that love “dug me out of my grave and saved my heart from the fate of Ophelia”. By the way, did anyone notice during the swim sequence that it begins which her framing her face, just as she framed her fiancé Travis Kelce’s face during the podcast of New Heights?
On Sunday (10/5), Swift released the video for The Fate of Ophelia on YouTube and it has reached over 5,018,533 views in a few short hours making it the #1 streamed video on the service. It was a fantastic way to end the screening of TAYLOR SWIFT: Official Release Party of a Showgirl. Shout out to the dancers from The Eras Tour for being a part of the film. Seeing their lovely faces again was so cool.
The many variants-released album THE LIFE OF A SHOWGIRL, Swift has decided to go in a lighter direction than her previous release THE TORTURED POETS DEPARTMENT of 2024. The tracks of this album include The Fate of Ophelia, Elizabeth Taylor, Opalite, Father Figure, Eldest Daughter, Ruin the Friendship, Actually Romantic, Wi$h Li$t, Wood, CANCELLED! Honey and The Life of a Showgirl (featuring Sabrina Carpenter). Don’t get it twisted, its happier but the undertones of her words sometimes leak out messing with people and a hint of sadness with a smile on her face, remember “I can do it with a broken heart”.
Since I already spoke on The Fate of Ophelia, let’s move on to Elizabeth Taylor. Swifties might remember that the 2017 song Are You Ready For It? from her REPUTATION album features the line “He can be my jailer, Burton to this Taylor…” referring to actor Richard Burton. The connection here is that he was married twice (“been number one but never had two”) to none other than Elizabeth Taylor. One of the first lines to the song is “that view of Portofino was on my mind…”, where she was proposed to and honeymooned with Burton. Swift sings of White Diamonds which has two meanings: 1) Burton gave Elizabeth a 69.42 carat pear shaped diamond and it is the name of her perfume which I still have and love. The song talks about success in Hollywood and Swift knows that, like Elizabeth Taylor, you are only as good as your last hit. The song is smooth, sultry, polished and as elegant as Elizabeth Taylor herself. I love the harmonies and hard hit that slides smoothly as the song plays. You know it is worthy of Elizabeth Taylor when her son Michael Wilding Jr., gave his thumbs up for the song with his mother’s name.
Opalite is a snappy and catchy song about letting go of the past and finding love, especially when your family is on your side. Her brother says her Swift’s past relationships as “eating out of the trash” and Mom Swift says, “it’s alright, you were dancing through the lightening strikes” and friends, that is relatable on both counts. Yet, the song is upbeat and giddy, reminding us to “make your own sunshine”. Father Figure is a song about mentorship and, in Swift’s case, when your eyes open up to the fact that the person who is supposed to be looking out for your best interest…isn’t. This past year, Swift finally was able to purchase her masters back and creates the lyric “you made a deal with the devil, turns out my check (clean version) is bigger”. The mob boss phrases lets those who need to know who the boss really is.
Swift talks about the song Eldest Daughter as the emotions and expectations that come with being just that, the eldest daughter. If you are one, then you can absolutely understand where this song is going. As the eldest daughter myself, I understood totally the line “every eldest daughter was the first lamb to the slaughter, so we dressed up as wolves and we looked fire”. Once again, Swift reaches a wide audience of eldest daughters with a slower song to let us grab every word and let it in only to remind ourselves, to ourselves that “I’m never gonna let you down”. Ruin the Friendship returns to her high school days musically to tell the story of the question we all ask ourselves from time to time with “what if?”. What if we had said those words or shared our feelings? And, as Swift tends to do, nails it perfectly with “should’ve kissed you anyway” at the prom etc. realizing that life changes so quickly that it makes us wonder (especially when we get older) what would be different if we had said or done the one thing we were afraid to.
Actually Romantic had me laughing so hard because it is so me! Not only that, it is filled with lines that might make TTPS fans giggle as well. The song is about someone who clearly has nothing better to talk about than Swift. Learning about it, she basically says “it’s actually sweet, all the time you’ve spent on me, it’s honestly wild, all the effort you’ve put in, it’s actually romantic”. Every time I listen to the song I can’t help but crack up and what has been in most of our heads is now out in song and it is, actually romantic. Wi$h Li$t is a tale of what people want in their life and Swift wishes them well, but what she wants shouldn’t surprise anyone. What does she want? “We could have a couple kids, got a whole block looking like you…and now you got me dreaming ‘bout a driveway with a basketball hoop” and, as should everyone, we wish Swift gets everything on her list. The music is charming and happily sappy and I’m here for it, especially the jabs as recognizable individuals she doesn’t name but hey, we know what we know.
I suppose we can’t not talk about the song Wood since it has flooded the internet. Yes, it is campy and filled with double-entendre and so damn what. Anyone taking the time to look at the lyrics knows Swift is being her usual word-smith-Swift sitting by waiting for the world to lose its mind. Well, first of all, let me be clear here and I saw this on the internet, “Moms, you used to listen to Madonna’s “Like a Virgin”, Donna Summer’s “Love to Love You Baby”, Meatloaf’s “Paradise by the Dashboard Light”, Prince’s “Cream” (among many others), George Michael’s “I Want Your Sex” and Madonna’s “Justify My Love”. Your daughter (or anybody) will be just fine”. That being said, again, SO WHAT? The song is hilarious with “seems to be that you and me, we make our own luck” and if you look further into the lyrics, it’s just more of Swift’s playing with words based on superstitions. Make what you will of it but it reminds me of Swifts performance of “Vigilante Sh*t” meant to shock and awe – me? I’m the laughing type. CANCELLED! is that song that is smirk-approved by me because it has that hard-hit beat letting you know Swift is about to call throw down and call out facts like “at least you know exactly who your friends are, they’re the ones with matching scars”. She makes it clear that she’d rather hang out with people who have been through the rumor mill blitz because, as I say to people, if you truly know me then rumors are laughs, not truth. If you are missing a bit of REPUTATION, this is the closest to it and the grit isn’t playing around.
Honey, Swift explains, is a song that changes the meaning of the terms ‘honey’ and ‘sweetheart’ when they are said by the right person. “You give it different meaning cause you mean it when you talk” and she isn’t wrong. Listen up lovers, Swift is talking the talk! The Life of a Showgirl is glitz, glamor, feathers, sparkle and everything else you’d expect from a song about, well, a showgirl! Swift tells the story of Kitty, a showgirl who she meets believing that being a showgirl is the life. Explaining that being a showgirl isn’t all it seems, it doesn’t stop Swift from taking that route with “I’m married to the hustle, now I know the life of a showgirl, and I’ll never have another…now I know the life of a showgirl babe, wouldn’t have it any other way”. Joined by Sabrina Carpenter, both women learned the pitfalls of their profession and yet, still manage to be the best showgirls in the world right now. Swift, in the video lyrics, shows up in blonde hair, full on makeup and a stunning outfit that is total showgirl reminding us all “I’m immortal now, baby doll”.
I was saving my write up until the dust settled but we know all things Taylor Swift don’t settle quickly. That being said, I would like to address the critics who seem upset by THE LIFE OF A SHOWGIRL. What is it they don’t know? Well, the Swift ride is a slow burn of a journey as each album links to her life. Years of exploration is something many critics just don’t understand. They put their quill in the jar of poison ink to write scratching on an album they are clueless about. Driving outside their lane, the Swiftie army laughs watching the writer crash and burn. There might even be a little dancing around the flames while exchanging friendship bracelets.
Every time this woman releases an album, critics rush in to say how bad it is and, like all things negative, it spreads quickly – EVERY FRAKKEN TIME. Yet, like a slow burn love, her albums stay on the charts for weeks, months and even more. Maybe the ‘critics’ should stay in their own musical lane because their work shows one thing for sure – THEY AREN’T LISTENING with Swift ears. Those who have followed the trail she lays out are having a wild ride doing it. Critics throw down their ‘wordings’ and move on to trash the next album because it’s their paid job. So, take their words with a grain of saltiness and let them continue their search for “unhappy” Swifties to the liking of Goggle because their algorithms love it, and let them glue their blank spaced eyes to the click bait numbers that will downfall quickly. Because the Swiftie army is clearly stronger. In the meantime, those of us willing to listen, have fun and know that this is a happy Taylor are having the best time this past weekend.
Here’s the thing – it takes time to vibe with Taylor. She gives people time to jump on the Swift train to ride at their own pace. This album is spirited, racy, makes moves, hilarious and bites at the bit. She has come out from behind the tortured poets shadow of hurt and decided to be cheeky, fun, witty, smart, make us want to dance a bit, jaw-drop and, dare I say, be happy in her happiness. With our country they way it is right now, I’m up for some happy so I’m all about it. Who cares if she writes about her happiness with fiancé Kelce, did anyone care when she was writing sad songs about all the others that did her wrong? No, they embraced it, all 237.6 million people (google it if you don’t believe me). So, the question is, if we are all so willing to embrace the gut-wrenching songs – why can’t we also come out from under that shadow and celebrate like crazy with happiness?
The music is such a mixture that only Max Martin and Shellback can bring out of Swifts lyrics. Back together again, Martin and Shellback have worked with Swift on her albums RED, 1989 and the still freaking awesome REPUTATION. Side note, REPUTATION remains the only album Swift hasn’t re-recorded and it has her army wondering if it will ever come to pass. Getting together for THE LIFE OF A SHOWGIRL brings references that people over forty get a good giggle about and the feel of tunes from the 70s which might by why this particular 65-year-old grandmother is jammin’ to this album. The interpolations come from George Michael, Swifts early songs, the Jackson 5 and so many more offer up such a vibe that it’s infectious. Swifts time on the New Heights podcast had her saying, “This album is about what was going on behind the scenes in my inner life during this tour, which was so exuberant and electric and vibrant.”
