The True Story of MY PENGUIN FRIEND
Jeri Jacquin
Coming to Digital this week from director David Schurmann and Lionsgate is the unbelievable story of an unlikely friendship of MY PENGUIN FRIEND.
On the shores of Brazil lives Joao (Jean Reno), a fisherman and his wife Maria (Adriana Barraza) live a quiet life after a tragedy. Joao has spent his years avoiding the villagers and staying to himself. One morning, as he is launching his boat to fish, he sees something floating in the water. Rushing out to the object, he discovers it is a penguin covered in oil.
Rushing the penguin to his home, he spends time feeding him fish and cleaning the oil off of his feathers. When Maria arrives home, she discovers oil everywhere in her house and a penguin in the bathroom! Seeing that it means something to Joao, she watches her husband continue to spend time bathing and feeding the penguin.
Weeks pass and the penguin becomes stronger and takes to wandering the village and back to Joao and Maria’s home. When the time comes for the penguin to go back into his watery world, the young Lucia (Duda Galvao) sees the penguin in Joao’s boat. Discovering he has no name, she offers up the name Dindim and it sticks, but Dindim staying away from Joao doesn’t.
When the season changes, Dindim returns to his nest miles and miles away. Also, there are biologists studying penguins and notice that Dindim is very different than the other penguins on the beach. When the tuxedo wearing penguin returns to Joao’s, the village is thrilled and it only takes one clip going viral to change everything.
Reno as Joao is so charming in this role, especially since most of the time he spends closed off to the people of his village. It takes a little penguin for him to remember what it is to love and care for someone other than himself. Throughout the film, Reno gives his character heart and a deep well of a soul and his portrayal of this man comes through beautifully.
Barraza as Maria isn’t thrilled to have a penguin in her home but seeing how her husband seems to be opening up makes it all worth it. Barraza gives her character warmth and a sense of herself and the village she lives in. I loved that about her and the scene where she and Reno are waiting for Dindim is just so lovely and loving.
Other cast include Rochi Hernandez as Stephanie, Nicolas Francella as Carlos, Alexia Moyano as Adriana, Ravel Cabral as Paulo, Wilson Rabelo as Marcos Mauricio Xavier as Oscar, Juan Jose Garnica as Miguel, Juan Queiroz as Pedro, Roberto Borenstein as Luis and Thalma de Freitas as Calista.
Lionsgate is a global leader in motion picture production and distribution for theatres, television, home entertainment and more. Theatre franchises include THE HUNGER GAMES, and DIVERGENT along with JOHN WICK. Now, adding this film to its 16,000-motion picture and television titles you can see everything coming soon as well as available now at http://www.lionsgate.com.
MY PENGUIN FRIEND was shot on the beaches of Brazil as Patagonia is home to nearly a million penguins. I personally wouldn’t mind spending the day sitting on the beach surrounded by penguins but this is the next best thing. Telling this story of a penguin who travels stunning lengths to be with his friend is not only fantastic but will melt your heart.
The story is one of a unique friendship based on nothing more than two beings caring about one another for love, affection and understanding. Joao learns so much from his little friend and the acceptance of his comings and goings is what we should all strive for in friendship and letting the creatures of the earth live and let live.
I watched the film with my nine-year-old granddaughter who not only fell in love with Dindim but was thrilled at certain aspects (no spoilers here folks) of this unique penguin. Sharing it with her lets me know that MY PENGUINE FRIEND is truly a family film and an experience that can be talked about long after the film has ended.
In the end – this is an extraordinary friendship!
BEETLEJUICE BEETLEJUICE
Jeri Jacquin
Coming to theatres this Friday is the long awaited and much anticipated film from director Tim Burton and Warner Bros. Pictures is the return of BEETLEJUICE BEETLEJUICE.
Divorced Lydia Deetz (Winona Ryder) is now making her living by hosting a talk show about the supernatural called Ghost House. Boyfriend Rory (Justin Theroux) is helping Lydia by being the producer of the show. During the latest taping, Lydia thinks she sees someone frighteningly familiar! Right after, she receives word from Delia (Catherine O’Hara) that dad Charles has passed. Driving back to Winter River, Lydia and Delia pick up daughter Astrid (Jenna Ortega) from school.
Not happy about Rory’s timing to propose to her mom, an already moody Astrid runs off only to meet young Jeremy (Arthur Conti) in a treehouse! Wanting to come back to life, he tells Lydia he can help see her dad who disappeared in the Amazon. When things go horribly wrong, Lydia has no choice but to say those three words bringing back the one person who has conditions to everything before agreeing to help. Beetlejuice (Michael Keaton) says yes to help find Astrid but wants a few things from Lydia, all while avoiding ex-wife Delores (Monica Bellucci).
The twists and turns are insane as Lydia deals Jeremy, Delia deals with Rory, Astrid deals with everybody and Beetlejuice, well, he is going to do things his own way!
Keaton as Beetlejuice jumps into his role but seems a bit more sensitive this time. He doesn’t seem as vindictive but still has his motives for everything he does. The introduction of his ex-wife gives Beetlejuice a bit more vulnerability. That being said, Keaton is and will always be Beetlejuice who everybody loves so much. There is nothing about him playing this character that just isn’t amazing.
Ryder as Lydia shows a more grown up and now a mother herself. In the first film she was not afraid of anything and made it clear she was ‘strange and unusual’. The adult Lydia is a bit more passive but picks up the character of Lydia with ease. Ortega as Astrid fit the role perfectly but it seems that it’s her thing to play the strong-willed outcast who is angry at everything. It’s easy to see her playing this role as she already stunned in the role of Wenesday Adams. Both characters are dark so it makes sense.
O’Hara as Delia is still wacky in her own unique way. She is still and artist doing her own abstract pieces but takes the role of grandparent very seriously. Theroux as Rory is so weird and it is interesting to see him in this role. Think of the hippie in WONDERLUST and add darkness and you have Rory. Conti as Jeremy feels like the most interesting introduction to the film. He does an excellent job in taking us on the ride of his story in the film.
Other cast include Burn Gorman as Father Damien, Danny DeVito as Janitor, Filipe Cates as Vlad, Santiago Cabrera as Richard and Willem Dafoe as Wolf Jackson.
BEETLEJUICE BEETLEJUICE is a film that fans have been waiting for since 1988. I won’t do the math because it will age me (as if I need any help with that). I remember taking my kids to see the film when the original came out and then we saw it again, and again, then bought the VHS (no laughing) then DVD’s and Bluray wearing all of them out watching the film. So, when I say the new film couldn’t have come at a better time, I mean it! Trust me also that I have not even talked about 3/4ths of what goes on in this film because I do not want to spoil it for anyone. Just know the excitement is real!
It is such a fun story staying true to its creepy, funny, family film roots. I can honestly say we are going to go back to the theatre to see it again. Part of the fun was the anticipation of seeing the film and dressing up accordingly. It is almost a moral imperative that one dresses up to see it. BEETLEJUICE has become so iconic and recognizable that you can be sure a lot of someone’s dress up like the character for Halloween.
Burton made sure that the film felt nostalgic with creatures from the original and meshing with a few cameos. On how he saw the new film, Burton says, “I tried to treat this movie like the spirit of the first movie where we had a script, but there was a lot of improve that went on. I waited so long because nothing ever clicked and I know it couldn’t have happened until now. For me, this became a very personal movie, like a kind of weird family movie about a weird family and it could only have happened for me after all this time”.
Oh, I’m sure I could nitpick about things here and there with the film but I won’t. Why? Because BEETLEJUICE BEETLEJUICE is why a lot of us go to the movies. This is total entertainment that doesn’t ask anything else other than to be entertained, laugh, remember and embrace a character that is totally outrageous (and has seeped his way into our hearts permanently). Burton, Keaton, O’Hara and Ryder did that all those years ago and once again they remind us that it is okay to be ‘strange and unusual’ because there are more of us than the world cares to admit.
So put on your best Beetlejuice duds and gather up the gang to go have an absolutely blast at the theatre this weekend and remember – you have to say it three times with feeling!
In the end – he is the ghost with the most babe!
The World Seen Through LEE
Jeri Jacquin
Coming to theatres from director Ellen Kuras, Vertical and Roadside Attractions is a look at a lifetime in pictures through the eyes of LEE.
Antony (Josh O’Connor) sits down with famed Lee Miller (Kate Winslet) who spent her life from American modeling to photography. While on an outing with friends in England, she meets Roland Penrose (Alexander Skarsgard) and they find a life together in London. As World War II is all around them, Lee is looking for a job and reaches out to British Vogue’s editor Audrey Withers (Andrea Riseborough). Using her talent as a photographer, she becomes a correspondent to the publication.
She becomes friends with David Scherman (Andy Samberg) who is a Life magazine photographer. Her initial photographs are of women who are helping in the war effort but she wants to be on the front lines. The problem is women aren’t allowed but Lee is not about to back down from her goal. Being American, she imbeds with a troop and begins documenting everything she sees. It is harsh and the realities are caught on film. Being away from Roland is difficult, but she feels a responsibility to photograph and tell what is happening.
Lee, along with David, find themselves photographing France and later come upon a very long train. As the soldiers begin to open them one by one, Lee is struck by the horror of what they find inside and is even more determined to expose the camps of their Jewish victims. Capturing it, she is furious to discover that British Vogue has not acknowledged the realities of war and its impact on humanity as well as Lee herself.
It may have taken time, but the world would still see the world through her eyes!
Winslet as Lee is absolutely spectacular, stunning and beautiful all at the same time. Portraying Lee as a woman struggling to find her place, her photographs are a new life and a way to help earn. As the war becomes more intense, Lee wants to capture what is actually happening and not sugar coat it. The only way for that to happen is finding a way to the front of the war and Winslet’s performance of her reaction to everything her character experiences hurts the heart and squeezes the soul. A stellar piece of filmmaking with an actress who does it complete justice.
Riseborough as Withers is a woman trying to keep British Vogue up and running but also sees that what Lee brings to the table is equally important. Fighting to make sure her photographs and stories get into print; it is a struggle. I absolutely love Riseborough’s vast choice of characters she plays and, in this film, she once again has made a very good choice.
Samberg as David has the same reaction to what he sees as Lee does. This is a different role for the usual character actor and he gives this every bit of feeling and heartbreak. Samberg is impeccable and also understands what Lee is trying to do pushing him further as well. Skarsgard as Roland is captivated with Lee from the moment they meet, even though it was slightly heated. He does come to understand her and, in his own way, support her decision to follow the war.
Shout out to O’Connor as Antony for his portrayal and surprise at the end. Following O’Connor’s career over the years, he just gets more amazing with every film he does. Also, Cotillard as Solange d’Ayen, Lee’s friend who must go into hiding in Parish to survive.