What the album does shows is that she finally has found love and is silly about it in many of her songs while also giving her legion a peek behind the curtain of fame and what the life of this particular showgirl brings. The whole album is the kind of different I actually didn’t know I wanted until I sat through the whole album, then played it again, then played it again (not to mention the CD in my car). Each of her albums are an era and THE LIFE OF A SHOWGIRL is the era of “come on and join me in being happy with a little bit of snark, camp and word-smith fun” and that’s what millions are doing. Many might carry a pocket dictionary/thesaurus so we get music, detective work and a bit of an Shakespeare education and there’s nothing wrong with that.
You don’t have to love it right now, just enjoy it and, like a cardigan under someone’s bed – it might end up being your favorite!
Apple TV+ Brings History with CHIEF OF WAR
Jeri Jacquin
Coming to Apple TV+ from directors Justin Chon, Anders Engstrom and Jason Momoa is the series telling the history of CHIEF OF WAR.
It is the 19th century and there are four major kingdoms in the Hawaiian Islands. Ka’iana (Jason Momoa) is a man unafraid of the ocean and what lies beneath. Hunting for food, he lands to share with others into the village. Originally from the island of Maui and son of a king, Ka’iana and his woman Kupuohi (Te Ao o Hinepehinga) have found refuge on the island of Kaua’i. That doesn’t last as a boat arrives from Maui as the men request Ka’iana’s return to speak with King Kahekili (Temuera Morrison).
On Maui, Ka’iana is taken before his uncle the King and sees Prince Kupule (Brandon Finn) but also met by those who see him as a deserter. Happy for his return, Ka’iana makes it clear he has no plans to stay. Explaining why he has been summoned to Maui, Ka’iana is told that an army is being raised on O’ahu and the seer has foretold of people becoming enslaved. The King also believes that Ka’iana is part of a prophecy and the battle can only be one with warrior at his side.
After seeing a desecration, Ka’iana, Kupuohi and brothers Nahi (Siua Ikale’o) and Namake (Te Kohe Tuhaka) must make a decision. Ka’iana dons his feathered cape wearing his father’s necklace and stands before Kahekili. Plans are made to take down the young king of O’ahu. Warriors land on the shore as both men and women warrior’s fight. King Kahekili lands further down the beach and another fight begins as the young King is captured. Ka’iana is disgusted by what has happened and feels deceived and an anger wells up in him and now, there is no turning back.
Momoa as Ka’iana is stellar in this role because it requires not only a presence that is unmistakable but looks that make every intention clear. Ka’iana is a character that believes in his people and their way of life but not at the cost of those who abuse the power given them by the very same people. From the moment Momoa takes up the screen, there is such power and intensity that it lets the viewer know the entire story being told is going to be equally powerful and intense.
Hinepehinga as Kupuohi is a woman who clearly believes in what Ka’iana has decided to do in regards to living in Maui. She doesn’t just follow him; there is no issue what so ever fighting alongside the men with the same fierceness. What I saw in this character is someone who cleverly watched and listened to the goings on looking for anything that might keep them all one step ahead. Hinepehinga is just stunning! Morrison as Chief Kahekili clearly has the belief that he is something mighty and no one can stand in his way of getting what he wants. Every decision this character makes is for his own desire for more power and Morrison takes us on Kahekili’s power trip with his foot flooring the gas pedal.
Finn as the prince is a mixture of being his father’s son and cousin to Ka’iana. The violence he is a part of pushes him further and further away from the relationship they once had. Believing his father’s idea of a prophecy, the loyalty is strong. Ikale’o and Tuhaka as brothers Nahi and Namake follow their brother through every phase of his decision making. Supporting the move away from Maui and the return, they are also strong in their belief in who they are and who they are willing to follow – and it’s their brother. These actors not only portray strength in their own characters but they are amazing with Momoa while telling their story.
Apple TV+ is a video on demand web television that debuted in 2019. Viewable through Apple’s TV app, CEO Tim Cook wanted original content calling it “a great opportunity for us from a creation point of view”. From THE MORNING SHOW to TRYING and THE BANKER and Jason Momoa in SEE, there is plenty of choices for everyone. Plenty of genres? That is exactly what they are bringing to viewers and to see more of what they have to offer please visit www.apple.com/tv.
Co-created and written by Momoa and showrunner Thomas Pa’a Sibbett, the initial idea was for the story to be a film in theatres but realized the full story needed to be told in a series. “Jason and I never intended on this just staying a singular season, but we do know the responsibility that comes with it. This is a story that’s never been told and I don’t mean just the story. It is a culture, a language that has never been exposed to the world.”
The high point of Sibbett talking about the series is saying about expanding the story, “if the audiences can respond to that, then we absolutely will tell more, because the story only gets bigger and the story only gets better.” The first two episodes bring such authenticity such as the characters speaking Olelo Hawai’. The series is inspired by real events and warrior Ka’iana who was a chief and warrior for Kamehameha I. Working with Native Hawaiian and Polynesian advisors, doing so brought an accuracy for not only the language but customs and traditions while giving voice to their perspective.
Momoa says of his work, “If we don’t get this right, we don’t get to come home. If we don’t do this for our people – take that weight, that responsibility, it’s not just another job, you know? I’m not coming home where people would be ashamed That’s something that weighs on us (along with Sibbett) This is everything I have, you know? The importance is next level. It’s not just as an actor; it’s as a director and looking out for the whole show.”
The fact that these two gentlemen recognize that CHIEF OF WAR needed to be a series is impressive, knowing that there is more of the story to tell is absolutely stunning. The cinematography is so beautiful and feels so authentic to the era. Filmed in both Hawaii and Bay of Islands, New Zealand, both spots allowing the series-makers places that look untouched and natural as Hawaii might have looked in the 1700s. The story itself is compelling, riveting and gorgeous to watch. I found myself actually looking into the story of Ka’iana and his family and it is even richer than I could have imagined.
Apple TV+ should pat themselves on the back for working with Momoa and Sibbett on this project. It is a winner from beginning to end and has absolutely everything from rich characters, in-depth storytelling and a history that is finally being shared. CHIEF OF WAR begins this Friday with the first two episodes and running weekly through September 19th.
Flying High with SUPERMAN
Jeri Jacquin
Currently streaming on HBO/Max from writer/director James Gunn based on character from DC Studios and Warner Bros. Pictures is SUPERMAN.
Superman (David Corenswet) finds himself back at Fortress of Solitude, with dog Krypto’s help) needing to give himself time to heal after a battle brought on by Lex Luthor (Nicholas Hoult) who wants to do everything to rid the world of the Kryptonian. Back in the fight, Superman has his fists busy giving Luthor time to pull off a fortress heist in order to get the world to turn against the people’s hero.
That includes the government who also believes the information Luthor brings back to them gives them reason to put everything under his control. Using the one thing he believes will keep Superman under his thumb, Luthor has created a place where no one will find him. No one that is except for the very determined Lois Lane (Rachel Brosnahan) and Mister Terrific (Edi Gathegi) when the Green Lantern (Nathan Fillion) and Hawkgirl (Isabela Merced) take a pass.
Lois and Jimmy (Skyler Gisondo) discover the truth about Luthor and his nefarious dealing that has caused all the chaos putting Metropolis in danger and countries on the brink of war. It is Superman’s earthly parents, Martha (Neva Howell) and Jonathan (Pruitt Vince) Kent, who remind Clark of who he is, what he is truly capable of and that where he comes from does not define all he has accomplished. That will take him head on once again with Luthor’s twisted mind and determination to destroy Superman!
Corenswet as Clark Kent/Superman takes up the mantle from some pretty serious predecessors. He portrays his character with a sense of humanity towards those he is fierce to protect, not just loved ones but people from every corner of the planet. Corenswet lets a naïve charm come into play which, I imagine, is intentional to win over the audience. He also portrays a vulnerability and duality with where Superman is originally from and where Clark Kent grew up but never forgets who is responsible for the chaos. Nice jump out the gate for Corenswet.
Hoult as Lex Luthor is one absolutely unhinged individual from beginning to end. Wanting to rid the world of Superman, he manipulates, is a narcissist, wreaks havoc and shows every sign of having not one drop of a conscience. Hoult takes all of that and brings us on a rollercoaster of insanity and it works. Perhaps we were the twisted ones because, at times, he made the audience laugh in the madness. Gathegi as Mr. Terrific is the sanest person in the whole film. He is the calm in the chaos and isn’t easily rattled as he moves through each with confrontation finesse and a bit of magnetism I must say. Seeing the determination of both Superman and Lois, there is nothing that would keep him away from helping to stop Luthor.
Brosnahan as Lois Lane brings the expected character who is strong, opinionated and is like a dog with a story-bone (sorry Krypto). As a journalist she questions everything and isn’t about to let someone like Luthor get away with anything. There is always a trail and Lois is on it with a vengeance. Brosnahan’s character also realizes that if there is going to be help for Superman, she’s going to be part of it when so many others won’t. As for the connection between Lois and Clark/Superman, I’m not sure they mesh well but then again it’s the first time out so I’ll hold out. Gisondo as Jimmy keeps on top of the stories at the Daily Planet and even has his own connections that he is secretive about. He not only helps discover connections but works with Lois on making sure the truth is exposed. Gisondo has that “Jimmy” quality but with more of an edge making a name for himself for his own work, for them both.