Other cast include Patrick Mille as Jean D’Ayen, Vincent Colombe as Paul Eluard, Arinze Kene as Major Jonesy, Samuel Barnett as Cecil Beaton, Zita Hanrot as Ady Fidelin, James Murray as Colonel Spencer, Enrique Arce as Pablo Picasso, Riley Neldam as Kurt, Noemie Merlant as Nusch Eluard and Marion Cotillard as Solange d’Ayen.
Roadside Attractions has, since 2003, grossed over $300M and garnered nineteen Academy Award nominations. They have had critical and commercial hits such as MANCHESTER BY THE SEA, BEN IS BACK, BEATRIZ AT DINNER, HELLO MY NAME IS DORIS, WINTER’S BONE and THE COVER as well as so many others. For more information of what Roadside Attractions has to offer please visit www.roadsideattractions.com.
Vertical Entertainment is a global independent distributor that offers a unique wealth of experience minus the studio costs. They have won a Film Independent Spirit Award for Best Actress for Molly Shannon’s role in OTHER PEOPLE and the film won a GLAAD Award for Outstanding Film Limited Release, Best International Film for Babak Anvari’s UNDER THE SHADOW, a BAFTA and three Independent British Independent Film Awards as well. For more go to www.vert-ent.com.
LEE is a remarkable film written by Liz Hannah, Marion Hume, and John Collee. Winslet portrays Lee as a woman who struggles to find her place and once she realizes that photography is her career, she leans into it whole heartedly and with a grit that no one expected. It is a very emotional time in history and there is something in Lee that knows it must be documented, talked about and photographed.
Her life is filled with grit, and a mental toughness that would have been needed to see the things Lee did. It wasn’t so much about breaking the mold, it was her intensity in understanding the world around her that makes this film so intense. Those she surrounded herself with might not have understood her mindset, but they did not try to stop her from the drive that almost consumed her.
The cinematography is so compelling and captures the feeling in such a way that holding your breath is going to happen. Add to that performances that do Lee Miller’s life justice is everything. If you didn’t know her before, you certainly will remember her name now.
In the end – her camera captured the truth!
They are Living with SUBSERVIENCE
Jeri Jacquin
Coming to EST and TVOD from director S.K. Dale and Vertigo Releasing is a look at life when the world becomes quicky automated with SUBSERVIENCE.
Nick (Michele Morrone) is a hard-working man in construction along with wife Maggie (Madeline Zima) and daughter Isla (Matilda Firth) and young son. When Maggie is taken ill, Nick knows he needs help and turns to purchasing a domestic SIM. Isla names her Alice (Megan Fox) and she immediately begins to take care of the house, cooking and helping with the children. Nick is impressed that so much pressure is taken off his hands and tells Maggie about it as they wait for her surgery.
Unfortunately, Nick soon learns that his construction job is about to be taken over by more SIMS, or “sparks” as others call them. Now his friends, Monty (Andrew Whipp), Donna (Manal El-Feitury and Lewis (Atanas Srebrev) are out of jobs and he doesn’t know how to handle that. At home, Alice tries to talk with him in a way that is comforting as she tries to understand human beings.
As the days go by, Alice ingratiates herself more and more into Nick life as Maggie returns home. Trying to pick up where she left off, it is difficult but Alice steps in. Almost overnight, Alice begins to change and what should have been a helper in the home is about to become the most dangerous SIM imaginable!
Morrone as Nick is a man that is in the middle of life’s messes. Trying to keep his job going to support his family, dealing with an ill wife and taking care of two children feels like an impossible task. Adding a beautiful SIM seems like his only answer but perhaps he should have stayed away from the ‘beautiful’ part. Morrone gives us a man dealing with a complex life and another log has been thrown on the fire. Well done performance.
Zima as Maggie in an ill woman who needs an operation as the clock ticks away. Wanting to be home with her family, when she does get to be home it seems things have changed in a way that makes her feel unwelcomed a bit. Zima takes on the role of the ‘other’ woman with the actual other woman not being a woman. Confused yet? It will be clear once you see Zima go!
Firth as Isla is a smart girl and she is excited to have Alice in the house. Understanding she’s just a young girl, the complications fly right over her head until she comes face to face with it all. Well done young lady! Whipp as Monty is aggravated that SIMS are taking over everything which means human beings are losing their jobs and a piece of their lives. Anger makes a person do strange things.
Shout out to Fox as Alice in her simple dress and shoes, straight hair, makeup and straight emotionless face. Playing a SIM can be a stretch because there shouldn’t be a lot of emotion from a SIM. Fox takes it a step further and plays the role with emotional emotionlessness or at least attempting it and still with a straight face and ulterior motives. Discovering that attempting to be human comes with a price, Alice is absolutely willing to pay it. Nicely done Ms. Fox!
Other cast include Antoni Davidov as Travis, JR Esposito as Kobol Supervisor, Ronak Patani as Clerk, Trevor Van Uden as Bartender, Kate Nicholas as Lyla, Kexin Wang as John, Max Kraus as Construction SIM and Ayden Howlett as Mason.
Vertigo Releasing is a leading independent Film Distribution Company in the UK, Ireland and other international territories. They have a reputation for crafting strong and exciting campaigns and have a unique instinct for creative and innovative release strategies. Theatrical releases have grossed over $100 million at the UK box office and have won multiple awards. Working with such incredible talent including Philip Barantini with BOILING POINT, director Babak Anvari UNDER THE SHADOW, Gareth Edwards with MONSTERS, Nicolas Winding Refn with BRONSON, Thomas Napper with JAWBONE and Taika Waititi with HUNT FOR THE WILDERPEOPLE you can see more of what they have to offer at www.vertigoreleasing.com.
The film did sort of remind me of the 2015 television series HUMANS with Gemma Chan playing Nita and that’s not necessarily a bad thing because I loved that show, with a twisted touch of THE HAND THAT ROCKS THE CRADLE. SUBSERVIENCE is more of the darker side of SIMS and what happens when one goes ‘emotionally’ rogue. Fox gives a straight forward fright from beginning to end and the absolute chaos the family endures.
SUBSERVIENCE focuses on the family mainly with not much coming from the outside except for friend Monty. It is Nick’s roller coast of where his life is and the mistake of letting a total SIM stranger into the family dynamic. This is a fun/fright film for sure. Director S.K. Dale doesn’t try anything new here but instead takes a really good story, casts it well and lets us go on the AI ride none of us actually, really want to be on! Hang on to your sim cards!
In the end – don’t turn her on!
Remember to SPEAK NO EVIL
Jeri Jacquin
In theatres today from writer/director James Watkins and Universal Pictures is a tale of strangers and terror in SPEAK NO EVIL.
Louise (Mackenzie Davis) and Ben (Scoot McNairy) along with daughter Agnes (Alix West Lefler) are on holiday in Italy. While there, they meet Paddy (James McAvoy), wife Ciara (Aisling Franciosi) and son Ant (Dan Hough) and they all hit it off immediately. When the family returns to London, they receive a postcard from Paddy inviting them to come spend a holiday with them at their farmhouse.
Thinking they need a change of scenery and helping Agnes with her issues, they gather up and take the long drive out. Almost immediately, Louise feels as if something is off with Paddy and Ciara’s behavior toward their invited guests. Told that Ant was born with a condition that doesn’t allow him to speak properly, Agnes does enjoy his company. Paddy invites Ben and Louise to a special dinner near the shore cooked especially for them. The evening goes smoothly until Louise feels that Paddy is being passive-aggressive towards her.
Ben does nothing which Louise later addresses but it is more unnerving later in the evening causing her to let Ben know that they are leaving right away. Quietly making their way out, their drive down the road is halted because of Agnes anxiety forcing them to return to Paddy’s home. After a bunch of apologies, Louise, Ben and Agnes stay for a while longer. That extended time allows Ant to explain why his father and mother behave the way they do.
Now it is all about survival.
McAvoy as Paddy is absolutely, positively and stunningly terrifying from beginning to end. The way he speaks is charming until it’s not and gawd help you when it’s not. There is something about McAvoy playing a total psychopath that is just fantastic to watch. Most of us know he has that capability if you think of his 2016 performance in the film SPLIT. In this film he gets the stunning opportunity to remind us that Paddy is not to be played with and absolutely fears no one or nothing. He is powerful in every sphere and there is one line in the film that sums up the character of Paddy, but unfortunately, I can’t tell you because it has to be seen to be believed.
McNairy as Ben just drove me insane. The character of Ben is weak, has no mind of his own, is easily persuaded and, to be honest, has no spine what so ever. Of course, someone like Paddy is going to spot all that a mile away and have fun with it. If the role called for all of this, then McNairy nails it. Davis as Louise has an outspoken character but is also weak. I thought, ‘oh good, she’s going to be at least on the side of her family” and then she failed and failed miserably. I give Davis points for recognizing danger but she loses points for being a sucker.
Franciosi as Ciara seems a kind person, but that wall of kindness starts to show cracks until there is nothing that can stop it. She has a story to tell but it does not change who she has become and is loyal to Paddy. Franciosi is charming till the end. Lefler as Agnes has her own issues which is probably why she is so warm with Ant. The character obviously inherited the inability to realize danger until its too late but hey, like daughter like parents. Hough as Ant is the winner here and you will definetly understand why by the films end.
Other cast include Kris Hichen as Mike and Motaz Mulhees as Muhjid.
Universal Pictures has just added an amazing film to their library and making it available for us to all experience in theaters. There are films of every genre available from scary to drama to family films. For more of what they have to offer please visit www.uphe.com.
Blumhouse Productions is known for producing horror films such as PARANORMAL ACTIVITY, INSIDIOUS, SINISTER, THE PURGE, THE GIFT, GET OUT, HAPPY DEATH DAY and SPLIT. The films from Blumhouse have become instant classics and they continue to give us something to scream about! See more at www.blumhouse.com.
Okay, this is going to get messy so here it goes. This film had me at the highest level of pissivity and frustration. I don’t know if that was director Watkins intention but both my daughter and myself were basically shouting at the screen (it was easy since we were two out of the four people there and they were hollering as well). I believe the ‘wtf’s were flying out our mouths every five minutes. In between that was the ‘oh my gawd’s and ‘you have got to be **** kidding me right now!’.
My problem is I have a hard time with characters that seem to be moving about without a brain and kids who are just being ridiculous. I had to bury that emotion and get past them but, as my daughter kept reminding me, “the characters aren’t real Mom”. Good thing or the film would have only lasted ten minutes!
Without spoiling anything, let me just say that McAvoy and Hough had us at hello and the ride was intense, thrilling, and worthy of shouting at the screen. By the end of the film, we were just absolutely exhausted from the roller coaster ride. That didn’t stop us from talking about it for about another hour and a half. This is a thriller of a very visceral reactive kind for sure so go with it. This is a remake of the 2022 Danish film SPEAK NO EVIL and I’m going to give that a look-see as well!
In the end – beware of strangers!
The Origins of TRANSFORMER ONE
Jeri Jacquin
Coming to theatres from director Josh Cooley, Hasbro Entertainment and Paramount Pictures is the story of how it all began with TRANSFORMER ONE.
Orion Pax (voiced by Chris Hemsworth) works the Energon mines in Iacon City with buddy D-16 (Brian Tyree Henry) on their home planet of Cybertron. Pax believes there is so much more to them than just working day after day digging up the mineral to keep their planet going. The leader of the Autobots is Sentinel Prime (Jon Hamm) who constantly motivates the beings to keep mining. Pax gets the idea to be a part of a race and enlists D-16 and that gets attention of the other miners as well as Sentinel.
Thinking they would be celebrating their accomplishment; they are thrown in the deepest level of the planet where they meet B-127 (Keegan-Michael Key). Thrilled that he finally has company after being alone for so long, Pax and D realize he probably would know a way out.
Finding an escape up to the surface, Pax, D and B run into Alita (Scarlett Johansson) who wants to report them for getting away. That is until Pax shows her information that he believes leads to finding the Matrix of Leadership. Instead, what they discover what happened to the Prime’s and awaken Alpha Trion (Laurence Fishburne). Trion tell the group the truth about what has happened on Cybertron and D is outraged. Before they can get back to Sentinel, they meet Starscream (Steve Buscemi) who also wants Sentinel taken care of.
That party is crashed when D and B are taken to Sentinel, now Pax and Alita must find a way to get to their friends. D-16 is can not contain his anger and Pax wants to put a cog in every autoboot so they can find their own potential and Sentinel wants to destroy them both. Who will succeed?
Hemsworth voices Orion Pax giving the character a very ‘animated’ and personably transformer who is curious about everything. Pax wants something more and, as we all know, be careful what you wish for. Each step he takes brings him closer to the secrets being kept from them all and Hemsworth’s voice takes us on that ride. Henry as D-16 knows he shouldn’t follow Pax on his mad plans but does so because that’s what a good friend does. When he learns along with Pax what has been taken from the Autobots, a change comes over him in a way that no one could have imagined. Henry gives us good friend vocal vibes – until he doesn’t. Nicely done.
Johansson as Alita believes in doing everything by the book and doing it right. Leading her group, it is in hopes that a promotion is in her future. A strong female Autobot who is a tad hardheaded is just what the group needs to stay focused. Key as B gives us a very good reason to understand why he eventually goes silent. A talkative (sometimes babbling) Autobot is not good for any sentient beings’ ears! He is funny at times though so he gets that.
Hamm as Sentinel is both funny and scary at the same time. During his moments of humor, it is easy to see how the Autobots would believe what he has to say, although personally I’d question that gaslighting voice from jump. Hamm does sound like he is having a great time. Buscemi as Starscream is just on it. Personally, I’m a huge Buscemi fan from way back and to hear his voice of an angry Autobot just brought a smile to my face because he can be charming and then twist the knife, although I think angry Autobots would rather just use their cool weaponry to handle it.
Fishburne voicing Alpha Trion gives us his best deep Morpheus voice and it works beautifully. Telling Pax, D, B and Alita what they needed to hear, he does so in a way that kept my interest from start to finish. Thrilled he took on the voice of Alpha Trion absolutely.
Other cast include Isaac C. Singleton Jr. as Darkwing, Vanessa Liguori as Airachnid, Jason Konopisos-Alvarez as Shockwave, Jon Bailey as Soundwave and Evan Michael Lee as Jazz.
Paramount Pictures is the longest operating and remaining major studio in Hollywood that has been on the ground floor of every major development in film. From the advent of motion pictures to the emergence of television, through the digital revolution, Paramount Pictures has been there. During our 100-year history, we have served as the production site for thousands of notable movies and television shows. For more please visit www.paramountstudios.com.
Hasbro Entertainment is a production and distribution company owned and operated by American toy and multimedia company Hasbro and succeeds Allspark, previously known as Hasbro Studios, as Hasbro's primary media production and distribution company and Entertainment One.
I will be honest, I raised four kids in the early years on Transformers cartoons and having my house covered in Autobots everywhere large and small, I didn’t know what to expect from the film. I did enjoy the 2007 TRANSFORMERS and kept following the films all the way through that vision of the franchise. So, TRANSFORMER ONE is just keeping the generational fun going with my grandkids.
The animation is pretty spectacular from start to finish and even with the dark underground city; it doesn’t affect the films action sequences at all. Instead, it is hyped up action that gives and gives and gives and trust me when I say this family was all for it. These are not stiff autobots but fast and gracefully fluid for being made of metal.
The film also has a lot of humor and fun mixed into the history of where the Autobots came from and how the Decepticons came to be. It isn’t a pretty story because, as we know, absolute power corrupts absolutely, but you can be sure this won’t be the last we will see as Optimus Prime and Megatron have a long history that needs to play out. That being said, I’m all for TRANSFORMER 2.
In the end - witness the origin!
JOKER: Folie a Deux
Jeri Jacquin
Coming to theatres this Friday from director Todd Phillips and Warner Bros. Pictures is the follow up to the 2019 film with JOKER: Folie a Deux.
Arthur Fleck (Joaquin Phoenix) has been at Arkham awaiting trial. Under the watchful eye of guard Jackie Sullivan (Brendan Gleeson), he is set into a routine of waking up, taking medication and watching television. Visiting him, attorney Maryanne Stewart (Catherine Keener), and he sees a young woman he later learns is Lee (Lady Gaga) and is instantly taken with her. At their first meeting, Lee makes it clear that she believes in the Joker.
Arthur finds a warmth in himself believing he has finally found someone who he can care for and be cared about. One thing stands in his way, the trail being held for the murders he committed. Stewart believes she can save her client by proving that his upbringing brought him to this point, but Arthur has other ideas. As his past, present and fantasy life collide – so does the life of the Joker.
Phoenix as Arthur/Joker has made the role his own and he did the best he could with what he was given. There is so much more than could have been done with this role but, instead, Phoenix’s talent wasn’t given the opportunity to expand the story toward a more believable storyline. That being said, if you are looking for the conflicted Arthur/Joker, Phoenix delivers.
Lady Gaga as Harley gives what she can to the role and that being her voice. This is not the Harley Quinn but instead just a Lee who sings through all the troubles in front of the “relationship” between herself and Joker.
Gleeson as Sulliver once again gets to play a tough character and he is so very good at it. Keener as Stewart wants to keep her client out of prison or death sentence but is fighting her own client to make that happen.
Other cast include Harry Lawtey as Harvey Dent, Leigh Gill as Gary Puddles, Ken Leung as Dr. Victor Liu, Jacob Lofland as Rickey Meline, Sharon Washington as Debra Kane, Bill Smitrovich as Judge Herman Rothwax, Ernie Bullock as Alfred Rubin Thompson, Zazie Beetz as Sophie Dumond, Steve Coogan as Paddy Meyers.
This has to be the biggest disappointment to date as far as highly anticipated films go. If I wanted to spend over two hours watching a musical then I would go see a musical. When going to see a sequel to one of the hottest films made, I come with a set of expectations of action, solid story and something that resembles connection. That being said, the script is horrible, the two leading characters are forced into oblivion or purgatory (whichever) singing all the way and all the other actors are relegated to the role of extras without a purpose.
Sorry folks, I will be quite honest and say this is a film I won’t ever see again, not even if it’s free or I happen to pass it while channel surfing. It is as if writers Todd Phillips, Scott Silver and Bob Kane went into separate rooms, wrote whatever they wanted to be in the story and then the three came together and mashed their work together with no editing or thought, when they should have followed Harley Quinn’s idea of lighting a match and burning the score into ashes. Instead, the reigns were given to Phillips so that he could torture the audience with over two hours of singing that doesn’t add anything to the messy storyline.
The horrifying fact of it is that in one two-hour swoop, two of the most recognizable characters in comics have been sent to the garbage heap of failed time lines. The budget of the film is estimated at 200 million dollars and all I can think is that there is a better use in the world for that kind of money, and the world would have been a lot better for it. But no, no one dared to tell anyone – get it right or don’t do it at all. Why does Hollywood continue to throw out this kind of money without someone saying, “hey, this isn’t working”. Oh, I know, because audiences that are excited for what they think they will see are going to pay – but in a way that isn’t nice.
Characters that we have come to know love do not exist in director Phillips’ universe, making it seem as if they never existed at all. Using music and songs to portray the “obsession” of Arthur and Lee but it didn’t even do that! The reason we love Harley Quinn and the Joker, aside from the horrible things they did, is the dark and deep obsession they have for one another – it’s not in this film at all. There is no connection between the two because they are too busy trying to sing. There is no story to their mind-bending obsession, even Harley’s character seemed more Joker-esque and it is uncomfortably awkward. Is this suppose show the audience that a woman control of the story? Even that doesn’t work. This was all so flat. The film is two hours and eighteen minutes of pure torture plain and simple.
In the title “Folie a Deux”, it means “Madness of Two” in French. Here’s a bit of trivia for you, it comes from two French psychiatrists in the 19th century came up with it referring to two or more people that share the same madness. That is about the only interesting thing that came from the film for me but, sadly, I am refusing to share in the madness.
In the end – the world is a stage!
The One and Only DIDI
Jeri Jacquin
In theatres, on Digital and coming to Bluray from writer/director Sean Wang and Focus Features is the coming-of-age story of a young man referred to as DIDI.
It’s 2008 and Chris (Izaac Wang) is a 13-year-old living in Fremont, California with mom Chungsing (Joan Chen), grandmother Nai Nai (Chang Li Hua) and irritating older sister Vivian (Shirley Chen). Chris’ father is in Taiwan working to support the family in America. Chris spends his time with friends Fahad (Raul Dial) and Soup (Aaron Chang) making funny YouTube videos of their antics around town. While the boys are having fun, Chris does have moments to swoon over his crush Madi (Mahaela Park) who he talks to on AIM (Google it kids).
His friends push him to take Madi out for a date and even though he YouTubes ‘how to kiss a girl’, he gets caught up in his nerves that makes it difficult on his date. Now Chris is nervous to talk to her again and he can’t seem to find his place in social circles as easily as Fahad and Soup. Already irritated, Chris easily flies off the handle when he and Vivian go at it during dinner which upsets Nai Nai leaving mom feeling defeated.
Trying to make things better, Chungsing focuses on Chris’ education since Vivian has already been accepted to UCSD. He isn’t in the tutoring courses a day before someone else is picking on him leaving him to feel like he is just not good enough. Meeting a new group, they want him to video their skateboarding and Chris sees a chance to fit in.
But it all starts crashing down as the stress of life hits Chungsing and Nai Nai, Vivian starts planning for her life and Chris has to come to terms with the fact that he must find a way to fix the things he broke relationship wise and find something that truly gives him joy because being a teenager isn’t for the faint of heart!