Fillion as the Green Lantern needs no help with his ego even if he does need help with a haircut. His confidence is interesting even if a bit misguided at times and referring to the trio as the Justice Gang just doesn’t roll off the tongue does it. That doesn’t stop him from believing in the name till the bitter end. He does bring a bit of comedy to the drama and I’m here for it. Merced as Hawkgirl is a bit put off by all the hype and has a bit of the Negosanic Teenage Warhead oozing off her winged pours. Although not one to jump into the fray right away, it won’t stop her from eventually having a big of fun with the bad guys.
Shout out to Anthony Carrigan as Metamorpho! What an awesome character who deals with his own problems with Luthor and the journey this story takes him on. Yes, we cheered for him quite loudly!
Other cast include Angela Sarafyan as Lara, Michael Rooker as Robot #1, Pom Klementieff as Robot #5, Sara Sampaio as Eve, Stephen Blackehart as Sydney, Bonnie Discepolo as Ms. Jessop, Terence Rosemore as Otis Berg, Natasha Halevi as Amanda, Paul Kim as Larry, Christian Lees as Desmond, Dinesh Thyagarajan as Malik, Wendell Pierce as Perry White, Mikaela Hoover as Cat, Christiopher McDonald as Ron Troupe, Zlatko Buric as Vasil Ghurkos, Frank Grillo as Rick Flag Sr., Sean Gunn as Maxwell Lord, Louisa Krause as Sapphire Stagg, James Liao as General Mori, Beck Bennett as Steve Lombard, Alan Tudyk as Gary and Bradley Cooper.
The film has a huge price tag on its head but the hype will definitely bring Superman fans into the theatres. The DC Universe is now in the hands of director Gunn and Peter Safran as co-chairmen and co-CEOs. The revamping is in its infancy with SUPERMAN being the first in a long line of new and revamped stories. Their next move will depend on the audience’s reaction to their telling and the acceptance of the changes Gunn made. It might take a little getting used to but I have a sneaky suspicion that the flaws might be happily overlooked.
Let’s get to it, I have seen three Superman’s in my lifetime. Growing up it was George Reeves as my first Superman in his television series Adventures of Superman, years later it would be Christopher Reeves (no relation) who became the new face of Superman, and more years later it would be Henry Cavill that would be the new Man of Steel. So, when it was announced that Gunn was going ‘in a new direction’, I was more than disappointed that Cavill would not be returning. Honestly, I wasn’t sure that having a fourth Superman in a lifetime was on my bingo card.
When it was time to screen the film, it was my granddaughter who asked to see SUPERMAN because she wanted to see Krypto so, of course, I gave in. What transpired was two hours and nine minutes of fun, excitement and adventure for the both of us and although Krypto may have been the main reason originally, the flying pooch would not be the only reason. Corenswet takes on the mantle of Superman that is slightly different in Gunn’s version of the DC world, but it works. It works in the sense that it is a fast-paced story that allows for no time to catch one’s breath and adds touches of humanity, humor and many surprises. There are stunning special effects, gadgets and gizmos, different spaces and place so hold onto your capes. I’m thinking there are going to be a lot of dogs named Krypto and he did steal the film several times. I highly recommend big popcorn bucket, big drink and IMAX recliners because, in the words of a previous version of this superhero – look, up in the sky, it’s a bird, it’s a plane…it’s SUPERMAN!
In the end – look up!
It is all FIGHT OR FLIGHT
Jeri Jacquin
Coming to Video On Demand (Apple TV, Fandango At Home and Prime Video) from director James Madigan based on the books by Brooks McLaren, D.J. Cotrona and Vertical is a plane ride like no other with FIGHT OR FLIGHT.
An elusive hacker named The Ghost has struck again and Agents Aaron Hunter (Julian Kostov) and boss Katherine Brunt (Katee Sackhoff) are up against the wall to find out who it is and how to capture someone with no photo or fingerprint. Brunt decides there is only one person who can do the job, ex-boyfriend and disgraced CIA Agent Lucas Reyes (Josh Hartnett). Reyes is stuck in Bangkok where the Ghost has struck but he doesn’t want anything to do with Brunt or her request for help. He is much happier living his days pickling his liver. Yet, once he realizes that it might be his ticket home, he consents.
Waiting at the airport is a ticket to San Francisco where the Ghost is supposed to land. On the plane greeting boarders are stewards Isha (Charithra Chandran), Royce (Danny Ashok) and Garrett (Hughie O’Donnell) who get everyone settled. It doesn’t take long before there is a leak somewhere as it becomes clear that on the dark web is a hit for Reyes’ target. Still, no one knows who it is. Reyes is the first to be attacked and he is told there is a massive bounty for the Ghost. Brunt also learns that the plan Reyes is on is filled with assassins looking to collect.
Reyes discovers who the Ghost is but needs the help of Isha, Royce and Garrett to keep them alive and the passengers who have nothing to do with the hit. It all quickly turns when Reyes has a hit out on him! Now the fight begins with 8 hours in the air as Reyes realizes there is much more to the story than he is being told by Brunt, the one person he doesn’t want to trust. There are so many on the plane that the fight is going to get duty but then again, you play stupid games you get stupid prizes!
Hartnett as Reyes is a bit of a drinker who is not happy being trapped in Bangkok which his ex-girlfriend is living the good life in a nice job. When he sees her number show up, it is clear he hasn’t gotten over it in two years. Getting on the plane is his only chance to get some semblance of a life back. Hartnett gets the chance to be a run down, angry CIA agent who would rather be mad at everything. With one phone call it can all change, but that doesn’t mean he still isn’t holding a grudge. I loved watching Hartnett be a bit John Wick but the other end of the spectrum with one liners and serious moments where his behind is handed to him. I can see a franchise forming here and I’m all for it.
Sackhoff as Brunt gets to do what she does best, give the audience a stiff face that doesn’t change expression no matter what the circumstances. Knowing calling Hartnett’s character is less than a last resort, she still does it making promises to get her way. Sackhoff has always been able to be a good/bad/good character actor and I can easily see how this role can grow in a franchise. I hope we get to see that. Kostov as Hunter is an agent who is just so all over the place that it’s hard to keep up – just as his fellow agents. Trying to keep happenings away from the boss, the is mouthy, rude and wants to reach higher in his career no matter what it takes. Kostov gives a character that is easy to not like very much and that’s all I’m saying about that. What a well-played roll.
Chandran as Isha is a stewardess who is just trying to do her job, that is until she realizes that Reyes has a problem. She is a strong character that has no problem helping Reyes once she realizes what they are all up against. Chandran does an awesome of being part of the wild ride and for so many reasons. Ashok as Royce is the twitchy steward that can’t keep his OCD at bay once the chaos begins. I have to say love characters like this that give us comedy in the midst of drama and Ashok gives it full on. O’Donnel as Garret is the gold standard of a steward who believes his job in premium class is everything. Well, that is until mayhem comes to his section of the plane. He made me laugh a lot.
Shout out to Kohli and Baxter as the pilots of the plane who seriously had me giggling a lot!
Extended cast includes Sanjeev Kohli as the Pilot, Declan Baxter as the Co-Pilot, Heather Choo as Monk Heather, Claudia Heinz as Monk Claudia, Marko Zaror as Cayenne, JuJu Chan Szeto as Master Lian, Jyuddah Jaymes as Agent Robinson, Willem van der Vegt as Agent Simmons, Sarah Lam as Mae, Iren Bordan as Mrs. Nazareth, Balint Adorjani as Sky Marshall and Nora Trokan as Cat Eyes.
Vertical is a global independent distributor that offers a unique wealth of experience minus the studio costs. They have won a Film Independent Spirit Award for Best Actress for Molly Shannon’s role in OTHER PEOPLE and the film won a GLAAD Award for Outstanding Film Limited Release, Best International Film for Babak Anvari’s UNDER THE SHADOW, a BAFTA and three Independent British Independent Film Awards as well. For more of what they have to offer please visit www.vert-ent.com.
FIGHT OR FLIGHT is from the producers of JOHN WICK and the fight scenes show that. The storyline, however, is very different. The action doesn’t let up once the flood gates of a bounty are open but it is what is in that mix that brings the level up a notch. Keeping it all basically inside the plane giving fighting in a tight space a whole new look. The characters each put in their own twist on the story and I enjoyed that immensely.
Saying this is an action film seems flimsy because it is an ACTION film with a capital A. It is a pulse pounding, don’t look away, guessing game of where are the problems coming from and who can you trust besides yourself, and runaway fun (if you like chainsaws that is) that calls for a second viewing. That’s the recipe for a great franchise and I’ll be waiting for FIGHT OR FLIGHT: You Aren’t Done Yet sequel!
In the end – don’t forget your boarding pass!
Netflix Brings SURVIVING BLACK HAWK DOWN
Jeri Jacquin
Currently streaming on Netflix, Ridley Scott and director Jack MacInnes is the intense and harrowing story of the men who lived and talk about SURVIVING BLACK HAWK DOWN.
It is October 3, 1993 and Dave Diemer (US Army Ranger) sits in a diner to talk about that time in Somalia. Why? Because he was there. U.S. Special Forces were being sent to Mogadishu, Somalia looking for those rebels who were loyal to their leader Gen. Mohamed Farah Aidid. The day is the Battle of Mogadishu but it is also known to American soldiers as Black Hawk Down.