Wang as Chris must have channeled his inner teenager because he plays this role marvelously. He captures everything I remember as a teenager, everything I remember as a mom of teenagers and everything a grandmother of teenagers remembers. He is rough, arrogant, mouthy, sad, a bit funny, an antagonistic brother and lovelorn kid. Wang takes this role and runs so fast with it that his acting future is going to be absolutely amazing. Well done young man!
Chen as Chungsing is that mother who is trying her best to raise children and deal with an in-law that doesn’t seem to see good in her. She is bombarded constantly and can only react in a way that doesn’t make her feel as if she is losing her children. Like most mothers, Chen has portrayed the guilt a mother feels when wondering what would life be like if she had chosen a different path.
Chen as Vivian is an absolute vision of an older sister who enjoys taking on her younger brother. The dinner scene is one for the ages and, minus the language, I can recall watching the same interaction when my kids were teens. It is par for the course and, if you dare, will make one giggle a bit at the nostalgia. Hua as Nai Nai is an in-law who has sage advice like, “eat fruit because…” but she consistently undermines Chungsing and that causes a rift. She has a connection to Didi (meaning ‘younger brother’) and it is charming when she smiles.
Other cast include Chiron Denk as Donovan, Alysha Syed as Jade, Alaysia Simmons as Ellie, Tarnvir Kamboj as Hardeep, Joziah Lagonoy as Josh, Sunil Maurillo as Cory, Montay Boseman as Nugget, Georgie August as Georgia, Joshua Hankerson as Mack, Jayden Chiang as Max, Spike Jonze as Dead Squirrel, and Alaysia Simmons as Ellie.
Focus Features’ mission is to make a lasting impact on global audiences by creating the home for artists to share diverse, distinctive stories that inspire human connection. Focus Features is part of NBCUniversal, one of the world’s leading media and entertainment companies that brings entertainment and news to a global audience. For more of what they have to offer please visit www.focusfeatures.com.
DIDI is absolutely charming, infuriating, frustrating, memorable, nostalgic and a well written story that applies to everyone. Director Wang embraces all the mixed-up emotions of a teenager but also the struggles of a single mother, cultural beliefs, separation, guilt and the coming together of understanding in a family. In the midst of that, Wang re-creates a time when the internet was in its relative infancy, social media wasn’t even a title of things yet, and kids still ran around with their friends – you know - OUTSIDE
Chris’ relationships are complex, deep and rooted in ‘normal’ feelings with the added bonus of trying to find a slot in the world that he fits in. It is hard enough to be a teen without braces, acne and crushes running in circles around each other 24/365. The cast is absolutely stellar in their performances, even if they are teens themselves. Chen stands out even though she says very little and I know someone like Nai Nai and she is equally a hoot. The film is so relatable and that is what makes it awesome.
In the end – this is for anyone that’s ever been a teenager!
Prepare to Experience TWISTERS
Jeri Jacquin
Currently to buy or rent on Digital from director Lee Isaac Chung and Universal Pictures Home Entertainment comes the anticipated adventure when dealing with TWISTERS.
Meteorologist Kate Cooper (Daisy Edgar-Jones) is attempting to recover from a major blow to her storm chasing. Javi (Anthony Ramos) has been testing a new tracking system since then and wants Kate to jump back into the game. Hesitant, Kate agrees to come back briefly and see what Javi has going. Out in the field, she meets Tyler Owens (Glen Powell), a “tornado wrangler” who lives for the thrill of the storm.
As Kate and Javi begin chasing, it is clear that she is hesitant and is causes the team to wonder if she can handle it all. When they see what Tyler and his crew are capable of, Kate takes on the challenge and works with Javi to start chasing the outbreak of tornadoes in the infamous tornado alley. Not far behind is Tyler along with videographer Boone (Brandon Perea) and tag-along journalist Ben (Harry Hadden-Paston) who wants to write about storm chasers, drone operator Lilly
More and more storms are on the horizon but Kate learns that she might be chasing with the wrong team. Tyler and Kate decide it’s time to take the chase to another level and its none too soon as the biggest tornado is about to test them all.
Powell as Tyler is the rough and rugged cowboy chaser who cranks up the music and shouts his way into storms. His character has a swagger that charms everyone, except perhaps for Kate, but that doesn’t stop him from trying. Taking on storm by storm, Powell gives his character depth with his look on those who suffer from the devastation of the tornadoes.
Edgar-Jones as Kate experienced what happens when you take on Mother Nature and it isn’t easy to shake. Getting back into the game, Edgar-Jones brings out the history of this character and what motivates her to accept tragedy and do everything possible to create a system that can prevent disasters.
Ramos as Javi is part of Kate’s original team but after the disaster he goes on his own way. That way is being part of a new storm chasing team but it causes a rift between he and Kate. Trying to make amends, Javi discovers that what he does and how he wants to do it are two very different things.
Shout out to Hadden-Paston as British journalist Ben and Maura Tierney as Kate’s mom Cathy.
Cast also includes: Daryl McCormack as Jeb, Kiernan Shipka as Addy, Nik Dodani as Praveen, David Corenswet as Scott, Tunde Adebimpe as Dexter, Katy O’Brian as Dani, David Born as Riggs, Laura Poe as Debra, Austin Bullock as Manny, and Stephen Oyoung as Mike.
Universal Pictures Home Entertainment has just added an amazing film to their library and making it available for us to all experience and re-experience in our own home theaters. There are films of every genre available from scary to drama to family films. For more of what they have to offer please visit www.uphe.com.
MOVIES ANYWHERE gives viewers the ability to download the Movies Anywhere App. With that you can view films by downloading or streaming to your favorite device using a Digital Code. For more information on Movies Anywhere please visit www.MoviesAnywhere.com.
Exclusive Bonus Features include Deleted Scenes and a Gag Reel.
The soundtrack TWISTERS: The Album features country music artists like Luke Combs with the lead single Ain’t No Love in Oklahoma, Miranda Lambert with Ain’t in Kansas Anymore and more. The music adds an element of fun to the film and I totally enjoyed it.
The story is a bit nostalgic with its twists and nods to the 1996 Bill Paxton-Helen Hunt film TWISTER. This includes an appearance by the late Paxton’s son Cody. I felt like there were a few Easter Eggs whether they were intentional or not. See if you can find them.
TWISTERS is non-stop action and that’s what will keep you on the edge of your seat. The best part of the film is that director Chung didn’t try to reinvent the windy wheel but instead remembers what made the film TWISTER such a massive hit and become iconic. Trust me when I say if you have a sound bar, turn that puppy up because it adds an amazing element to watching at home.
The cast keep it simple and stay on point with their one goal, characters that are pit up against the elements. Tornados are a force to be reckoned with by staying out of their way, storm chasers are the ones that run into the wind while others are getting away.
In the end – if you feel it, chase it!
The story is a bit nostalgic with its twists and nods to the 1996 Bill Paxton-Helen Hunt film TWISTER. This includes an appearance by the late Paxton’s son Cody. I felt like there were a few Easter Eggs whether they were intentional or not. See if you can find them.
I also had the opportunity to speak with Glen Powell and Daisy Edgar-Jones and get their thoughts on the film.
Hi guys, thank you so much for taking the time today to talk with me. I want to tell you first off, fantastic; I love the movie so much. I’m a huge fan of the [1996] original film so I was really excited to see what you guys were going to do. So, jumping right in, Daisy, what brought you the most joy making the film?
Daisy: That’s a lovely question! It is so hard to choose. Making this film and then watching it brought me so much joy in every way. Meeting Glenn, meeting Anthony and the whole cast, it is such a great group of people. Also, honestly, just filming in Oklahoma, getting to meet real storm chasers and meteorologists. Glenn and I went chasing for real and thought it was so cool meeting these people and hope to chase with them again. Filming all the stunt sequences, it is really hard to highlight just one. It was honestly such a wonderful experience and I’m so glad I had it.
Glen, what brought you the most terror making the film?
Glen: It was so terrifying meeting Daisy Edgar-Jones, she is so intimidating and she never lets you forget she’s a superstar. I never really felt comfortable around her <laughing>. No, she in terms of joy, meeting her has been the joy of this entire experience. Obviously, when you are shooting a movie like this, in tornado alley, during tornado season, you are getting blasted with debris and dust and rain and wind and hay, your having farm equipment shot at you from across the street. There is a lot to battle and there was extreme weather while we shooting extreme weather. I think it really does come down to an amazing cast so no matter what kind of terrors we battling during this movie, we had an amazing group of people working on this.
That’s awesome. Did you feel like, while you were filming, there were moments where you thought ‘this actually happens to people!’, its harsh stuff.
Daisy: I think that was something our filmmaker Isaac was really sensitive to, he grew up in Arkansas so he had experiences with tornadoes and really knew how it impacted communities. Especially certain scenes, the production design was really remarkable and some of the sets we walked on were really a shock to see how devastating it could be. So, that was really important to us to represent the community. Isaac, one thing that he truly celebrates is how much a group of people come together after a disaster hits, how much we can help each other, pull together and pull through. This film is a real celebration of community in a beautiful way. It was definetly wild to film some of these scenes.
Again, I enjoyed the film so much and thank you for the talk!
Glen: Thank you.
Daisy: It was so nice to meet you!
TWISTERS is the action and adventure that the 1996 fans will be in the theatres to see. Knowing the basic history of that film brings a comfortability and familiarity that is going to be appreciated. The film is loud, fierce and everything you’d expect from a film that has massive tornados. The special effect and cinematography are very good and will draw everyone who sees the film into the action. Let’s face it, I think most of us would like to see a tornado in an open place (minus people being affected), it is a force of nature like no other.
My only encounter with a tornado was, as a kid, my parents, siblings and myself were going through Oklahoma in a station wagon (yes, a real station wagon) on our way to California. The sky became still and it was quite humid, it seemed out of nowhere my father veered off the road into a dip more than a ditch. He yelled for us to “get down!”. Out the back window, my brother and I saw a tornado meandering down the highway. My parents said it was a small one and all I could think was “THAT was small?”.
It was actually quite amazing that director Chung included a harsh look at the devastating effects of tornados. Taking into account that although the film is meant to entertain, there is an element of reality for the people who actually live and recover from devastation brought on by tornados, so kudos for that.
Powell, Edgar-Jones and Ramos lead the way into tornado alley and through the middle of the country with vast open spaces and small towns. Each character brings their own story and, of course, the biggest personality is that of Tyler Owens, his equally thrill-seeking crew with their music induced, Red Bull antics and an indestructible truck. Strap in because TWISTERS is going to take everyone for a ride!
In the end – chase, ride and survive!
They Leave THE ARCTIC CONVOY
Jeri Jacquin
Coming to theatres and On Demand from writer/director Henrik Martin Dahlsbakken and Magnet Releasing comes the story of a ship on its own from THE ARCTIC CONVOY.