Randy Ramglia (US Army Ranger) recalls the day that started out relaxing at the military base in Mogadishu. At the beach, soldiers were enjoying the sun until they are gathered up and returned to base to ready themselves for a mission. That mission? To get in, grab their targets and get out. Brad Thomas (US Army Ranger) recalls his life before the military and his visit to a recruiter office seeing a video of the Army Rangers.
After joining, in July of 1993, the men’s training is halted and soldiers are quickly sent off to Somalia. The country is in the midst of a civil war and, then, President Clinton orders help for the poorest in the region. Diemer, Ramglia and Thomas experience their first night on base of hearing mortar rounds and realize the extent of the danger. They also learn that Aidid was responsible for killing the country’s people and Americans at the embassy and it was no longer going to be ignored. Now, they military is targeting officials of Aidid’s regime if not Aidid himself. The ranger unit wasn’t the first to go in, it was the Delta Force team that took the lead.
Tom Satterly (Delta Force) was part of that force and their mission was Aidid. After getting the information they needed, Delta Force and the Rangers board Black Hawks and fly to the target. They were not on the ground long before being fired on. Everyone in Mogadishu knows the United States military is there. Capturing it is Somalian Ahmed “Five” who speaks of how his country changed from a normal, nice life to one of war. He became a war cameraman and documented the devastation.
In 1992, Operation Restore Hope brought Marines and the UN to help the poorest people of Somalia. At first the people seemed happy to see them but as the strict pressure began to happen, the people turned on the Americans. Then a mission, seen from the ground and Ahmed’s camera provide more anger in Mogadishu and it still haunts Ahmed today. It also led to the change in attitude of the people of Somalia.
On October 3rd, the plan was shown of the mission to go after Aidid’s lieutenant. The ground convoy and Black Hawks head out. What the soldiers don’t know is the people on the ground were ready to start firing on them – and they did. During the fire fight, three words are heard – Black Hawk down! It is now a rescue mission for the soldiers and a hunt for the angry Somalians.
Larry Perino (US Army Ranger) is monitoring it all and realize the rescue mission has to happen and the soldiers decide to all meet up at the crash site. The Somali’s are also running to the site to capture and/or kill the soldiers. Chaos ensues as roadblocks are stopping rescuers, the Rangers and Delta Force inch forward. Michael Durant (US Pilot) brings in helicopter support for the troops on the ground. Brad Halling (US Ranger) was suppressing fire for the troops on the ground. In the meantime, the Casualty Convoy is still trying to get back to base. As more helicopters go in to help in the fight, another fateful Black-Hawk-down is heard. Rebels are running to that crash site and the soldiers at the first crash site are trapped.
As morning breaks, the second Black Hawk has survivors, pilot Durant is severely injured and captured. Armored convoys are back at the base but it is a quick turnaround. The soldiers want to get back quickly and help those trying to stay alive. Durant is being interrogated but he too just waits hearing the convoy go by. That same morning, Ahmed starts recording at the crash site and it quickly gets back to the soldiers at the base and they are horrified. Then President Clinton makes it clear that hurting any soldiers will not be tolerated and a deal is struck for the return of Durant.
The soldiers who put their lives on the line are angry. Diemer, Halling, Ramglia and Thomas all have an opinion of it until this very day and honestly, who can blame them.
Netflix is the world's leading streaming entertainment service with over 158 million paid memberships in over 190 countries. Enjoying TV series, documentaries and feature films, Netflix is across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere and on any internet-connected screen. For more information, please visit www.netflix.com.
The episodes include This Is Not New York, A Wall of Lead, and No Way Out.
SURVIVING BLACK HAWK DOWN is an intense documentary about one of the most intense firefights. In 2001, Ridley Scott along with Jerry Bruckheimer brought the story to the big screen with the film BLACK HAWK DOWN. The film was, in itself just an assault on the senses but this series allows the viewers to learn the history of what led up to the day in October. It also allows us to hear from the men who decided to be a part of the US Army Rangers, their mission and even surviving is sometimes a day-to-day struggle with the memories.
The series also delves into the Somalian perspective of their country’s civil war, the hope when the UN arrived and what events occurred that changed how they felt. Each Somalian experienced something as well during the Battle of Mogadishu and as much as hearing what the rebels had to say is difficult, it is important to hear.
These first-hand accounts are unfiltered and are recounted in the strongest of terms and feeling. It is so important to dive deeper into this event because it was not just based on the military going in for no reason. Aidid, like other leaders, used propaganda to create a civilian army and that meant emotions running high, so high that the military could never have expected the rebel firefight that happened. Out of it all, the pain and suffering was and is still plaguing all those who lost something that day – the civil war in Somalia still continues.
In the end - this is the story told by the soldiers who survived it!
Prime Asks for ANOTHER SIMPLE FAVOR
Jeri Jacquin
Currently streaming on Prime Video from director Paul Feig is the return of two women who have a history but not afraid to ask for ANOTHER SIMPLE FAVOR.
It has been five years since Stephanie Smothers (Anna Kendrick) brought down the sly Emily Nelson (Blake Lively). Since then, she has written a book about what happened and is at a book signing when in walks a haute-couture laden Emily. Stephanie is surprised to see her and is informed that her case is on appeal. What does she want you might ask? Well, Emily wants Stephanie to be her maid of honor with upcoming nuptials in Capri. Her intended is Dante Versano (Michele Morrone) a very tall, handsome and mysterious man that Stephanie is suspicious of.
Hopping a private plan to Capri, Stephanie brings Vicky (Alex Newell) along just to make sure that Emily doesn’t decide to take revenge on her. On the trip, Emily tries to convince Stephanie that she has no ulterior motive for wanting her to be there, just that she is someone Emily can trust. Arriving, the first uncomfortable guest they meet is Sean (Henry Golding), as the two women realize that a drunk Sean is a troublesome Sean. The first event is a lunch as Stephanie meets Dantes disapproving mother Portia (Elena Sofia Ricci) who has a surprise of her own for Emily. Her Aunt Linda (Allison Janney) and mother Margaret (Elizabeth Perkins) have arrived and so is the trouble that they can cause.
That’s when things begin to go horribly wrong but, as shocking as that is, Emily and Dante are not about to stop the wedding for anything. That also doesn’t stop more horrible thing from happening and now Stephanie is once again in the middle of it all. Being held, Stephanie knows that its time to kick into true-crime solving mode in order to get herself out of the mess she is in. She believes that her mother might hold the keys to some of the answers and its time to do her best sleuthing before she ends up behind bars.
Being friends with Emily has its moments!
Kendrick as Stephanie is dealing with the low end of success from the book she wrote about the mess with Emily. Everyone has an opinion about what happened and Kendrick’s Stephanie does her very best to live with all the mess. When Emily reenters her life, Stephanie makes it clear that she ‘isn’t as nice” as she used to be. Her wit is sharper and her mistrust is on high alert. That’s what makes watching her this time around so much fun – the fact that she’s onto Emily. Wit for wit, watching Kendrick with the comebacks is like watching a ping-pong tournament, take your eye off the ball once and you might miss the good stuff.
Lively as Emily makes a huge comeback and, as with the five years earlier, does everything big – big entrance, big hates, big presence – and makes it look good. I just love how Lively handles the back and forth with Kendrick and makes it clear to all of us watching that we will never know for sure if she’s serious or not. She is full of mystery and sly fun and I am absolutely here for every bit of it. Casting Lively along side Kendrick was a stroke of genius in 2018 and bringing them back together to do it again with a script that works is brilliant once again.
Morrone as Dante is the mysterious man Emily is marrying and it is clear that they are close. Protecting his lady against ex-husbands and irate mothers, Morrone does a grand job until he doesn’t. Well done. Ricci as Portia is the mother-in-law from hell who is not happy about her son’s marriage and isn’t about to go down without a fight – and she has the weapons to make that happen. I just loved her to pieces because she is a spectacularly dressed crazy mom.
Janney as Aunt Linda is another crazy lady who happens to be in charge of her sister who also falls into the category of a crazy lady. She is sharp and I just love the fact that Janney’s career has brought so many different characters and she has performed each one superbly, if you can’t tell, Janney is one of my favorite actresses. Perkins as Margaret has spent most of her life swimming in a bottle and it is clear that Emily is not happy about either family member being at her wedding. Perkins is funny and full of information.
Golding as Sean returns as a man who has found the bottle as well and being in the same room with both Stephanie and Emily just brings out his own warped humor. He did enjoy the luncheon show so that’s something. I just love that he returned to his role of Sean. Newell as Vicky is just happy to be vacationing in Capri and being ringside to all the insanity of it. She sees another book and her career improving with the madness that happens when Stephanie and Emily get together.
Other cast include Joshua Satine as Miles, Aparna Nancherla as Sona, Kelly McCormack as Stacy, Diletta Jayne as Lulu, Ian Ho as Nicky, Lorenzo de Moor as Matteo Bartolo, Bashir Salahuddin as Detective Summerville and Andrew Rannells as Darren.
Prime Video offers television shows and original content included in its Amazon Prime subscription. Original programs such as CARNIVAL ROW, THE MAN IN THE HIGH CASTLE, and THE MARVELOUS MRS. MAISEL are hit shows. Coming soon is the next series with GOLIATH starring Billy Bob Thornton and it promises to another successful and intense series. For more information, please visit www.amazonprime.com.