It is 1942 in the midst of World War II and a convoy of thirty-five ships are headed to a Norwegian outpost loaded with military supplies. In the waters are German subs and, in the skies above are planes ready for attack. Captain Skar (Anders Baasmo) is responsible for one of these ships and when a message comes through that the convoy of ships is to scatter, both captain and crew are stunned.
Also on board is the man under the Captain, Mork (Tobias Santelmann), once a captain himself, he has a history that can either help or hurt the ship. Responsible for communications is Ragnhild (Heidi Ruud Ellingsen) who follows every message and listens for unexpected in the air and under the sea. Almost immediately, ships begin sending out distress calls after being attacked and Mork makes the first mistake leading the ship into a mine field.
Baasmo as Skar is a ships captain that runs things as he sees fit. Not happy when his orders are questioned, he makes it clear who is in charge and keeps his crew in line. When things begin to become scary, attacking things head on get him hurt. Baasmo’s performance is that of a captain who wants everyone to do their job and, in doing so, get the mission complete. He is not a harsh task master but he doesn’t take anything lightly.
Santelmann as Mork is a man who, previously a captain, has a story to tell that can cause unrest among the crew. He does not agree with the captain but keeps his head down until the opportunity presents itself that he must put aside his past and find a way to bring as many people as possible home alive. Santelmann’s role is that of a man who is clearly dealing with his own issues and unsure how to work with Captain Skar, but when he does make a decision that will make jaws drop, all the viewer can do is see it through!
Ellingsen as Ragnhild is stellar at her job and full stands behind the captain when hard decisions have to be made. When she comes up against Mork, Ragnhild makes it clear she will do her job but not participate in anything that will harm the ship and its crew. Ellingsen is a strong female character on a ship full of men and she knows the job refusing to tolerate anyone who attempts to bring her down. That is worth everything in this film as Ragnhild is smart, quick and they ships needs that.
Kudos to the rest of the cast for bringing in strong performances that are sometimes heartbreaking, sometimes rebellious but all brave. They include: Preben Hodneland as Lars, Adam Lundgren as Johan, Kristian Repshus as Evensen, Fredrik Stenberg as Martinsen, Tord Kinge as Isaksen, Jakob Fort as Bergvik, Jon Ranes as Sigurd, and Olav Waastad as Chiefen.
Magnet Releasing is a part of Magnolia Pictures that specializes in films from the vanguard of horror, action, comedy, and Asian cinema. It is also the home of classics like Tomas Alfredson’s LET THE RIGHT ON IN, Ti West’s THE HOUSE OF THE DEVIL, Andre Ovredal’s TROLLHUNTER, Neil Marshall’s sword and sandals bloodbath CENTURION and Tony Jaa’s ONG BAK trilogy. To find out more of what Magnet Releasing has to offer, please visit www.magnetreleasingfilms.com.
Writer/director Dahlsbakken says of his film, “World War II remains the most transformative event in world history. The human cost is appalling and touches me deeply, even after seventy-five years. The film depicts ordinary people without the prerequisites to stand in the middle of a war, who are forced to overcome the most inhumane stresses out at sea. The film is not interested in portraying archetypes but focuses on real people like you and me.”
He continues, “Nothing is black and white. Hence, it is precisely the gray areas that are interesting and make “the fog of war” a thematic title for the project. All the uncertainties, the coincidences, the lack of communication, and, not least, trust, are factors that were completely natural part of the war sailors’ everyday life. Lie at sea was merciless and brutal. The physical and psychological stresses are unparalleled. Not only did the war sailors have to deal with the risks that weather and wind brought with it, but the Murmansk convoys were targets for German aircraft and submarines, as they carried vital equipment to the Eastern Front.”
THE ARCTIC CONVOY is a strong film that tells the story of a group of ships putting their lives in jeopardy for the war effort. I enjoy stories based in reality as they have an opportunity to bring an audience to be entertained but leaving knowing something they may not have known before. The film is in the same vein as Tom Hanks’ GREYHOUND and strong in equal measure. THE ARCTIC CONVOY does exactly what director Dahlsbakken says, it focuses on real people who react as we would expect them too.
The film is epic in scope, smart in the telling and clever in the way of survival. That makes for historical story telling which Dahlsbakken has done extremely well. I was wrapped up in it all from start to finish which is what everyone wants from a film.
In the end – courage was their lifeline!
The Lesson is DANCE FIRST
Jeri Jacquin
Coming from director James Marsh and Magnolia Pictures is the telling of a life that reminds us to DANCE FIRST.
Samuel Beckett (Caleb Johnston-Miller) is a young boy living with over bearing mother May (Lisa Dwyer Hogg) and supportive loving father William (Barry O’Connor). Reaching his late teen years and hearing how everything affected only her, Samuel (Fionn O’Shea) decides that leaving is the best thing he could possibly do. His goal them becomes to meet the one writer that has affected him the most, James Joyce (Aidan Gillen).
Working with Joyce on translations, he has an amazing friendship with Alfred Peron (Robert Aramayo) and a love affair with Suzanne (Leonie Lojkine). Soon problems with Joyce’s family become dangerous and the war breaks out sending Samuel out to do his part with the French Resistance. After the war, Samuel (Gabriel Byrne) and Suzanne (Sandrine Bonnaire) work together to bring his work to the world.
When Samuel meets translator Barbara Bray (Maxine Peake) and a love affair begins as she brings reason to his work. Trying to live in a writer’s world, Samuel writes what he knows and looks back on his life riddled with questions. Suzanne wants to him live in a struggling world and pushes guilt as his writing finally brings awards. In his life, he knows the conversations that need to be had, but only within himself.
Byrne as the elder Samuel is absolutely stunning in this role. As a man who is dealing with his own inner demons, he has to take stock of where he came from and how it all finds its way into his work. Watching Bryne’s Beckett struggle with his own duality is a sight to see and his delivery of emotion is so strong that I was taken in immediately. What a challenge that he has taken on brilliantly.
Bonnaire as elder Suzanne has been with Samuel since the war and became intertwined in his work. As the years progressed, Bonnaire’s Suzanne became hard and he begins to see someone from his past reemerging. I’m not actually sure how I feel about this Suzanne but if it was to also see a familiar attitude then Bonnaire pulls it off.
O’Shea as Samuel is just so well done front his young man years until the change to Byrne. The following of Joyce, the craziness that almost cost him everything and the struggle of war, O’Shea sets the groundwork of his life and the words that come from it. Aramayo as Alfred, although a smaller role, is poignant in the life of Samuel Beckett. Clearly the friendship meant everything and the impact was strong. Aramayo’s portrayal of Alfred was so endearing.
Peake as Barbara is immediately struck by Beckett and feels strongly about his work. Wanting to help him succeed in the literary world, she is also someone key to his life. Peake’s character doesn’t rock the boat or insert herself but instead has a place in his life that no one can touch. I truly enjoyed the strong role Peake plays because she has a sense of herself that is powerful in its own right.
Other cast include Bronagh Gallagher as Nora, Caroline Boulton as Sylvia Beach, Grainne Good as Lucia Joyce, Andrew Hefler as Leon, Julia Szasz as Mania, and Szabolcs Kelemen as Prudent.
Magnolia Pictures is responsible for such releases as SLAY THE DRAGON, JOHN LEWIS: Good Trouble, the crime thriller THE WHISTLERS, documentaries such as THE PIECES I AM and films such as the directorial debut of Italian filmmaker Filippo Meneghetti. For more of what they have to offer please visit www.magpictures.com.
DANCE FIRST is an absolute thrill of a film done in black and white that embraces the era of Beckett’s memory of his life. From the events of his childhood, interaction with his parents that caused him to make early life decisions, discovering those he admired had a magazine rack full of issues of their own to the price to be paid for fame is all brilliantly done in this telling.
Beckett’s emotions come through in so many ways and that is all thanks to O’Shea and Byrne. These two actors (and it’s not because I have an Irish background either!) seem to embrace the story of this writer with such intensity and longing to make things right. When the elder Beckett is given moments of reflection, no one else could have done it better than Byrne.
Samuel Beckett is most noted for Waiting for Godot, Molloy, Dream of Fair to Middling Women as well as the trilogy, non-fiction, novels, short prose, poetry, translation works, cinema, radio and theatre. Take a moment to look up his work and you will see that DANCE FIRST is a stunning look at an extraordinary life.
In the end – in life always dance first!
THE CONVERT
Jeri Jacquin
Coming to theatres and On Demand from writer/director Lee Tamahori, Shane Danielsen and Magnet Releasing comes a story of preacher vs. a tribe with THE CONVERT.
It is 1830 and Thomas Munro (Guy Pearce) is a preacher who has come across the seas to a New Zealand settlement in the town of Epworth to bring spiritual leadership. Almost immediately he comes face to face with the brutality of a war between the Māori tribes. As one village is being destroyed, Munroe steps in to offer his horse in exchange for the life of Māori villager Rangimai (Tioreore Ngatai-Melbourne).
Reaching the town of Epworth, Munroe soon realizes that not only is there a war between the tribes, but also between the settlers and anyone who is not them! Rangiami’s presence isn’t welcome no matter how much he tries to assimilate her. Munroe is befriended by Charlotte (Jacqueline McKenzie) who also becomes acquainted with Rangimai. Attempting to understand the conflict between Maianui (Antonio Te Maioha) and Akatarewa (Lawrence Makoare), Munroe just wants the death to end.
But, if there is to be a war, Munroe knows what side he will chose and it will bring a conclusion that is surprising!
Pearce takes on the role of Munroe and, of playing the lead character, the actor says, “Munro has come from the other side of the world to be the preacher in this town that is being set up. But there's clearly a world that has existed for many years prior to white folk arriving, and the way in which different cultures try and work together… the fragility of that and the precariousness of that is something that I find fascinating,” says Pearce. “I thought the script was immediately poignant and realistic and quite profound. And knowing that Lee was going to be making this, I just knew that there was a tenderness and an intelligence to it that perhaps others wouldn't bring.”
Ngatai-Melbourne as Rangimai is a woman struggling with the grief of death and the forced attempt to understand the colonists. It is her friendship with Charlotte that makes things bearable yet there will come a time when there is no choice but to fight. Ngatai-Melbourne gives a fierce performance of a woman who knows the pride of her tribe and will do anything to fight for it. She is stunning in this role and had me all in to her character from moment one. Ngatai-Melbourne is a Māori storyteller who is of Ngāti Porou and Ngai Tūhoe descent
Maioha and Makoare as the tribal leaders are equally as fierce as Rangimai, but one has no problem attempting to use all brutal methods possible to force power and subservience. Yes, their world is brutal but, to my way of thinking, no more brutal than other cultures who fight in a war.
Other cast include Madeleine McCarthy as Bethany, Renee Lyons as Jane Beauchamp, Duane Evans Jr. as Pahirua, Jack Barry as Harris, Jared Turner as Castor Samuels, Dean O’Gorman as Kedgley and Te Kohe Tuhaka.
Magnet Releasing is a part of Magnolia Pictures that specializes in films from the vanguard of horror, action, comedy, and Asian cinema. It is also the home of classics like Tomas Alfredson’s LET THE RIGHT ON IN, Ti West’s THE HOUSE OF THE DEVIL, Andre Ovredal’s TROLLHUNTER, Neil Marshall’s sword and sandals bloodbath CENTURION and Tony Jaa’s ONG BAK trilogy. Recent released include the terrifying anthologies V/H/S and V/H/S/2, Xan Cassavette’s stylish vampire film KISS OF THE DAMNED, and the sci-fi thriller THE LAST DAYS ON MARS. Upcoming films include Ti West’s THE SACRAMENT and to find out more of what is to come please visit www.magnetreleasingfilms.com.
Tamahori says that Munro in THE CONVERT is “a humanist and a naturalist,” adding: “He is more interested in the world as it is, and he's a man escaping his past, not really a man of God. He's joined the Church Missionary Society to go as far away from Europe and his nightmares as possible. He thinks that coming to the farthest end of the planet will solve his problems, but it won't.”
Keeping the location down to a minimum allows the viewer to really get into the storyline and the cinematography is as nicely brutal as one would expect of the 19th century. The cast brings out the characters to the point that I couldn’t take my eyes off the screen. I admit to loving period pieces of all kinds and having the chance to explore this particular era in time of the Māori tribe is captivating.
Director Tamahori began to research the history of the Church Missionary Society enterprise in New Zealand, including members Henry Williams and Samuel Marsden. “One of them had been a soldier in the British Army,” says Tamahori. “He had a life before the Church Missionary Society, so I dived into that as a concept for our lead character and he became more realistic.”
That realism is what makes THE COVERT a beautifully dark and brutal film of two worlds at a time where one group is miserable so they make everyone else miserable with their prejudices and another group that seeks power through destruction. That’s all part of the history of our world.
In the end – a fight for peace and a heart at war!
MOTHER, COUCH
Jeri Jacquin
Coming to theatres from writer/director Niclas Larsson and Film Movement is a look at family dysfunction with MOTHER, COUCH.
David (Ewan McGregor) is in a bit of a predicament; it seems his Mother (Ellen Burstyn) has decided that to sit on a couch in a furniture store and not move. David’s brother Gruffudd (Rhys Ifans) isn’t much help as he seems more interested in flirting with Bella (Taylor Russell), the young woman who runs the store.
Trying to get their mother to leave, the brothers call sister Linda (Lara Flynn Boyle) who turns out to be not help either. David tries to explain to Anne (Lake Bell) what is happening but she is busy running a household. When Mom won’t leave and night falls, David decides to stay with her until they could figure out a way to help her.
In the middle of the night, Bella returns and stays with David as they make an evening of it. The next morning David meets Marcus (F. Murray Abraham) who doesn’t seem surprised by their presence. Checking on Mom, David hears things that surprise him as she seems to be pouring her emotions out about life and her own disappointments.
He is now juggling a Mother with issues in a furniture store, a brother who seems to be on a whole other level, a sister who doesn’t care, a family that needs him, two other store brothers and living in a store – it is mayhem!
McGregor as David is a man walking on a razor’s edge with the family. His mother seems to have a plan that no one else is aware of, he can’t control the siblings and his own family is suffering from the ridiculousness. McGregor has the amazing ability to pull off any role he is given and in this very different story, although frazzled, is the crazy (literally) glue holding it all together.
Russell as Bella is the young woman who doesn’t seem at all concerned with the situation that is occurring in the furniture store. She sees the world for what it is and experiences a family that is a little twisted. Ifans as Gruffudd is just going with the flow hoping that David will figure it all out and doesn’t mind throwing in his own bits of wisdom. I just love Ifans characters and this is another good one.
Boyle as Linda is a chain-smoking daughter who doesn’t see all the fuss about Mother. She is also waiting for David to make a decision on what to do but if she had her way, she’d grab her and throw her out the door. Bell as Anne knows what the family is going through and wants to be supportive but at arm’s length.
Burstyn as Mother has found her sofa and that’s all there is too that. Sitting on that lovely green sofa, she confesses, spills truths and makes it clear that the children are after affects of relationships. She is amazing in this role and her talent shows no signs of stopping and that is everything to someone like me who has followed her career for years.
Abraham as Marco/Marcus gets a chance to take on duality as Marco and Marcus, two brothers who have just as many issues as David and his siblings. He portrays a unique character that David needs to keep madness at bay.
Film Movement, founded in 2002, is an award-winning independent and foreign film company that has released more than 250 feature films and shorts. Theatrical releases include American independent films, documentaries, and foreign arthouse titles catalog such directors as Hirokazu Kore-eda, Maren Ade, Jessica Hausner and Ciro Guerra and Melanie Laurent. Bluray and DVD films bring such directors as Eric Rohmer, Bolle August, King Hu, Sergio Corbucci and Luchino Visconti and many more. To discover what Film Movement is all about and find out more about what they have to offer please visit www.filmmovementplus.com.
The film is based on the 2020 book Mamma I Soffa BY Jerker Virdborg. Larsson takes the look and feel of an Ikea and gives it an American flare of its own. The film is full of symbolism and sadness, quirk and beauty all at the same time. The emotions it provokes are powerful and attempts to teach us how difficult it can be to just, well, let go.
MOTHER, COUCH is a film about family dysfunction, lies, secrets and a mysterious key. The cast gives everything to this film and with their own unique natures but it becomes clearer and clearer as the story unfolds how they all came to this place. It seems as if only David is scrambling by all the events happening and it eventually takes its toll. It is the last ten minutes of the film that the family storm finds its calm.
In the end – he discovers that life is too short!
She is the One and Only THELMA
Jeri Jacquin
Coming to theatres this week from writer/director Josh Margolin and Magnolia Pictures is the story of a woman on a mission with THELMA.
Thelma (June Squibb) is an elderly woman living on her home since the death of her husband. Spending a lot of time with Thelma is grandson Daniel (Fred Hechinger) who helps where he can and teaches grandma something about the computer world. One morning Thelma receives a distressing telephone call that Daniel is in trouble and needs a large sum of money sent immediately to free him.
Being a good grandmother, Thelma immediately sends the funds in the mail. A bit later, she begins to wonder what she has done and calls Daniel to discover that he is fine and she has been scammed. Running over to question her is Daniels parents Gail (Parker Posey) and Alan (Clark Gregg). Beginning to wonder whether Thelma can continue to live alone, she has other ideas.
Taking off to see Ben (Richard Roundtree) to borrow his super-scooter, Thelma decides she is going to go to the address and get her money back. Now, Daniel, Gail and Alan are on the chase to find Thelma with the help of Detective Morgan (Chase Kim). Nothing is going to stop her from getting to those who underestimate the power of senior anger!
Squibb as Thelma absolutely slays in this role! Look, you don’t have to be 93 to want to put a criminal in his place and that’s exactly what Thelma does. Squibb’s voice might sound like that of a helpless senior but when the going gets tough, the tough snags a scooter! I just adored watching this story unfold because, if it be told, I’d probably want to do the exactly same thing. Squibb gives us a peek into the possibilities and, at the same time, understand her feelings of friendship, loss and being alone at her age. Just a wonderful performance!
Hechinger as Daniel is a truly kind grandson who wants to help grandma as much as possible. Even when she bucks, he makes it clear that he wants to be of service. At the same time, he is going through his own issues of breaking the cord between his parents and finding out what he is really made of.
Posey as Gail and Gregg as Alan are indecisive and a tad senior-judgmental people who don’t really understand Thelma and understand Daniel even less. They are all over the place and although their hearts may seem genuine, its hard to understand what makes them survive day to day. That’s not a bad thing, I’m just the outsider looking at them with a huge question mark over my head and then laughing.
Shout out to Roundtree as Ben living in a senior facility (are we not allowed to say nursing home anymore I wonder) and seeming to enjoy it. He also has a secret thang for Thelma and before he has a chance to say ‘bob’s your uncle’, Thelma has him caught up in the adventure and not so sure he’s enjoying it. I enjoyed watching Roundtree and, along with Squibb, show that one senior is good – two is a force to be reckoned with.
Other cast include Shela Korsi as Gloria, Annie O’Donnell as Grace, Zoe Worth as the Theater Director, David Giuliani as Starey Gary, Ruben Rabasa as Winston, Nicole Byer as Rochelle, Quinn Beswick as Colin, Coral Pena as Allie, and Bunny Levine as Mona.
Magnolia Pictures is responsible for such releases as SLAY THE DRAGON, JOHN LEWIS: Good Trouble, the crime thriller THE WHISTLERS, documentaries such as THE PIECES I AM and films such as the directorial debut of Italian filmmaker Filippo Meneghetti. For more of what they have to offer please visit www.magpictures.com.
THELMA is so much fun to watch and it is because of Squibb and her ability to pull of comedy. I have always enjoyed her performances but this one might by my favorite. She takes the lead and holds it the entire film with her charm, sweetness (until further notice), and focus on the task at hand! To my mind, criminals need to be on notice when someone like Thelma is around.
The underlying story is also quite touching as Thelma lives alone and doesn’t realize how that has had her feeling till she visits friends. Seeing for herself that there is a sadness for people her age. Thelma has made a life for herself but forgot to let others into that life to enjoy the years that pass all too quickly.
In the midst of all of this mix is pure comedy gold. Squibb and Roundtree together had me laughing so much. The adventure could never have been what Thelma imagined but it certainly didn’t stop her from the finish line. Watching everyone else run around like mad to save Thelma from herself, its too bad they didn’t understand that she had things under control, well, in her own special way and that’s all that matters. What a wonderful story that writer/director Margolin has brought to the screen so if you are looking for heartwarming, adventurous fun, then let THELMA take you on a ride.
In the end – revenge has never been sweeter!
A QUIET PLACE: Day One
Jeri Jacquin
Coming to theatres this Friday from writer/director Michael Sarnoski and Paramount Pictures is the beginning with A QUIET PLACE: Day One.
Samira (Lupita Nyong’o) is spending her days in the hospital and slowly closing herself off. Nurse Reuben (Alex Wolff) tries to find something that will bring Sam out of her funk and suggests a day in New York City. Making him promise they would get pizza; Sam decides to pack up her cat Frodo and go on a little adventure.
Not happy to discover their destination, Sam decides to make the best of it and meets Henri’s (Djimon Hounsou) family. When emotions get the best of her, Sam makes her way back onto the bus and the rest of the gang soon follows. It isn’t long before she realizes that something is terribly wrong and quickly everything explodes.
Waking up, she is immediately motioned to remain quiet noticing all the wounded people around her. Happy to see Reuben and Frodo, Sam still doesn’t understand what is happening around them. When it all becomes clear, Sam is horrified to realize the world she knows is crumbling around her. Gathering up her things, Sam takes off on her own. When the visitors continue their attack, Sam meets Eric (Joseph Quinn) who is clearly in shock.