ANOTHER SIMPLE FAVOR is a fun, twisted, mysterious, and sharp-witted film that doesn’t have a moment of boredom. I will admit to being hesitant to watch the film as sequels don’t have a wonderful track record but I can honestly say this film is completely outrageous in the best way possible. The story is so well written, the snappy one-liners are going to be used by me no question, the setting is lavishly big like Emily’s personality and full of who-dun-it that Stephanie loves.
This is exactly the type of film you want to sit back with a good glass of wine, a charcuterie board and some pals who are looking for a night of laughs. Expect the unexpected, prepare for jaw drops and figure out the mystery because there is more to the story than meets the eye.
In the end – every friendship has its twists!
THE BLUE ANGELS Documentary is Stunning
Jeri Jacquin
Currently showing at the Fleet Science Center San Diego and selected IMAX theatre locations national wide from producers J.J. Abrams and Glen Powell, directed by Paul Crowder is the story of those who fly the BLUE ANGELS.
The history of the Blue Angels comes from its beginnings as Admiral Chester Nimitz wanted to keep the focus for the public on Navy aviation in 1946. He asked LCDR. Butch Voris, who would become the first Blue Angels Boss, to create a team that would do just that. Admiral Nimitz could never have possibly imagined how far and how high these Blue Angels would have come. This 45-minute documentary follows the elite Flight Demonstration Squadron for a year with immersive footage putting viewers directly into the cockpit!
In El Centro, California, is a base where jets that are recognized around the world are being maintained. It is also the place where pilots and crew prepare for the air shows that have taken audiences to amazing heights. It is the job of the flight leader Capt. Brian Kesselring, Commanding Officer of the Blue Angels, to get it right. Major Frank “Chomps” Zastoupil, Blue Angels #4, is in his final year and believes he has the best seat in the house.
LCDR Monica “Doc” Borza is also in her final year as the flight surgeon and is the ground safety officer. She is in the know of everything that needs to be watched, especially with new pilots on the team. There are decisions she must make as to what she sees and how to address it with the new pilots when they meet on the ground. She makes it her business to be straight forward to give the pilots their greatest chance of success. That includes monitoring Lt. Scott "Jamamy” Goossens who is in his first year as Blue Angel #3.
It is a daily routine of wake up, fly, fly, fly, meet, study, sleep only to wake up and do it all over again. A motivating factor in what they do is with someone like Capt. (Ret.) Greg “Boss” Wooldridge, a former Blue Angel boss who recalls his time as “chasing excellence”. It is in the formations that the Blue Angels continually strive for that excellence. The amazing formations, such, as the Diamond Formation, are practiced time and time again and at such close range that it is jaw-dropping.
The toll of it all is not only mental, but physical as well as LCDR Julius “Whiskers” Bratton, a third year #6 Blue Angel, understands this and Doc Borza speaks about. She explains that they use their entire bodies to control and maneuver the aircraft with intense G-force. These pilots must practice maneuvers for their bodies to know exactly how to react. LCDR Cary “Chewy” Rickoff is in his final year as Blue Angel #5 and is well aware that what they do in the air is dangerous and that is where debriefing comes in.
The film documents one week before the first show of the season and coming together is even more important to work out the details for the pilots to tighten up the maneuvers. They are focusing on their aerial work that the past weeks have taught them. At the briefing, Boss goes over each and every plan in a language that only the pilots could possibly understand.
As the first air show of the season begins, the arrival of those coming to watch begins to enter the air field. Each pilot prepares themselves to blot out what is around them and focus on what their goal is – excellence. In the air is nothing more than what is called “Blue Angel magic!” Now, they must repeat that for the next eight months for 32 cities and 61 shows. Thirty thousand pounds of cargo and personnel make the shows possible as each person is responsible for keeping the show like a well-oiled machine and focused. Each knows that they represent something special as well as representing those who have gone before them. Now, it is time for Kesselring to choose his replacement and the process is set with certain requirements and his choice is Capt. Alex “Scribe” Armatas. There is also a process of who will become the next Blue Angel pilot and they are looking for the best to carry on the traditions and that came with the first female pilot in Lt. Amanda Lee as well as LCDR Thomas “Franz” Zimmerman.
As their season comes to an end and replacements are chosen for the next season in many of the positions in the Blue Angels group, it is also a chance to finish in a memorable way that is nothing short of spectacular.
LCDR Monica “Doc” Borza, who is involved in such a high level with the Blue Angel pilots, has the duty of observing what the pilots are able to handle and being clear not only explain that they have a lot to learn but what those involved are getting themselves into. I have the opportunity to talk with Borza about her time with the Blue Angels. A native of Virginia Beach, Virginia, LCDR Borza grew up in a beach town with Navy fighter jets flying over her childhood home every day. Hand selected in August 2020 to be the Flight Surgeon for the Blue Angels; she is only the fourth female in their history to hold that position.
I had the wonderful opportunity to speak with LCDR Borza of her experience with the Blue Angels:
Good morning, I am so honored to speak with you today. My father was in the Navy for over 32 years and every year when the Blue Angels came, he would pack up the family in the station wagon and off to Mira Mar we went to see the Blue Angels. So, speaking to you today about them is also a part of my own history with them.
That’s wonderful to hear your experience with the Blue Angels. The Mira Mar Airshow every year, that’s a big one and we never miss it.
Seeing what you do, I was so amazed. Here you are in this large group of guys but I noticed that your job, you are everywhere in it. What drew you to be a part of something so iconic?
That is a phenomenal question and I think it is the innate spirit we have as active-duty service members to want to be a part of something bigger than ourselves, giving more than just focusing on your personal life and giving to the greater good, to society and to this nation. I was originally stationed at San Diego at Mira Mar so I know Mira Mar very well when I was a brand-new flight doc and I was with the FMAS 3-14 and they are a single seat squadron, all male at that time, I was one of the first females walking into the Ready Room with very combat-proven fighter pilots. I was very welcomed and it was like I was with them through thick and thin and we were a team. Getting that experience as my first kind of operational tour definitely set me up for success to want to continue to pursue that kind of opportunities and experiences. It was, my pilots that encouraged me to apply to become the Blue Angel Flight Surgeon. They figured I would be good for the job and they really had a big impact on me during my first tour. We are all still in touch and close. The military is amazing because you create lifelong friends that want to keep inspiring you to do something bigger than yourself.
Once you went to El Centro, knowing that the military is a very family-oriented group, how did you have to jump in? All the things you do to have to get these pilots ready, it seems like it is a very quick process so for you to jump right in, how fast did you have to adapt?
That’s a good question; we are all learning how to be a Blue Angel when we get there from day one. The Flight Surgeon on the team, not only are you taking care of their health but you are also a Safety Officer for the demonstration so you are on a headset with all six pilots. You are there, the eyes on the ground for them to keep them safe. I had to know all the different maneuvers, the altitudes, the air speeds, exactly where each jet was supposed to be at all times during that demonstration. I had different cues that I would say and speak up if something was unsafe. That way there is that little extra safety net in case they cannot see something from the ground perspective. That definitely took some training to learn the demonstration and learn the right lingo and learn more about the aircraft. Like the F-18 we were transferring to the F-18 Super Hornet the year I joined so we had a big learning experience all together where I would be out in the desert known as The Shade Tree which many naval Navy and Marine Corps. aviators know that range out in El Centro. I would spend from dawn to dusk watching them and being on a headset with them to let them know the flaps at that angle worked on a maneuver. Sometimes we had to figure it out with the new aircraft to keep them safe and to keep it looking like the Blue Angel magic that we have been showing since 1946. That was definitely a growing opportunity for me.
So, it is almost like you are doing double duty in that you are watching their physical and mental wellbeing because in the film you talk about what these flights do to their bodies. When you are choosing the new pilots and you are putting them through the paces, what are you looking for?
Any aviator that is going to apply to be a Blue Angel, we do a thorough check into their medical history and really take a look to make sure they are healthy and safe to do these high-G, physical demanding maneuvers on a daily basis. It can take a toll on the body and another fun fact is that there is a forty-pound weight on the stick to help keep counter pressure so that the jet has more fine tone movements since we are flying so close together. When we are doing a demonstration, we want fine movements and that is tough. I have never personally held a forty-pound weight for forty-five minutes straight with just one hand in the bicep active position. They definitely have to be able to do that so we go through a strength test actually before they join the time while they are trying out. It is important because that way we know that they are physically capable to be a Blue Angel. Then we go through the centrifuge training and that also is very demanding. Every Naval aviator that has flown in fighter jets, they have gone through the centrifuge before going on to the fleet. When they come to the Blue Angels, they now go through it again but this time without the G-suit. That is a big learning experience for them to learn how to engage the muscles a little more than what they are used to. It is a little bit more than what they are used to because they no longer have that active inflating and deflating suit to help keep them awake while they are flying. It is a process and you will see in the film that the incoming boss didn’t pass the first time he got into the centrifuge. The best of the best still has to work at it, practice, give it their all, fine tune their movements because it is a team effort. He couldn’t have gotten there without the great centrifuge staff that were there to help.
Have you gone through the centrifuge?
Yes, it’s a fun time.
What does that feel like?
It feels like someone is just pulling you down with the heaviest weight you can imagine making you sink into the seat. Once you hit a certain level of G’s, your vision does start to, what we call gray out or tunnel vision where the blood is basically being pulled from your head down to your feet. The blood vessel behind your eyes are smaller than all the other ones in your head, they are the first to lose blood and that’s why the vision is the first to be affected. That’s the first warning sign for pilots and they know that. They know that if their vision starts to be affected that they need to loosen on the reigns of that stick or do your anti-G maneuver with perfect technique. It gives them a little wake up call. When you are in the centrifuge it is demanding but you have great coaches helping you along.