The two begin their trek across New York believing that there is the possibility of rescue. They also begin to understand one another and strong connections form in the new place of madness. Each step they take brings them either closer to attack or closer to the slim chance of rescue.
Nyong’o as Sam is a woman that is dealing with so much in, what she believes, is a short amount of time. The only human connection she seems to have is the strained relationship with Rueben and the not-so-human connection with her cat Frodo. Once the invasion begins, she has one goal and nothing is going to stop her from achieving it. Nyong’o gives us a strong female character that is clear about what she wants. The last moments of the film had everyone in the theatre whispering, “whoaaaa” and that is worth every letter of the word.
Quinn as Eric is traumatized by what has happened and he is having a difficult time gathering his emotions. Meeting Frodo first, he follows a path that leads him to Sam and as much as she wants him to go away, Eric cannot bring himself to do it. Life and death are in front of them both and attempting to survive together is everything. Quinn gives us the fear I would expect from any normal human being under attack by something so vicious as the creatures are. He does it well, just as his characters compassion is so moving.
Hounsou as Henri is a husband and father doing what ever it takes to ensure his families survival. His character is in A QUIET PLACE II and now we know his story as well.
Shout out to Frodo because now I think my own cat needs some training in the ways of alien attacks!!
Other cast include Eliane Umuhire as Zena, Zay Domo Artist as Bryan, and Kait Feeney as Fran.
Paramount Pictures is the longest operating and remaining major studio in Hollywood that has been on the ground floor of every major development in film. From the advent of motion pictures to the emergence of television, through the digital revolution, Paramount Pictures has been there. During our 100-year history, we have served as the production site for thousands of notable movies and television shows. For more please visit www.paramountstudios.com.
A QUIET PLACE: Day One still doesn’t explain who the aliens are and what brought them to Earth (maybe that’s another film) but instead, it stays with the same original formula of humans trying to survive. Learning quickly that quiet offers them a chance, this story is being carried by Nyong’o, Quinn and Frodo. Discovering ways to talk to one another also gives much more voice than the first two films.
Taking off quickly with the jumps and scares, it obviously worked as the young lady next to me was practically curled up in her chair looking through her fingers. There are jaw dropping moments and whisperings of “noooooooo”s, mainly because the story pulls us in quickly and we want that happy ending which seems impossible in the world that no longer belongs to the human race.
The cinematography and special effect are quite good but I would expect that since the aliens have been set up for the story in two previous outings. We know what they are capable of so the focus then becomes on the survival of Sam, Quinn and Frodo. Playing their characters well, Nyong’o and Quinn are the connection between the story and the audience.
Buckle up buttercups and be quiet about it.
In the end – hear how it all began!
It is the Life of
JEANNE DU BARRY
Jeri Jacquin
Coming to theatres from writer/director Maiwenn and Vertical is the story of a woman in a country of few choices when your JEANNE DU BARRY.
Jeanne (Maiwenn) is a young woman in 1700’s France who is the daughter of a house maid. Taken in by a Roch-Claude Billard (Robin Renucci), she is taught to read and think for herself. Getting away from those who would tell her what to do and how to behave, Jeanne finds herself as a courtesan under Guillaume du Barry (Melvil Poupaud). It is Louis Francois, the Duke of Richelieu (Pierre Richard) who pushes to introduce Jeanne to King Louis XV (Johnny Depp).
In a planned meeting at Versailles, King Louis sees Jeanne and is intrigued by her presence. Jeanne is then visited by Jean-Benjamin de La Borde (Benjamin Lavernhe) who informs her that she is going to meet the King and what the rules are in his presence. Jeanne and the King meet and there is an instant spark between them as she quickly becomes the King’s favorite, much to the dismay of his daughters Adelaide (India Hair), Victoire (Suzanne de Baecque), Sophie (Laura Le Velly) and Louise (Capucine Valmary).
The only person that seems to be happy for the King is the Dauphin (Diego Le Fur) who sees the mistreatment by the court toward Jeanne. Adelaide decides to spread her dislike through to the Dauphin’s intended Marie Antoinette (Pauline Pollmann). The King begins to see what is happening to Jeanne and lavishes her with a place where they can be away from the court and the young Zamor (Djibril Djimo).
Being watched over by La Borde, Jeanne is still fighting for survival in a place that doesn’t see her as anything more than a nuisance during a time when the people of France are starting to resent those in power. As the King falls ill, Jeanne tries to be of comfort but her life is about to come full circle.
Maiwenn as Jeanne comes across for so many reasons. she is just so lovely without adding anything to her appearance which charmed me all the more. Allowing her performance to shine, she made it look so effortless. Jeanne is a woman of her times doing what it takes to survive in a world that doesn’t see her. Instead, as a grown woman, Maiwenn makes it clear that she may have to give and take in the matter of her survival but don’t try and take control away from her. Once in the company of the King, Maiwenn gives Jeanne charm, grace, and never once changes because it is just not who she is. The relationship between Jeanne and the King becomes one that is always in flux – until it isn’t.
Depp as the King seems to have no time for the goings on around him, at least that’s what his facial expressions seem to show. Meeting Jeanne is a breath of fresh air and a chance to be equally as charming if not entertaining. As much as the King’s family want Jeanne gone, the King knows what he wants and Jeanne brings it naturally. Depp is truly fascinating to watch as his role is more watchful than a lot of royal talk. I must admit I was moved by his portrayal in many scenes but truly expected nothing more than his best and not disappointed in the slightest. Yes, he does speak French but then again, he did in his film THE NINTH GATE as well.
Lavernhe as La Borde is emotional, funny even if he doesn’t mean to be and a true friend to the King. Watching him attempt to train Jeanne to court life I knew wasn’t going to be easy but Lavernhe’s portrayal of La Borde makes it entertaining to watch. As the film progresses, it is clear that whatever La Borde’s first impressions of Jeanne were, at the end he is a man with a beautiful heart. I enjoyed Lavernhe’s portrayal of a man who is doing is best with a woman who knows who she is and his uncomfortability is often tested.
Djimo as Zamor is a young man who is given to Jeanne by the King but he is not from France. She raises and loves the young boy but there will come a time where he must decide his own future fate. Le Fur as the Dauphin sees that Jeanne makes his father happy and also sees that family and the court are making life difficult for her. He will also come to a point in his life where the world will change.
Other cast include Gregoire Oestermann as Abbot Louis-Nicolas Maudoux, Patrick d’Assumcao as Etienne Francois, duc de Choiseul, Marianne Basler as Anne Becu, Noemie Lvovsky as Countess Anne de Noailles, and Micha Lescot as Florimond Claude.
Vertical Entertainment is a global independent distributor that offers a unique wealth of experience minus the studio costs. They have won a Film Independent Spirit Award for Best Actress for Molly Shannon’s role in OTHER PEOPLE and the film won a GLAAD Award for Outstanding Film Limited Release, Best International Film for Babak Anvari’s UNDER THE SHADOW, a BAFTA and three Independent British Independent Film Awards as well.
JEANNE DU BARRY was the Official Selection in 2023 at the Cannes Film Festival, 2023 nominee for the Golden Tower, Best Film at the Palic Film Festival and nominated for Best Costume Design and Best Production Design by Cesar Awards in France.
Director/writer Maiwenn says of her film and role in JEANNE DU BARRY, “It started when I saw Sofia Coppola’s MARIE ANTOINETTE in 2006. As soon as Jeanne appeared on screen, I was fascinated by her character, played by Asia Argento. I immediately felt a strong connection with her and missed her as soon as she wasn’t on the screen. I fell in love with her and her era. I immersed myself in a detailed biography of her and felt the need to make a film about her right then.”
Her love affair with Jeanne clearly shows starting with letting the viewer know a bit of her history. As one who is fascinated with people in history, I also was interested in Jeanne. What Maiwenn does is dive right into her story and make it plain that there are no excuses for how this woman chose to live her life and I’m all about it. Adding a dash of Depp to the mix and giving him a crown was equally incredible. There was more on this actor’s character than needed to be spoken out loud, until he truly needed to.
As someone who absolutely adores period films, the production on this film is lavish, opulent and the Hall of Mirrors is just as stunning as I would ever have imagined. The costuming is stunning and gives every thread of the upper-class dress, wigs, jewelry etc. This film is definetly one that I will watch again and again. Maiwenn is a genius and I said what I said!
In the end – from illegitimacy to having the love of a King!
She is History with FIREBRAND
Jeri Jacquin
Coming to theatres from director Karim Ainouz, Vertical and Roadside Attractions is the story of one of the many wives of Henry the VIII with FIREBRAND.
Katherine Parr (Alicia Vikander) is an educated woman in Tudor England who has been married before. When King Henry VIII (Jude Law) takes her for his sixth wife, Parr is not completely happy about the union. Knowing his history in the death of previous wives, accepting comes with a personal risk. Yet there is something about Katherine that Henry trusts and his children Princess Elizabeth (Junia Rees) and Prince Edward (Patrick Buckley).
So much so that he appoints her Regent while he is away fighting knowing that it can cause her difficulties. It is almost immediately that men around the king spend their time watching her every move. This includes her friendship with Anne Askew (Erin Doherty), a childhood friend who believes, as Katherine does in the Protestant beliefs. Katherine pleads with her friend to leave the kingdom before harm comes to her but Anne is steadfast in her work to bring the people of England strength in numbers.
When the King returns, there are whisperings in his ear about Katherine’s steadfastness to the crown especially Stephen Gardiner (Simon Beale). He has a plot of his own to push past the King. When that doesn’t work the whisperings of infidelity begin and what is causing Henry to become muddled is the infection that is ravaging his body. When Katherine learns of the fate of Anne, she realizes that the men of the court are placing her life in the same fate as the five wives before her.
She does not want to be among them!
Vikander as Katherine is absolutely amazing in this role and her demeanor is everything! Katherine does not panic in any situation she is put to, a little momentary frazzle (which anyone would) but she does not fall apart. Instead, she becomes more steadfast in the belief that she knows her own mind. Vikander gives us a Katherine that does not cower to those who are attempting to ruin her in the eyes of the King, instead, Vikander straightens her crown and makes it clear she will take whatever is in front of her without losing any part of herself. That is perfection.
Law as Henry gives us a King that is full of himself and narcissistic one minute and a man who can not think for himself in others. Whispering in his ear are men who have no difficulty squashing any women who gets in their way. Having gotten their way with previous wives, Katherine is no push over and they are scrambling as Henry deals with his own personal and physical struggles. Law gives moments of pure Henry-nastiness and does it without skipping a beat.
Beale as Gardiner has been handling the King for quite some time so when he believes Katherine is trying to change the status quo, he goes after her. Making the King believe that Katherine is not a loyal wife, he does what he can to put her head on the chopping block, literally. Beale gives his character the “what a weasel” whisperings from me as I watched him be a charming character with another destructive face. Well done sir!
Rees as Prince Elizabeth makes it clear that Katherine is someone she looks up to and makes it clear to Henry that her fate doesn’t deserve what the men of the court are pushing for. Buckley as Prince Edward also makes his stance clear as his love for her is strong. Doherty as Askew may have a small role but it is of big importance. It becomes a catalyst for Katherine to hang on to who she truly is.
Shout out to Eddie Marsan as Edward Seymour as I just love everything that he does. He takes a role and makes it his own and makes it memorable.
Other cast include Ruby Bentall as Cat, Bryony Hannah as Ellen, Patsy Ferran as Princess Mary, Mina Andala as Jalinda, Paul Tinto as Stowe, Mia Threapleton as Joan Bocher, Ian Drysdale as Sir Anthony Denny, Edward Harrison as John Gates, Norman Bowman as Sir William Herbert, Jason Baughan as Will Sommers, Anna Mawn as Agnes Howard and Sam Riley as Thomas Seymour.
Roadside Attractions has, since 2003, grossed over $300M and garnered nineteen Academy Award nominations. They have had critical and commercial hits such as MANCHESTER BY THE SEA, BEN IS BACK, BEATRIZ AT DINNER, HELLO MY NAME IS DORIS, WINTER’S BONE and THE COVER as well as so many others. For more information of what Roadside Attractions has to offer please visit www.roadsideattractions.com.
FIREBRAND is a stunning film about Katherine Parr and the beginning of the end for Henry VIII. First of all, the cinematography is stellar from the beginning to end. The richness can be found in the costuming that is of the times with its heaviness and construction for the women – ironic, isn’t it? These two things are so important when telling a period piece such as this. For me, if you can win in these two areas then you’ve one me whole heartedly.
The story of Katherine Parr is one that has been brushed over before but with Vikander at the helm, it is a look at the strength of character in this young woman. Let’s be honest, most of us would run for the hills if a man who has off’d five other wives wanted us to be the sixth! The difference here is that Parr was a woman of substance and knew the risks. What is equally stellar is Parr’s steadfast in her beliefs about everything in her life and that makes for good storytelling.
In the end – Henry VIII had six wives and only one survived!
Who will Survive THE EXORCISM
Jeri Jacquin
Coming to theatres this Friday from writer/director Joshua John Miller, writer M.A. Fortin and Vertical is a man in crisis with THE EXORCISM.
Actor Tony Miller (Russell Crowe) has spent the last few years dealing with addiction issues and family problems. Daughter Lee (Ryan Simpkins) has arrived home due to being expelled from school and it is clear that father and daughter have deep seeded issues. Trying to get along, Lee offers to help Tony learn the lines for a new horror film he has been cast in and he brings her on as his production assistant.
On the set, Lee meets Blake (Chloe Bailey) who is a music star also in the film and they strike up a friendship. Ready to being is the director, Peter (Adam Goldberg), who speaks his mind and pushes Tony to perform using his disturbing past with the church and his family life as a motivator. Father Conor (David Hyde Pierce) is the religious advisor on the set to share what he knows about exorcisms.
Lee notices right away that something is happening with her father. Tony is acting strangely and the young girl believes he is reverting to old behaviors. That is until she begins seeing things that cannot possibly be true. Asking for help from Father Conor, they both come to realize that the only way to save Tony is but confronting the evil that is plaguing him.
Crowe as Miller is no stranger to the mysteries of the spiritual world. In 2023, he took on the role of Father Gabriel Amorth in the film THE POPE’S EXORCIST so in this film he takes on the challenge of a non-religious dealing with demons. Haunted not only by his childhood but the bad way Tony handled his homelife and relationship with his young daughter, it was enough to give the demons an in and Crowe goes along for the ride pretty well. It is a solid performance as he portrays this tortured soul.
Simpkins as daughter Lee is a 16-year-old who plays right into the stereotypical on-screen teenager who has a bad attitude, uses her words to bite and things her rebellion is original. Watching Tony go through changes, Simpkins character starts to believe that it is not his past addictions that are plaguing him. That’s when she changes herself which can make all the difference.
Pierce as Father Conor is on set to give his impressions of Tony’s portrayal of a priest but finds himself befriending Lee. As time goes along, Pierces’ character also sees what Tony’s daughter has been saying about her father. That is when he knows what must be done. Pierce gives a quiet performance at the beginning but definetly shows what his character is made of.
Shout out to Goldberg who plays the director of the film. Honestly, this character is hideous, mean spirited and I wanted to smack the garbage out of his mouth but then again, it got the job done beautifully.
Other cast includes Sam Worthington as Joe, Tracey Bonner as Regina, Marcenae Lynette as Monica, Hallie Samuels as Hayley, Joshua Miller and FX Guy, Anna Reyer as Hair Stylist, Samantha Mathis as Jennifer.
Vertical is a global independent distributor that offers a unique wealth of experience minus the studio costs. They have won a Film Independent Spirit Award for Best Actress for Molly Shannon’s role in OTHER PEOPLE and the film won a GLAAD Award for Outstanding Film Limited Release, Best International Film for Babak Anvari’s UNDER THE SHADOW, a BAFTA and three Independent British Independent Film Awards as well. For more go to www.vert-ent.com.
Director Miller is actually the son of the actor Jason Miller who originally played Father Karras in the 1973 blockbuster, and frightening film of the time, THE EXORCIST. Hearing the stories told by his father are of how there were injuries on that set, mysterious happenings and the haunted feelings. Along with co-writer Fortin, the idea was to update the genre formula of man vs. possession. “We were gifted with an extraordinary cast and creative team to tell a story about how we’re all vulnerable to darkness, to perpetuating it, if we fail to face our demons,” says Miller.
Crowe says of his role in the film, “For me, as an actor to play a man who has had these life experiences, carries these things, was quite complicated. It was a very challenging idea as a role, so it got my interest. On playing the role of father, he says, “[my character] wants to take that position of father but realizes that he has work to do to rebuild trust with his daughter. However, she’s quite closed off so it’s a difficult situation for them both.”
The film peels back slowly to get to the heart of the matter with the final explosive scenes that is worthy of using the gasps of “WHOA!”. Grabbing onto the idea of the 1973 film, director Miller and the cast bring about the shakes and shivers one would expect of a film that brings a demon into play. Keeping the film dimly lit, loaded with grey colors and shadowy spooks and frights, THE EXORCISM falls in line with the rest of this genre of films.
Turn the lights out and have an arm to hold onto to prepare for THE EXORCISM.
In the end – unmask the devil and the devil will retaliate!
He is WHAT REMAINS
Jeri Jacquin
Coming to theatres from writer/director Ran Huang, writer Megan Everett-Skarsgard, Kaleidoscope Entertainment and VMI Worldwide is the story of a mystery based on true events and WHAT REMAINS.
Scandinavian Mads Lake (Gustaf Skarsgard), a confessed murderer, has been in a psychiatric hospital for years and trying to find a life within the madness he feels. His therapist Anna Rudebeck (Andrea Riseborough) is trying to not only help him find answers, but distinguish between what is true and what is something else. One man who just wants the truth of it all is policeman Soren Rank (Stellan Skarsgard), who does hold much stock in having Lake at a psychiatric hospital.
Pushing Lake further and further into the investigation, Rank is convinced that he knows more than he is telling. Anna tries to tell Rank that he must go slow with Lake and allow him to help the investigation at his pace. With each step forward, Lake becomes more emotional as well as fearful. All three are handling this situation in their own unique ways and all have the same goal – to understand what happened and bring answers to families who have been waiting for years.
Adding to the stress for them is that Lake can not get the story from his own brother, Anna is trying to deal with her own past traumas and Rank struggles to find answers to his own home troubles.
Skarsgard as Lake is pure perfection in this role. Yes, I came to know of him through his equally perfect role of Floki on the hit television series VIKINGS. In WHAT REMAINS, Skarsgard gives us a look at a deeper character that is locked in the cycle of what is real and the torture of it all. For every step forward, Lake is sliding further and further into a place of fear and memories and Skarsgard takes us along stunningly.
Riseborough as Anna is a therapist who believes she can help Lake in discovering his past so that he can at last know where it all came from. Riseborough’s character is full of her own complexities and traumas which, it seems, she masks by helping Lake with his issues. She has always given an intensity to the roles she has played but this one in particular is slow in its telling but when it becomes clear, it is equally as sad. Well done!
Stellen Skarsgard as Rank is an officer having home problems and personal issues of his own. Becoming involved in the Lake case affords him a way to avoid dealing with it all. Going in guns blazing, he is forceful and hard on Lake without understanding how working with Anna instead of doing things on his own might help him get to the answers of missing children as well. What I enjoyed most about Skarsgard’s portrayal is watching his character evolve.
VMI Worldwide was founded in 2010 and since its inception, VMI has represented an extensive variety of cast-driven titles. During its evolution, VMI possesses the ability and desire to board the right project, at any state of development. Some of their films include THE PRICE WE PAY, THE LAST SUN, WANDER and WAKE UP starring Jonathan Rhys Meyers and Francesca Eastwood. For more of what they have to offer please visit www.vmiworldwide.com.
Other cast include Eva Magyar as Lillemor, Antti Luusuaniemi as Dr. Jepsen, Malka Ahlroth as Elin, Darren McStay as Martin, Charlie Peterson as Helvin Holst, and Henrikki Haavisto as Eric Gunnarson.
Director Huang uses his interest in true crime to work with Stellan Skarsgard and his wife Megan Everett-Skarsgard to work on the story. That is not where the Skarsgard connection ends however, as son Gustaf joins the ranks in the leading role of Mads Lake. This is a family that has placed their talents on the map joined with Bill and Alexander Skarsgard as well. From almost every genre possible in the film industry, the Skarsgard clan has cemented their place beautifully.
WHAT REMAINS is a film about traumas, tragedies and the stories we refuse to allow ourselves to believe or experience. Dealing with a man who has come from childhood trauma, Skarsgard’s portrayal of Lake brings dual emotions for the viewer because is he a killer or is he lost in jumbled up false memories? Riseborough is not that far off the mark herself as Anna is also avoiding her own traumas and inability to accept truths in her life. Skarsgard as Rank is an officer who has anger issues brought on by his own inability to handle life using Lake as a way to avoid it all.
The story is slow in the telling but, for myself, it speaks volumes of how the director wanted to be sure that everyone is on board for the ride. Exploring the main character is rough in the context of Lake’s situation but, exploring that of Anne and Rank is equally as important. Attempting to do their jobs respectively when they are having a difficult time themselves calls into question the moves that each makes. Skarsgard’s Lake is a sad and frightening character and I couldn’t take my eyes off his performance.
In the end – they must discover what is real!