I noticed that as well, you are never alone, there is always someone there talking you through it, and they have back up and they have a backup. Do you think that’s how everyone stays so cohesive, because there is such an extended back up system?
Yes, I whole heartedly believe that we would not be able to do what we do if this was not a team effort. It doesn’t only apply to the team in the blue suits and sharp uniforms, it comes to everyone contributing to our success. From the platforms that we fly, those staff that help us to really make sure we have all the capabilities possible, to the air shows staff, they are wonderful making sure that we are safe and ready to perform in their city when we get there and we don’t have to worry about anything else. We are incredibly successful because of the community and everyone that contributes to our success. It is a massive team effort and more than just the team on the flightline.
I noticed that the closeness of the jet crew on the Fat Albert, to those that pack the plane, everyone seems to focused. It is like ‘this is my job and I do it well’ and it’s handed to the next person and the next.
Yes ma’am, I’m glad you picked up on that because that is our whole goal, our mission, to showcase the pride and professionalism of the United States Navy and Marine Corps. We are just doing what we love to do but its nice to have that as an added bonus.
What is the length of time someone can be with the Blue Angels?
All the positions are orders to go to the Blue Angels but it is also an application process. There is an admin who comes out and says what positions will be hiring that year that way anyone out in the fleet who is capable and qualified can apply. It is about a six-month application process where you get to know the current team, we invite the applicant to come out and see how we operate at an airshow and interact with them. They get a chance to get to know them and get to know us and see what it’s like with that kind of high pace and high demand life style and we get it. After that whole process, when you are called and told you are selected, it is the most incredible feeling in the world. The next day you have orders and you head to Pensacola, Florida and that’s your new duty station. Certain positions on the team there are certain timelines. The pilots are typically two years, there is one pilot chosen to stay three years because we have a narrator that narrates the entire demonstration that is a pilot who then transitions on to the number on the team. They are number seven as a narrator and then goes to six going to solo and ultimately number five who has the most experience flying on the team. So, we rely on the five position a lot to lead us because half the team turns over every year. Support officer wise, it’s typically two years, my tour was two years and enlisted have a little more time on the team with three or possibly four years. We have it set up that way because the pilots, docs and administrators are on the road every week. It is so demanding that two years is perfect.
How does that work with having your own family?
I am very fortunate that my family is located in Virginia and a majority of our shows are on the east coast. They would come out to the air shows on a weekly basis and see our families all come together and enjoy the entire weekend with us. They get to see us in action and it’s a family environment and that’s not something you hear a lot of in the military. It is a really cool thing that the Blue Angels have set up for our families.
I do understand that military downtime of getting together because I did it as a kid with my own family. It was a time to share and it was really important and showed a bit of that in the film as well with their families get togethers.
We do get one day off a week per se during the thick of the air show season. That one day is incredibly special to us with our family and friends. You would think that on your day off you don’t want to see the people you work with but we do. We get together, some of the pilots live right next to each other on the base so we get to be a team even on our days off.
To sum up your experience with the Blue Angels and now seeing the film, how are you feeling?
I am grateful in all honestly. I feel an immense amount of gratitude to my fellow teammates, to the military, to the Navy, to the Marine Corps. and everyone who has put their heart and soul into this team and this mission. It is absolutely spectacular.
What would you say to anyone, after seeing the film, has thought “that’s what I want to do”?
Do it, don’t let anything stop you. I promise you that you will be in that blue suit one day, or that F-18 or F-35, working on that aircraft – just get after it because you can do it.
I think you are all amazing, I think what you do is amazing, it’s more technical than anyone who has been at an airshow would ever have thought. In this film we finally get to see some of what you do.
Yes ma’am, and I’m so happy we get to show that to everyone.
Thank you for your time and your service LCDR Borza!
THE BLUE ANGELS is currently screening at the Fleet Science Center in San Diego, California Science Center in Los Angeles and more. To find a city near you that is playing or will be playing THE BLUE ANGELS in IMAX, please visit www.imax.com/moie/blue-angels.
VIETNAM: The War That Changed America
Jeri Jacquin
Coming to Apple TV+ from director by Rob Coldstream and A 72 Films narrated by Ethan Hawke is an in depth look at the conflict through archival footage and first-person
accounts of VIETNAM: The War That Changed America.
Starting with the Episode One – Boots On The Ground, it is July 1965 and C.W. Bowman is an 18-year-old young man who discovers he’s been drafted to Vietnam. The draft is happening and Malik Edwards and Philip Van Colt are headed to the Marine Corps. Also, 75,000 combat troops are sent to Vietnam as well. Gary Heeter is a young man fresh out of high school in Texas going into the Army and meets Bowman and the two become inseparable. When they arrive in Vietnam, they are greeted by camera crews. Now, it’s a fight with the Communists in North Vietnam and the U.S. ally, the South Vietnamese.
The Battle of Ia Drang begins in November of 1965 and Tony Nadal of the U.S. Air Calvary is commanding the troops and again, camera crews are there. A very young George Forest is there and admittedly scared. The camera catches that fear and the firefight that ensues and, unfortunately, catch death as well. Month go by and now there are 250,000 troops in Vietnam. During a sweep, a battalion discovers a tactic by the North Vietnamese also called Viet Cong – underground bunkers. Bowman and Heeter become tunnel guys, or “tunnel rats”, and they become known for it. This isn’t the only place there are tunnels as Bay Hon and Vo Thi Mo, both Viet Cong, explain that they believe that Americans started the war and did not understand the Vietnamese people. They have one goal – tunnel to Saigon.
In 1967, Operation Junction City has 30,000 U.S. soldiers are sent in to find Viet Cong headquarters. The “tunnel rats” Bowman and Heet are busy but in one moment, that all changes. The soldiers begin to realize that the Viet Cong are not going to stop nor are they typical adversaries. In December 1967, things become more intense One hundred towns and cities are about to experience the unimaginable.
Episode Two – Uprising, U.S. President Lyndon Johnson promises the war will be won. He does not yet know what is coming. In Saigon, Dang Yuan Teo is one of the Viet Cong who are scoping out the city for weak spots. On January 31, 1968 the Vietnamese New Year called Tet, there is supposed to be truce for the day but it is further from that. Paul Healy is with the U.S. Military Police and due to go home. He receives an alarming call that the American Embassy is under attack and cameras are everywhere filming it all. At the same time, dozens of attacks are happening in the streets of Saigon.
Young Vietnamese like Bay Hon and Vu Ming Nyhia are fighting the U.S. and South Vietnamese soldiers for very personal reasons. Although Saigon and surrounding areas are attacked, six hundred miles away in Hue, John Baywell (U.S. Army) is a radio DJ starting a station there. At two in the morning, this sleepy town does not remain sleepy much longer. Alex Wells (USMC) is sent to Hue on the chopper ride in, they are quickly shot at. Capturing it all is female journalist Thea Rosenbaum. She has landed in the middle of a fight that will last 14 days. By February 1968, 23,280 U.S. soldiers have died.
Beginning Episode Three – Not My War, Huan Nguyen, a South Vietnamese civilian speaks about a photo seen world wide and how it pertains to him. When he was nine years old, a horrific event takes place that speaks of the effects the war had on children into adulthood. The U.S. sends in 36 Battalions as a response to Tet and head straight to the Cambodian border and what is to come is one of the biggest battles as the U.S. calls 200,000 more soldiers. In the Mekong Delta, soldiers are sent to tackle the Viet Cong there as Melvin Pender (U.S. Army) is leading his group. Boats are loaded with weaponry and flame throwers to tackle the Viet Cong along the banks and helicopters and gunships aid them.
Le Ly talks about the effects being caught between North Vietnam and American soldiers had on villages that have no part of either side. Edwards recalls his own feelings about what soldiers, especially himself, had to deal with after battles. While Edwards deals with the fighting in Vietnam, the United States is dealing with its own internal struggles. In April 1968, Martin Luther King Jr. is assassinated and the country is in an uproar. Making the situation even more confusing for soldiers is listening to the radio as Hanoi Hanna as she plays her own game of psychological warfare.
Another major attack by the Viet Cong happens in over 190 cities in May of 1968 and making it the deadliest month of the year. In the Mekong Delta, there is finally the discover of the Ho Chi Minh trail explaining how the Viet Cong manage to supply their soldiers. John Stiles (USAF) is sent out to look for bombing targets and through his experience becomes friends with Bob Noble. Getting the Mekong Delta is one thing – hearts and minds are another. The U.S. is dealing with riots as Johnson tries to calm the country. Edwards leaves the Marines and becomes part of the Black Panther movement and Pender is ordered to join the Olympic team but this is all far from over.
Other episodes include Mutiny, Homecoming and The End Game.
Apple TV+ is a video on demand web television that debuted in 2019. Viewable through Apple’s TV app, CEO Tim Cook wanted original content calling it “a great opportunity for us from a creation point of view”. From THE MORNING SHOW to TRYING and THE BANKER and Jason Momoa in SEE, there is plenty of choices for everyone. Plenty of genres? That is exactly what they are bringing to viewers and to see more of what they have to offer please visit www.apple.com/tv/.
This is just a small piece of the six-episodes of this fascinating look at the Vietnam War. I have seen many documentaries on the subject but the insight with VIETNAM: The War That Changed America, the viewer is privy to the stories those who lived it have to tell – from both sides. To hear them speak of their experiences brings about several things, it reinforces what the VA has been trying to tell people for years. Soldiers returning home from that war, to this day, are still struggling, much as soldiers who have returned home from the war in Iraqi and Afghanistan are struggling.
What the first three episodes also gives us is a look at brotherhood, survival, having each other’s backs and reunited again back home to offer the emotional support they deserved all along. The way each of the men speaks about one another is exactly as my father told me when he and my Uncle Red spoke of the war when I was a young girl. Uncle Red did not come home, after my father rarely spoke of the experience again. For me, this was a tender subject matter but one I needed to understand more about and not from a college history book’s perspective. That is what this documentary provides, a first-hand account that needs to be heard.
The 50th Anniversary of the fall of Saigon is approaching and VIETNAM: The War That Changed America is a must see for all who want to know the unvarnished truth through the eyes of those who experienced it.
Next week – review of Episodes 4-6
The Mystery of THE GORGE
Jeri Jacquin
Coming to Apple TV+ from director Scott Derrickson and Skydance comes an intense thriller that will have everyone guessing about THE GORGE.
Levi (Miles Teller) is good at one thing, that is being a sniper. Someone who already knows this is Bartholomew (Sigourney Weaver), who knows his history of being a gun for hire so to speak. She offers Levi a position that will take him away for a year and she can not tell him anything else which is intriguing. Waking up on a helicopter, Levi realizes that he’s about to jump out to an unknown place but is met by J.D. (Sope Dirisu). J.D. gives him the rundown of what is expected of him for the next 365 days.
In a large tower is everything Levi needs to keep an eye on a gorge that is covered in a mist. Across the divide is another tower where he sees Drasa (Anya Taylor-Joy). Day by day they both do the tasks assigned to them. One evening, Drasa sees Levi and decides to send a message which is against the rules on both sides. That one moment is the beginning of their gorge friendship.
That doesn’t mean they avoid the reality of why they have been assigned to their towers. What rises up is intense and determined as both Levi and Drasa do what they do best – shoot. When the unexpected happens, the two snipers discover who and why the gorge is being kept a secret from the world and the part that Bartholomew plays in it all!
Teller as Levi is so stunning in this role as a man who has his own demons but is about to find new ones. Taking on the year-long mission seems to give him time to be away from people and perhaps give him some peace. Instead, he discovers Drasa and what is in the gorge below his feet. Teller is intense and he brings it in full force and still allowing himself to explore emotions he had been avoiding. All the events of the film, Teller flows with the story and plays off Taylor-Joy’s character with finesse and focus. I truly enjoyed his work here.
Taylor-Joy as Drasa is equally as stunning as a woman who is equal to Levi as a sniper. She knows her skills and doesn’t look to anyone, not even Levi, to acknowledge them. Being alone in her tower, it is she who has no problems breaking the rules first and on her own terms. I love the attitude Taylor-Joy gives Drasa throughout the film. She has bursts of emotions but they do not take over when the gorge shows itself. If anything, Drasa gets into focused mode when it comes down to it. So well done!
Weaver as Bartholomew is a woman who is stern and knows exactly what she is doing. Enlisting Levi for the mission, she is watching what is happening. Weaver isn’t a major up front player in the film but man oh man, her characters presence is absolutely there. I’m pretty much a happy person any time I see Weaver on the screen, large or small. One of my favorite actresses and her role here just solidifies her cool choices and range of role choices.
Apple TV+ is a video on demand web television that debuted in 2019. Viewable through Apple’s TV app, CEO Tim Cook wanted original content calling it “a great opportunity for us from a creation point of view”. From THE MORNING SHOW to TRYING and THE BANKER and Jason Momoa in SEE, there is plenty of choices for everyone. Plenty of genres? That is exactly what they are bringing to viewers and to see more of what they have to offer please visit www.apple.com/tv/.
THE GORGE is a fantastic mixture of romance, thrill, suspense, mystery, secrets and action. It is a slow intense burn and I was all for it from beginning to end. The chemistry between Teller and Taylor-Joy is real perfection as they held their characters equally. Both characters are uniquely qualified for their year-long mission and both knew how to handle situations that would probably make me run away as fast as my legs would take me. The film is a tad over two hours but worthy of every second it is on the screen.
Director Derrickson keeps the cast simple but the story large and intense which is to his credit. He allows the audience to watch the two snipers not only deal with what is in the gorge but make their own rules. Each scene brings more and more suspense as Teller and Taylor-Joy uncover the mystery together and take on Sigourney Weaver and I loved it all. Apple TV+ adds a very good film to their amazing line up of films and series so add THE GORGE to your must-see!
In the end – who knows the secret below!
The Intense Story of SEPTEMBER 5
Jeri Jacquin
Currently streaming on Prime from director Tim Fehlbaum and Paramount Pictures comes the true moments of terror on SEPTEMBER 5.
It is Munich, Germany and the 1972 Summer Olympics covered by ABC Sports and Mark Spitz wins his gold in swimming. Marvin Bader (Ben Chaplin) is the head of operations and is overseen by the president of ABC Sports Roone Arledge (Peter Sarsgaard) who knows just how to spin the win. As the crew continues their work, translator Marianne Gebhardt (Leonie Benesch) and Jacques Lesgards (Zinedine Soualmen) hear startling sound coming from the Olympic village.
Back in the control room, Geoffrey Mason (John Magaro) receives a call asking if there is anything going on outside. The look on the faces of Marianne and Jacques when he asks about it, lets him know the answer. A terror attack has taken place as Israeli athletes are taken hostage by a group called Black September and they want Palestinian prisoners released in exchange. Arledge decides to take over the sports spot to bring in live what is happening. It is the creativity of the crew that gets the shots and listens in on what is being planned and conveyed to the public by sports anchor Jim McKay and Peter Jennings.
Negotiations are being handled by the Germany government but it seems as if everything is being handled haphazardly. The police even raid the station demanding that they cut off all feed but it doesn’t stop the crew as everything moves quickly and the world is stopping to watch it all unfold. When the terrorists demand to be flown away with the hostages, Mason sends Marianne to the military airfield with a camera crew to cover the event.
What happens next changes the court of Olympic history forever!
Magaro as Mason is put in a position of keeping the crew focused on bringing the story and making tough decisions. From the beginning of the attack to the end, Margaro’s character has immediately gone from covering sports to an event that changes the world. Taking his ques from Arledge, every moment brings in a new way to get the news out and Mason makes it happen. I was absolutely riveted by Magaro’s performance to the point where I forgot I was watching a film!
Sarsgaard as Arledge also sees the need for the crew already in place to cover the story. He continues to tell everyone that they need to “follow the story” and his push brings so much importance to what they bring together. Sarsgaard’s character is a fighter behind the scenes by refusing to release the story to those on the other side of the world. I loved that fight because, if nothing else, Arledge was right and Sarsgaard is totally believable.
Chaplin as Bader is a man who is unsure of how to handle the coverage of this unusual event. He is cautious and worries how it will be portrayed and the effect of what they are doing. Chaplin gives his character the conscience on the shoulder of the control room and attempts to keep it on the right track. Benesch as Marianna is a young woman who quietly does her work until the moment comes when her voice needs to be heard. She translates for the crew and helps them keep the most up-to-date information available. Benesch is a strong presence and brings her character to the front without pushing her way in. Marianna has something important to contribute and Benesch is stellar.
Other cast includes Georgina Rich as Gladys Deist, Corey Johnson as Hank Hanson, Marcus Rutherford as Carter Jeffrey, Daniel Adeosun as Gary Slaughter, Benjamin Walker as Peter Jennings, and Rony Herman as David Berger.
Paramount Pictures is the longest operating and remaining major studio in Hollywood that has been on the ground floor of every major development in film. From the advent of motion pictures to the emergence of television, through the digital revolution, Paramount Pictures has been there. During our 100-year history, we have served as the production site for thousands of notable movies and television shows. For more please visit www.paramountstudios.com.
SEPTEMBER 5 won Best Editing for Hansjorg Weilbbrich from the Los Angeles Film Critics Association and the Independent Spirit Awards, and AARP Movies for Grownups Award gave Peter Sarsgaard an award for Best Supporting Actor.
First of all, let me say that this film should win whatever is out there for ensemble cast because they are stunning together. There is not a character that pulls focus from the film and that made the film more intriguing to watch. Entirely in unison and in movement, SEPTEMBER 5 wraps us all around the story not allowing for a moment of rest. It is compelling on so many levels of emotional and jaw-dropping moments that compelling seems too small a word.
Using broadcast footage and a control room of the era brings authenticity which, once again, makes the film so believable and is all done to capture our attention. Written to captivate, Moritz Binder, Tim Fehlbaum and Alex Davis have brought a complexity to a story that changed the way we came to see the world and the media to this day.
In the end – the world sees the terror unfold!
BRIDGET JONES: Mad About the Boy on Peacock
Jeri Jacquin
Currently streaming on Peacock from director Michael Morris and Universal Pictures is the next installment on the life of BRIDGET JONES: Mad About the Boy.
Bridget Jones (Rene Zellweger) is finding her life at home with son Billy (Casper Knopf) and daughter Mabel (Mila Jankovic) a challenge without Mark. Oddly, she does still have a friendship with Daniel Cleaver (Hugh Grant) who is still up to his old-dog-no-new-tricks ways but the kid like him. Keeping Bridget in check are her most reliable friends Shazzer (Sally Phillips), Jude (Shirley Henderson) and Tom (James Callis).
Taking the kids to school seems like a chore and meeting the new teacher Mr. Wallaker (Chiwetel Ejiofor) and his whistle is daunting enough. Feeling more insecure than ever about herself, family physician Dr. Rawlings (Emma Thompson) gets a chance to put her two cents in and tells Bridget to basically get over herself and get on with life. Deciding to take a small piece of her advice, she gets back to work as a producer for television after hiring Nanny Chloe (Nico Parker). Happy to have her back are colleagues Miranda (Sarah Solemani) and Una (Celia Imrie).
Getting the kids out of the house, Bridget finds herself up a tree – literally, and being rescue by the young and handsome Roxster (Leo Woodall). A giddiness takes over Bridget and so does a summer months fling that everyone finds out about in the usual “Bridget” way. Returning to school, Mr. Wallaker senses that something is wrong with Billy and Bridget is back to trying to understand her life. It takes an outing for her to realize that she needs to rethink choices, understand her children and let go!
It is amazing how life changes when you make a few small changes.
Zellweger is back as Bridget Jones and it doesn’t feel like she missed a beat. A little older and a tad wiser, she still is a bumbling mess trying to feel her way around life. That is part of the Jones charm, a lot of the complexities most of us keep on the inside, Bridget Jones has no filter showing hers on the outside. Still charming in the midst of her crisis’s, still a strong in her friendships (even with Daniel) and when push comes to shove – she figures it out in her own unique way. Zellweger does all of that and more bringing out beloved Bridget to the screen because we love her – just as she is.
Grant as Daniel is also up to his old tricks, even with Bridget, but seems to have embraced the role of uncle to her children. A slight jaw-drop in the way he does it but the kids love him for it and the adults just roll their eyes and then laugh. I’m so glad he came back to see Daniels story through. Woodall as Roxster is a young man who has a fancy for the ‘slightly’ older Bridget. He is fun, charming and easy on the eyes, just ask all Bridget’s friends! He shows up at a time when Bridget seems to be more open about moving on in that part of her life and Roxster is happy to oblige.
Ejiofor as Mr. Wallaker is a stern and whistle-strict teacher who can’t seem to get out of his own way. He says what he means and it isn’t always well received. Going toe-to-toe with Bridget isn’t an easy task either but Ejiofor manages to do quite well. His role feels like a bit of a LOVE ACTUALLY feel and I don’t mind that one bit. Knopf as Billy is a young boy who is very much like his father and doesn’t always understand his mom. Knopf’s performance is so sweet. Jankovic as Mabel is like mom in her thinking process about things. This is one adorable little girl who knows how to use a pot and spoon.
Phillips, Henderson and Callis just had my heart as Bridget’s friends return to support her in their own unique white wine guzzling way. They love her, support her and want what’s best in her life and have been there for, let’s just say, 25+ years. We should all be so lucky to have friends like that.
Now, for the elephant in the room – Firth as Mark. I’m absolutely going to start tearing up here because I am a Firth-fan from way back. When I learned in 2001 that he would be playing Mark Darcy in BRIDGET JONES DIARY, I basically shouted to the rafters. Not only is he the films Mark Darcy, but the Mr. Darcy of my heart in the 1995 BBC series Pride & Prejudice. Here, he makes his role plain in the story and I’m leaving it at that but have tissue at the ready.
Other cast include Isla Fisher as Rebecca, Neil Pearson as Richard, Ian Midlane as Paul, Jane Fowler as Henrietta, James Rawlings as Huge, Ruth Gibson as Jane, Claire Skinner as Magda, Mark Lingwood as Cosmo, Dolly Wells as Woney. Cameos include Gemma Jones as Mom Pamela, Jim Broadbent as Dad Colin and Colin Firth as Mark Darcy.
The film is based on the book by Helen Fielding Bridget Jones: Mad About the Boy and also wrote the screenplay with Dan Mazer and Abi Morgan.
Peacock, is an American subscription streaming service owned and operated by Comcast through its entertainment division NBCUniversal. Universal Pictures has just added an amazing film to their library and making it available for us to all experience and re-experience in our own home theaters. There are films of every genre available from scary to drama to family films. For more of what they have to offer please visit www.uphe.com.
BRIDGET JONES: Mad About the Boy had me a little wary I don’t mind saying. It is extremely hard to get the band back together time and time again and the last time was in 2016 with BRIDGET JONES’S BABY. That being said, it works and man does it take a toll emotionally with scene after scene reminding us how it all started. There is no reinventing the wheel here but instead, soft reminders of why the film was a success in the first place.
Bridget Jones reminds us of the craziness of this life and when you wade through all of the mess – there we find those who support, cheer and love every messy moment right alongside us. Is there really anything more wonderful than that?
In the end – she’s starting a new chapter!
Do They Know Each Other from BEFORE?
Jeri Jacquin
Coming to Apple TV+, director Adam Bernstein and creator Sarah Thorp is a story of loss in a thriller that will keep you guessing till the very shocking end with BEFORE.
Eli (Billy Crystal) is a child psychologist who is dealing with the loss of his wife Lynn (Judith Light). One morning at his front door, a young boy named Noah (Jacobi Jupe) appears and tries to discover where he is from as the boy leaves. After his therapy appointment, Eli begins to question whether he will ever be able to help kids as he once did. When friend Gail (Sakina Jaffrey) asks him to take on a case of a troubled boy, Eli does so begrudgingly.
Later that night, the boy at the door is now the boy at his bedside. Following him home, he meets Denise (Rosie Perez), Noah’s foster mother who cares so much for the boy. He also learns that the boy has stopped talking and Denise does not know why. Eli visits his friend Jackson (Robert Townsend) to try and make sense of what is happening but isn’t thrilled with the answers. Arriving to meet Gail, Eli is stunned to learn that her client is none other than Noah!
Learning that if Eli doesn’t attempt to reach the boy, Noah will go to a state facility. During their session, things begin to happen that Eli cannot explain. Now Eli is even more intrigued with what could possibly be driving the boy and he is not going to stop until he has looked at every aspect of Noah’s life. The clues are there and they are frightening!
Crystal as Eli plays a man who needs to come to terms with the death of his wife but only in a way that he can accept. When Noah shows up in his life, everything turns upside down but he can not stay away from what is happening to him. Becoming involved means he does not have to deal with his own pain and the dreams that haunt him. Crystal is really quite thrilling in this role and to see him take this character to places that can be quite frightening is everything. This fine comedic actor is allowed moments of a chuckle or two and even pieces of sarcasm but when things become intense, Crystal goes deeper than I’ve ever seen him go before.
Jupe as Noah is a very young actor who has taken on a very big and powerful role. As the frightened Noah, Jupe gives the audience a look inside what is going through this young boy’s mind. Jupe’s performance is absolutely stellar and as each episode progresses, he continues to provide the audience a chance to follow him and I was hooked immediately. Yes, he is an adorable kid but he is also a young actor who is showing the audience what he can do given a role such as this. Absolutely well done!
Perez as Denise is a woman who wants to give so much love to the young Noah. Having things go sideways for no reason, in her eyes, is a combination of frustration and total worry for her ward. She provides the audience with a safe link between Eli and Noah with her love for the child and the realization that only Eli seems to be able to reach him. Such a strong performance and a memorable one as well. Jaffrey as Gail believes that Eli is the only person who can help Eli but there comes a point when all becomes muddled. Following the case, she begins to see Eli as part of the problem rather than the solution.
Shout out to Townsend as Jackson is a sounding board for Eli but he is not listening to his friend. Perhaps he should as there might be some truth in what he is saying.
The cast that will expand as the series runs includes Rebecca Ruane as Sophie, Maria Dizzia as Barbara, Will Hochman as Benjamin Walker, Jorie Rosen as Nikki, Miriam Shor as Sue Ann, David Mattle as Alex, Christina Renee as Nurse Jo and Ava Lalezarzadeh as Cleo.
AppleTV+ is a video on demand web television that debuted in 2019 viewable through the Apple TV app. CEO Tim Cook wanted original content calling it “a great opportunity for us from a creation point of view”. From THE MORNING SHOW to TRYING and THE BANKER and Jason Momoa in SEE, there is plenty of choices for everyone. Plenty of genres? That is exactly what they are bringing to viewers and to see more of what they have to offer please visit www.apple.com/tv/.
The 10-episode series includes The Imposter, the Scientist, The Liar, Symbols and Signs, Folie a Deux, Fever Dream, The Power of Belief, When We Dead Awaken, And the Darkness Was Called Night and Before.
Hailing from Paramount Television Studios, the limited series is created by Sarah Thorp. Thorp serves as showrunner, writer and executive producer. Crystal executive produces alongside Academy Award winner Eric Roth, pilot director Adam Bernstein and producing director Jet Wilkinson.
BEFORE is a series that needs to be followed from start to the last episode. I am a huge fan of original pieces and this is one of them. The characters of Eli and Noah are complex with strings leading in every twisted direction. Crystal and Jupe are just amazing and as their story unfolds, the characters go deeper and deeper into a story that connects them together – but how?
Being a fan of thrillers with huge twists, BEFORE gives just that. Each episode is a piece of a larger puzzle and telling it means we have to be patient weekly and get a large bowl of popcorn ready because this…is going to get good.
In the end – the connection is real!
